List of forthcoming conferences.
University of Roehampton, London, 24-27 August 2017
The Before Shakespeare conference explores the first three decades of the London playhouses (c. 1565-95). We encourage papers from a rich variety of approaches, interests, and methodologies, including but not limited to:
- Popular culture of the period
- Literary developments of the mid to late sixteenth century social history
- Theatre history
- Performance criticism
We encourage proposals for different kinds of presentations: traditional papers, panels, performance workshops, shorter speculations or provocations into the state of the discipline, or roundtables. On the third day of the conference, we will be working closely with the theatre company attached to the project, The Dolphin’s Back, and welcome proposals to work with them. If you are interested in different forms of presentation or in putting together a panel, you are welcome to contact us to discuss.
Please send abstracts of up to 300 words and a short biography to firstname.lastname@example.org by 30 March 2017.
The conference features workshops and performances in collaboration with The Dolphin’s Back (director and actor James Wallace); theatremaker Emma Frankland; and Shakespeare’s Globe.
Keynotes: Nandini Das, William Ingram, Heather Knight, Cathy Shrank, Holger Syme, and Emma Whipday.
The conference ends with the final Before Shakespeare Read Not Dead at the Sam Wanamaker Playhouse, Shakespeare’s Globe, on Sunday 27 August. (The Read Not Dead staged reading of Sapho and Phao is a conference event, but tickets must be booked separately via the Globe website.)
Full price: £115; with accommodation (incl. breakfast): £315
PhD/ECR subsidised price: £35; with accommodation (incl. breakfast): £125
We also offer two UK travel grants (£50) and one international travel grant (£180), including fee waivers, for PhD/ECR delegates thanks to a Small Conference Grant from the Society for Renaissance Studies. Please apply by email to the above address with a short CV and 250-word statement in addition to your abstract.
NEW HISTORIANS CONFERENCE 2017
Victoria University of Wellington, 4-5 September 2017
The postgraduate students in the History Programme at Victoria University invite papers on all historical themes, topics, or issues from MA and PhD students. Interdisciplinary contributions exploring any aspect of the past are especially welcome.
Now in its 12th Year, the New Historians Conference provides the opportunity for postgraduate students from New Zealand—and overseas—to present their work to fellow students and pro-fessionals in a supportive environment. The Conference provides an excellent opportunity to receive feedback on work, and interact with students from around the country.
Presentations are to be 20 minutes long, with 10 minutes allowed for questions. Computers and projectors will be available for use.
There is a $25 registration fee, payable on Day 1 of the Conference. There will also be a confer-ence dinner on Monday 4 September, which will be paid for separately. Lunches and snacks on both days of the conference will be provided.
Please submit an abstract of no more than 200 words, a brief biographical statement of no more than 100 words, and your contact details to email@example.com. The deadline for submissions is Monday 24 July 2017.
FORMS OF THE SUPERNATURAL ON STAGE: EVOLUTION, MUTATIONS
Université François-Rabelais de Tours, France, 7-8 September 2017
The subject presents an obvious specific interest in the English context, given the impact of the religious reforms (and counter-reforms) over the sixteenth century. On the one hand, the medieval biblical plays, miracles and moralities disappeared (though in chronologically and geographically uneven fashion), while, despite sporadic upsurges of a theatre of Protestant propaganda, the dramatic representation of sacred personages and explicitly religious themes became progressively more difficult, to the point of near-impossibility. On the other hand, from the development of the Elizabethan public theatre in the 1570s, playwrights found indirect and innovative means of dramatising spiritual issues and entities. With respect to dramatic works ranging from the Middle Ages to the seventeenth century, contributors to the Round Table will attempt to identify points of rupture and continuity in evolving dramaturgical practices, taking into account the operations of censorship, as well as questions of genre, the mentality of spectators, and staging techniques.
Proposals (200-300 words) for 30-minute papers in English should be directed to Richard Hillman (firstname.lastname@example.org) by 15 December 2016.
“ALL THAT GLITTERS”: DRESSING THE EARLY MODERN NETWORK CONFERENCE
Kunstgewerbemuseum & Lipperheidesche Kostümbibliothek, Kulturforum, Berlin, Germany, 14–15 September 2017
Since few garments survive from the early modern period, especially pre-1700, reliance on depictions of early modern dress in art is unavoidable. Dress and textile representations in paintings, drawings, prints, costume books, album amicorum, and sculptures form some of the main visual sources, which in addition to possibilities have various limitations with regards to reliability and interpretation.
From fantasy draperies and studio props to true to life portrayals of the sitter’s real garments, the implications of what pictorial representations can offer to dress historians are innumerable and complex. While in some cases depictions of dress and textiles can act as tools for interpretations of paintings, in others, such as some depictions of dress and fabric worn in the overseas colonies, these are merely akin to fantasy dress in art. Portrayals of the elite largely survive providing information about the dress worn by the upper echelons in society. However, do such portrayals depict innovations in dress style and textile patterns accurately or do they merely portray a traditional form of dress that conforms to the specific genres of the various visual mediums? Furthermore, such portrayals are scarce in regard to clothing worn by other classes of society and in many cases the context in which they were depicted may have affected the representation. The conference aims to generate a discussion about the extent to which visual sources can be reliable in providing an accurate representation and understanding of the changes and innovations in dress, textiles, fur, haberdashery and jewellery with regards to the context in which they are depicted and used.
PhD students and early career researchers are invited to speak using case studies about the reliability of visual representations in relation to mapping fashion in the early modern. We invite potential speakers to submit as a single document to the Dressing the Early Modern Network at email@example.com:
- A 300-word paper abstract, which should include the main question of the research project or paper
- A paper title
- A brief curriculum vitae and a short biography of 150 words maximum
- Institutional affiliations
- Contact information
Each speaker will be allotted twenty minutes. The deadline for submissions is 30 May 2017. Notification of the outcome will be advised by e-mail on or before 15 June, 2017. Please note that funding is not provided for this event, so participants will be required to fund and arrange their own travel and accommodations.
GRIEF AND CONSOLATION
IAS/UWA Classics and Ancient History/CHE Symposium, Institute of Advanced Studies, The University of Western Australia
15 September 2017
More info: http://www.historyofemotions.org.au/events/grief-and-consolation
Submissions Deadline: 1 August 2017
Submissions: Send to Lara O’Sullivan (firstname.lastname@example.org)
Grief, particularly the grief associated with bereavement, has been a constant companion of humanity throughout the ages. But how are we best to deal with grief? Traditional rituals have had a part to play, but consolation for grief has also been sought through intellectual processes: through awareness and (self-) analysis of the emotional and cognitive responses to grief, and through the articulation of grief in language, music and the arts.
Held under the joint aegis of the Institute of Advanced Studies UWA, the Discipline of Classics and Ancient History at UWA, and the ARC Centre of Excellence for the History of the Emotions, this interdisciplinary colloquium proposes a broad exploration of grief, and of the strategies employed in the consolation grief across time and culture. Papers (of c. 20 minutes’ duration) are invited to engage with this theme, whether literary, musical, philosophical, medical or other perspectives.
The special guest at the colloquium will be Professor Han Baltussen, the Walter Watson Hughes Professor Classics at the University of Adelaide. Professor Baltussen will be visiting UWA in September as an IAS Visiting Professor; while in Perth, he will be working on his current project, which traces the emergence of the conscious treatment of grief in ancient Greek oratory, philosophy and medicine.
PEACE, EMPATHY AND CONCILIATION THROUGH MUSIC: A COLLABORATORY
The University of Melbourne, 21-22 September 2017
Enquiries: Samantha Dieckmann (email@example.com)
Organised by the ARC Centre of Excellence for the History of Emotions, The University of Melbourne, in collaboration with the Faculty of the Victorian College of the Arts & Melbourne Conservatorium of Music, and Multicultural Arts Victoria, this collaboratory will bring together researchers, practitioners (musicians including performers, community musicians, music educators, music therapists; community development workers; social service workers; arts organisation delegates), and arts and community policymakers to share ideas around the ways that music is used to develop peace, empathy and conciliation. We invite submissions from local, national and international researchers and practitioners, and hope that the symposium will produce thought-provoking discussion and fruitful partnerships between industry, community and education sectors.
Organised around the United Nations International Day of Peace, this collaboratory will include a keynote address by Laura Hassler, founder and director of ‘Musicians Without Borders’.
Topics of interest include, but are not limited to:
- The emotional, social, cultural, psychological and/or political mechanisms underlying the use of music in peace building, empathy development and/or conflict transformation.
- The characteristics of effective and ineffective musical practices and programs aimed at peace building, empathy development and/or conflict transformation.
- The ways in which various stakeholders involved in this work engage with one another, and the implications of their collaboration.
- The frameworks within which such music programs and practices are supported, and how these structures affect the work itself.
- The ways in which schools and universities engage with music practices and programs aimed a peace building, empathy development and/or conflict transformation, and the ways this engagement can be improved upon
Accepted presentation formats:
Academic papers (20 mins); fieldwork reports (20 mins); thematic panels of 3-4 speakers (45 mins); workshops (60 mins or 90 mins); poster presentations (A0 size).
Call for Papers
Submissions should include the title of presentation, presentation format, 250-word abstract, and short professional biography of presenter/s (approx. 50 words).
Email submissions as Microsoft Word files to firstname.lastname@example.org
Deadline for submissions is 1 June, 2017, and notification of acceptance/rejection provided within two weeks, with instructions on how to register. Deadline for registration is 1 July 2017.
PIRATE FICTION IN THE MIDDLE AGES, 500-1500 AD: THE IMAGE OF THE SEA-WARRIOR IN MEDIEVAL TEXTS FROM THE FACTUAL TO THE FANTASTIC
University of Southern Denmark, Odense, 21-22 September 2017
Keynote Speakers: Sebastian Sobecki (University of Groningen) & Emily Sohmer Tai (CUNY)
In the recent years the study of plunder at sea in the Middle Ages, more popularly known as piracy, has received increased interest in medieval studies. Most research up to now on medieval piracy has so far approached the subject from a politico-legal point of view. This has yielded important insights into the legal status of piracy and its practice in the Middle Ages. However, investigations into the perception of pirates and piracy in medieval Europe, and possible changes in this perception over time, are mostly lacking. This is an unfortunate state of affairs. Although pirates and piracy in legal terms denote criminals and crime, these terms in much literature and popular fiction designate rebellious heroes against tyranny and injustice. While law and state power are most certainly vital to the study of piracy and plunder at sea by neglecting the image, perception and contemporary discussion of this maritime culture only half the story is told.
Inspired by the works on “fiction” in the archives by Natalie Zemon Davis and Claude Gauvard this conference seeks to address this lacuna by bringing historians and scholars of literature and art together to explore ‘pirate narratives’ not only in historiography and law but also in medieval romances and novels, hagiography, chronicles, diplomatic correspondences and iconography. We therefore invite scholars to contribute to the discussion of medieval sea warriors, pirates and piracy by the study of the various narratives of illustrious and/or infamous persons such as Ragnar Lothbrok, the Jomsvikings, Eustace the Monk, William Smale and John Hawley, Don Pero Niño, Gadifer de la Salle, Klaus Störtebeker, and Benedetto Zaccaria. This list is by no means exhaustive and we welcome papers on any men, women (factual or fictive) or themes of war and plunder at sea in the medieval Atlantic, the North Sea, the Baltic Sea and the Mediterranean in the ‘long’ Middle Ages.
Deadline for paper proposals (max. 200 words including paper title) should be send to Thomas Heebøll-Holm email@example.com no later than 31 January, 2017. There will be no registration fee.
This conference is a collaboration between Thomas Heebøll-Holm, Assistant Professor, University of Southern Denmark and the Centre for Medieval Literature (CML), Odense & York.
EARLY MODERN DEBTS: OBLIGATION & CANCELLATION IN EUROPEAN CULTURE, 1550-1700
Otto-Friedrich-Universität Bamberg, Bavaria, 21-22 September 2017
Historians, philosophers, economists, scholars of art, literature and theatre have begun to attend more closely to the role of debt in early modern culture. It has become clear that private debt, nebulously conceived as credit, was involved in the production and reproduction of social relations, political ideology, even subjectivity. The history of debt has become an object of serious interdisciplinary interest, but the question of how apparently distinct forms of debt co-developed is often suspended.
Early Modern Debts will stimulate rigorous interdisciplinary work on debt and credit in early modern culture. It addresses the relationship between general theories of debt and particular experiences or operations of debt, and explores how different sorts of credit interacted.
The organizers call for papers that take, as their central theme, debt and the interrelationship of different kinds of debt in early modern culture. Papers of a comparative and/or multilingual nature will be preferred.
Please provide a title and an abstract of approximately 300 words. The deadline for proposals is 1 November, 2016. To submit a proposal, please visit the Symposium’s website: http://early-modern-debts.space
THE MODERN INVENTION OF DYNASTY: A GLOBAL INTELLECTUAL HISTORY, 1500-2000
University of Birmingham, 21-23 September 2017
What is dynasty? Historians rarely ask this question. It is automatically assumed that the word corresponds to some real institution(s) that played an extremely important role in pre-modern politics. At this conference, we intend to overturn this uncritical assumption, and, instead, interrogate ‘dynasty’ as a modern conceptual construct, which has been projected onto both the past and the present.
The conference is inspired by the publications of late Cliff Davies, the ongoing work on the Jagiellonians Project at Oxford, as well as the ‘Nationising the Dynasty’ project at Heidelberg. These researches have shown that the Latin word dynastia was rarely used in the Middle Ages and was infrequently deployed even in sixteenth century Europe, while, in many other regions of the world too, including in South Asia, the construction of the concept of ‘dynasty’ was, in part, the result of modern interventions. Terms which were used to articulate genealogical and familial identity in premodern societies often do not necessarily map well on to the modern historiographical concept of ‘dynasty’. Collective ‘dynastic’ names, such as ‘the Tudors’, ‘the Plantagenets’ or ‘the Jagiellonians’ were late or retrospective inventions, rarely, if at all, mentioned in contemporary sources. If ‘dynasty’ and ‘dynastic’ identity are so difficult to locate in medieval and early modern sources, this begs a question: how has ‘dynasty’ become one of the key concepts for narrating and explaining pre-modern political history, as well as for defining modern monarchical regimes?
In existing scholarship on intellectual history, particularly those emanating from Anglophone and German scholarly worlds, concepts such as ‘kingship’ or ‘sovereignty’ have received detailed attention, but not the related notion of ‘dynasty’. We hope to address this scholarly gap, while also engaging with the newly emergent field of global intellectual history. We believe that the modern construction of ‘dynasty’ as an encompassing concept can be understood only in resolutely transborder, transcontinental, or even global terms. It was the result of reflections by actors not only about polities in one’s own region, but also about other polities, including spatially or temporally distant ones. The increasing interconnectedness of the early modern and modern world resulted in growing European awareness about political regimes in other societies, while extra-European actors often hybridized (and thereby radically transformed) their regional political categories by bringing them into dialogue with European political vocabulary. Imperial encounters often lay at the heart of such ‘transcultural’ exchanges, leading ultimately, by the nineteenth century, to the crystallization of ‘dynasty’ as a globalized category of historical narration.
The conference invites paper proposals from prospective speakers who bring specific case studies from around the world (focusing on the period of ca. 1500-2000) into dialogue with these broader theoretical questions. In line with recent discussions about global intellectual history, we welcome papers that explore issues of multi-scalarity, bringing regional scales of transformation into conversation with translocal shifts in regimes of power. We are especially looking for papers that use intellectual history as a vantage point to tackle broader questions of material and ideological power and see transformations in concepts as not just rarefied academic shifts, but as the result of changes in political economies (including relating to colonialism), arrangements in gender relations, religious and cultural formations, and in the (often, revolutionary) reorganization of political/state power. The conference seeks to understand how the globalized construction of the concept of ‘dynasty’ was ultimately a matter of importance not just for scholars, or even for ruling elites, but for wider publics as well, including for various subaltern actors and groups: issues of class, gender, or race which structured conceptual formations lie at the heart of our investigation.
We are delighted to announce that keynote lectures at the conference will be delivered by Julia Adams (Yale), Pamela Crossley (Dartmouth College), Faisal Devji (Oxford), and Richard Wortman (Columbia).
Prospective speakers are invited to submit abstracts of approximately 300 words. Submissions should include name, affiliation, and contact details. The deadline for submissions is Monday, 30 January, 2017. For more information about the conference, or to submit an abstract, please email the organising committee at I.Afanasyev@bham.ac.uk and firstname.lastname@example.org.
THE SHAPE OF RETURN: PROGRESS, PROCESS AND REPETITION IN MEDIEVAL CULTURE
ICI Berlin, 29-30 September 2017
Organized by: Francesco Giusti and Daniel Reeve
Keynote speaker: Elizabeth Eva Leach (University of Oxford)
In his Convivio, Dante claims that ‘the supreme desire of each thing, and the one that is first given to it by nature, is to return to its first cause.’ Yet this formulation is marked by a tension: return is both a destination and a process. To put it in terms of an Augustinian distinction: does each thing simply desire to arrive in/at its patria (homeland, destination, telos), or is its desire also directed towards the via (way, process, journey)? On the one hand, the desire for return is teleological and singular; on the other, it is meandering, self-prolonging, perhaps even non-progressive. And return itself can also be errant, even when successful: to take one important example, medieval theology frequently conceptualizes the sins of heresy and sodomy as self-generating returns to unproductive sites of pleasure or obstinacy.
Return, then, is an uncanny thing, with a distinctive temporality that conjoins recollection, satisfaction, and frustration. It plays an important role in shaping many kinds of medieval cultural artifact. Return is a basic component of pseudo-Dionysian (and later, Thomistic) theories of intellection; for Boethius, it is inherent to the process of spiritual transcendence. Return also shapes literary texts: for instance, romance heroes desire to return to their homeland, but the obstacles placed in their path, or the digressions they undertake, are the basic preconditions of the stories in which they find themselves. In such cases, only a deferred return can satisfy; and even a return is not inevitably satisfying — it can also be a frustrating repetition of a well-trodden path. This is true of lyric texts as much as narrative ones: medieval lyric poems are often concerned with the human inclination to go back to an unfruitful site of pain, loss, or even dangerous enjoyment.
Return is also embedded in the very texture of medieval poetic and musical forms: the sestina, the refrain, and the terza rima all embody different kinds of recursivity. Dante’s re-use of rhyme sounds in the unfolding of the Divine Comedy — a poem that, at various crucial points, thematizes return as a transcendent symbol — performs a spiraling movement that combines repetition and progressive ascent. Reiteration can disrupt linear and teleological progress, but also empower it. How does medieval culture cope with this ambivalence?
The conference will explore the ways in which medieval literary, artistic, musical, philosophical, and theological texts perform, interrogate, and generate value from the complexities of return, with particular reference to its formal and temporal qualities. Reconsidering the practical and theoretical implications of return — a movement in time and space that seems to shape medieval culture in a fundamental sense — we will investigate the following questions:
- What shapes does return take, and how does it shape cultural artifacts of the Middle Ages?
- How does return (as fact or possibility) regulate the flow of time and the experience of human life?
- How can return as a final goal and return as a problematic repetition coexist?
- Is repetition simply identified with a state of sin, or can it lead somewhere?
The conference will provide a forum for an interdisciplinary discussion of medieval temporality: we welcome participants working in any academic discipline. Areas of investigation might include:
- Neoplatonic emanation and return to the self / God; the temporality and shape of religious self-perfection
- Refrain and/or repetition in musical and literary forms such as lyric, lyric collections or narrative verse incorporating refrains or concatenation
- Ulyssean return in romance, theology, hagiography; return as resolution and/or disruption
- The processes of return inherent in the use and experience of literary topoi and loci classici; exegetical return; the tension between innovation and tradition in biblical commentary
- Religious conversion as return: teleology, retrospection, spatial metaphors
- Return as related to medieval conceptions of originality and reproduction
- The experience of return in daily life: liturgy, ritual, diurnal and seasonal cycles, the mechanical clock
- Return in medieval temporal theory: for example, the medieval reception of circular time in Stoic philosophy or the book of Ecclesiastes
- The geometry of return in (for instance) mystical writing
- The queerness and/or conservatism of return
- Return from digression; return as a regulatory mechanism
- Return theorized as a constitutive process of subjectivity and/or intellection
- Return as a psychoanalytic concept related to obsession, repression, Nachträglichkeit
Papers will be given in English, and will be limited to 30 minutes. Please email an abstract of no more than 300 words and a short bio-bibliographical profile (100 words maximum) to email@example.com by 15 April, 2017. An answer will be given before 1 May 2017. A full programme will be published on the ICI Berlin website (www.ici-berlin.org) in due course. As with all events at the ICI Berlin, there is no registration fee. We can provide assistance in securing discounted accommodation for the conference period.
PAMPHLETEERING CULTURE, 1558–1702
Edinburgh, 30 September 2017
This one-day conference, held jointly by the Universities of Edinburgh and St Andrews, will explore different approaches to early modern pamphleteering. Bringing together scholars from a range of disciplines, it will discuss the literary and historical aspects of pamphleteering. By uniting dedicated scholars of pamphleteering with researchers who use pamphlets as part of a wider project, the conference will create new understandings of the subject. We aim to examine both the construction of a culture of pamphleteering, and the ways in which pamphleteering shaped early modern cultures more broadly.
The conference will include a keynote address by Professor Joad Raymond (Queen Mary University of London).
The organisers are pleased to invite proposals from established scholars, early career researchers, and particularly PhD students for papers of 20 minutes in length. Papers may address pamphlets produced in the British Isles or elsewhere in Europe during any part of the period from 1558 to 1702. We welcome proposals from scholars approaching pamphlets and pamphleteering in relation to subjects including:
- Literary Criticism
- History of the Book
- Social History
- Cultural History
- Material Culture
- Visual Culture
We are especially interested in proposals regarding the relationship between pamphleteering and popular opinion, or that discuss pamphleteering in connection with other forms of media (e.g. printed, manuscript, or oral). We would also like to hear from scholars whose research challenges conventional narratives surrounding geography, gender, and race within the culture of pamphleteering.
Please send proposals of no more than 250 words, along with a 150-word biography, to firstname.lastname@example.org. The deadline for submissions is 30 June, 2017.
THE FORTY-THIRD ANNUAL BYZANTINE STUDIES CONFERENCE
University of Minnesota in Twin Cities, Minneapolis, MN, October 5-8 2017
The Byzantine Studies Association welcomes submissions by March 1, 2017 using its online system for the 2017 BSC to be hosted by the University of Minnesota in Twin Cities, Minneapolis, MN.
Papers from a wide range of medieval disciplines, and on diverse topics related to Byzantine Studies are encouraged. Notice of acceptance or rejection will be sent by email by March 15. For inquiries, please contact the 2017 BSC Program Chair, Sarah Brooks (email@example.com).
The BSC is the annual forum for the presentation and discussion of papers on every aspect of Byzantine studies and related disciplines, and is open to all, regardless of nationality or academic status. It is also the occasion of the annual meeting of the Byzantine Studies Association of North America (BSANA).
Full CFP instructions: http://www.bsana.net/conference/index.html.
Proposals are submitted as individual abstracts. Proposals consist of:
- Your contact information; a proposed title; and, if part of a panel proposal, proposed panel information (see below).
- A single PDF copy of the 500-word or less, blind abstract (title only, no name), formatted and submitted according to the detailed instructions.
THE NATURAL AND THE SUPERNATURAL IN MEDIEVAL AND EARLY MODERN WORLDS
Annual PMRG/CMEMS Conference, The University of Western Australia, 7 October 2017
Today, the natural and the supernatural are often viewed in stark opposition. In the medieval and early modern period, however, the supernatural infused every aspect of daily life. Prayers and rites punctuated everyday routines, and natural phenomena – such as earthquakes and eclipses – were often viewed with both suspicion and wonder or as divine portents. Miracle stories, rumours of witchcraft, and accounts of relic veneration all indicate that magic shaped medieval and early modern imaginations. The early modern period was also an era of European exploration, invasion and colonisation, which saw the increase of scientific knowledge though encounters with a number of societies around the globe. Natural histories, travel narratives, and objects circulated widely, creating new connections and shaping existing belief systems. As these sources demonstrate, however, persecution also abounded, and was often prompted by perceived differences in culture or beliefs about the (super)natural.
This conference will examine the numerous and various intersections of the natural and the supernatural. What qualified as natural and supernatural in diverse medieval and early modern societies? When was the world categorised in terms of a natural/supernatural binary? When was this not the case? How did people in medieval and early modern societies perceive and experience these phenomena? How and why did beliefs and structures based on understandings of the natural and the supernatural change in this period? What prompted persecution? How are these events represented and experienced through heritage today?
The conference organisers invite proposals for 20-minute papers on the following (or related) themes:
- Witchcraft, magic, superstition
- Miracle stories: belief, doubt, and civic pride
- Religious Reformations; religious change
- Understandings of nature and natural law
- Travel, exploration, and natural history
- Ghosts, fairies, spirits
- Relics, charms, and objects believed to harness supernatural power
- Sacred landscapes, journeys, and practices
- Cross-cultural understandings of the natural and the supernatural
- Heritage sites and the supernatural
- Crossing or breaking boundaries, lived and imaginary
- The natural and the supernatural in medieval and early modern literature or performance
- Modern recollections of medieval and early modern (super)natural history
Please send a paper title, 250-word abstract and a short (no more than 100-word) biography to firstname.lastname@example.org by 31 July, 2017.
CHARLEMAGNE’S GHOST: LEGACIES, LEFTOVERS AND LEGENDS OF THE CAROLINGIAN EMPIRE
44th Annual New England Medieval Conference, Massachusetts Institute of Technology, Cambridge, MA, October 7 2017
Keynote Speaker: Simon MacLean, University of St. Andrews, “What Was Post-Carolingian about Post-Carolingian Europe?”
It is well known that the Frankish emperor Charlemagne (768-814) and his dynasty – the Carolingians – played an important role in the formation of Europe. Yet scholars still debate the long-term consequences of the collapse of the Carolingian empire in 888 and the diverse ways in which Charlemagne’s family shaped subsequent medieval civilization. This conference invites medievalists of all disciplines and specializations to investigate the legacies, leftovers, and legends of the Carolingian empire in the central and later Middle Ages. We welcome papers that consider a wide array of Carolingian legacies in the realms of kingship and political culture, literature and art, manuscripts and material artifacts, the Church and monasticism, as well as Europe’s relations with the wider world. We urge participants to reflect on the ways in which later medieval rulers, writers, artists, and communities remembered Charlemagne and the Frankish empire and adapted Carolingian inheritances to fit new circumstances. In short, this conference will explore the ways in which Charlemagne’s ghost haunted the medieval world.
Please send an abstract of 250 words and a CV to Eric Goldberg (email@example.com) via email attachment. On your abstract provide your name, institution, the title of your proposal, and email address. Abstracts are due July 1, 2017.
2017 MEETING OF RELACS (REGIONAL LATE ANTIQUITY CONSORTIUM SOUTHEAST)
October 19-20 2017, Vanderbilt University
ReLACS, now in its fifth year, is a regional workshop of scholars of Late Antiquity held on a rotating basis at Vanderbilt University, the University of Tennessee, and the University of Kentucky.
The 2017 meeting will be hosted by the Program in Classical and Mediterranean Studies and the Divinity School at Vanderbilt University in Nashville. Participation is open to all scholars interested in Late Antiquity broadly defined. Participation by graduate students is particularly encouraged.
The workshop kicks off with a public lecture on the evening of Thursday, October 19th given by Stephen J. Davis, Professor of Religious Studies and Near Eastern Languages and Civilizations at Yale University, on “The Archaeology of Early Christian Monasticism: Evidentiary Problems and Criteria.” This lecture presents a reassessment of what we know (and how we know what we know) about the archaeological evidence for Christian monasticism in the first millennium CE. Assessing the current state of the field, Prof. Davis will first address problems we face in both the identification and the dating of “monastic” sites and then discuss criteria by which we can engage more critically with the material evidence available to us.
On Friday, October 20th, the workshop will host several sessions. Phillip I. Lieberman, Associate Professor of Jewish Studies and Law at Vanderbilt University, will lead a pro-seminar on “Introduction to the Cairo Geniza” designed to introduce non-specialists to resources for using the Geniza in teaching and research. The Cairo Geniza comprises the largest collection of documentary materials from the premodern Islamic world and is a critical resource for the social, economic, legal, and political history of the reception of antiquity into the medieval Mediterranean.
In addition we invite proposals from regional participants for work-in-progress papers on any topic broadly related to Late Antiquity or the early middle ages in any geographic region. Papers will be given 30-minute sessions and may be read aloud or pre-circulated to allow more time for discussion.
Please send a short description of the paper (approximately 200 words) including mention of its context (conference paper, part of a book manuscript, etc.) to David Michelson (firstname.lastname@example.org). Paper proposals will be considered by a steering committee (faculty from UT, VU, and UK) and selections will be made on the basis of maximizing regional participation from a diverse group of presenters. Proposals are due by August 1 2017.
SHAKESPEARE: NOW AND THEN
The 41st Annual Ohio Valley Shakespeare Conference, Baldwin Wallace University, Berea, Ohio, 19-21 October 2017
Plenary speaker: Professor Hugh Grady (Professor Emeritus, Arcadia University)
How do time, and the times, figure in the works of Shakespeare and his contemporaries? What is Shakespeare’s time? Was it then? It is now? Will it be in the future?
The 2017 meeting of the OVSC seeks papers that consider how the works of Shakespeare and other early modern authors resonated in their own time, and how they continue to do so in ours. How do early modern writers’ views of time shed light on their own contemporary surroundings? On their own pasts? How does Shakespeare’s voice speak to, with, and/or against the voices of his contemporaries? In what ways do adaptations and interpretations of early modern works reach — or fail to reach — today’s audiences? How do the era’s plays and poems comment on the issues of their own times, and our own?
Proposals for papers of 20 minutes, roundtable topics, or panels of three or four members on Shakespeare’s work and that of his contemporaries are welcome. Please send abstracts of 300-500 words to Professor Susan Oldrieve at email@example.com.
Undergraduate students are invited to present their work during seminar-style roundtables. Participants will be asked to submit 300-500 word abstracts, followed by 8-10 page papers for pre-circulation.
Deadlines: Deadline for early notification is June 16, 2017. Deadline for full consideration is September 8, 2017.
Location: Baldwin Wallace is just outside of Cleveland, 10 minutes from the Cleveland Hopkins International Airport. Downtown Cleveland is 20 minutes from campus, and public transportation is available.
The OVSC publishes a volume of selected papers each year and conferees are welcome to submit revised versions of their papers for consideration. Students who present are eligible to compete for the M. Rick Smith Memorial Prize.
Questions or submissions can be directed to Professor Susan Oldrieve (firstname.lastname@example.org).
RENAISSANCE BORDER CROSSINGS: DOCUMENTED AND UNDOCUMENTED
Pacific Northwest Renaissance Society Conference, Portland, Oregon, October 19-22 2017
- Fran Dolan, Distinguished Professor of English, UC Davis
- Daniel Vitkus, Professor of Literature, UC San Diego
In an era of rising nationalism manifested in contentious plans to ban immigration and erect walls, it is fitting that the Pacific Northwest Renaissance Society, which spans a region encompassing two countries and is devoted to a historical period of always-contested boundaries, should devote a conference to the theme of border crossings.
This year’s meeting, hosted by Portland State University and co-sponsored by Marylhurst University, invites papers that engage borders – disciplinary, ideological, formal, national/ethnic, textual, etc. – and that consider, in the broadest sense, how we encounter the in-between spaces of contact, conflict, and possibility in the Renaissance. Some possible topics could be (but are not limited to):
- Historicizing the categories of “East” and “West”
- Nationality before the nation state
- Migrants, nomads, vagrants, refugees
- Borders, crossings, and early modern space/place
- Xenophobia amidst globalization
- Hospitality and the stranger
- Periodization and queer temporalities
- Genre crossings
- Global Shakespeares, “Ethnic” Shakespeares
- Intertextual Crossings
- Corporeal boundaries, gender crossings, trans studies
- Interdisciplinarity, intersectionality
- Empathy and intersubjectivity
- Reputation, rumor, censorship, “fake news”
- Allegiance and alliance across difference
The PNRS treats “Renaissance” more generously than merely British Literary Studies 1500-1660 and seeks to work actively with all Northwest scholars of European and transatlantic culture and society from 1300-1700, including art historians, economists, historians, scholars of religion, historians and practitioners of the performing arts, scholars in the history of science and medicine, political scientists, and comparatists.
Deadline for submission of abstracts, session, and roundtable proposals: June 1, 2017.
Please send proposals via email to: Eliza Greenstadt, Associate Professor of Theater + Film, Portland State University, at email@example.com, Subject line: PNRS Submission, Word Count: 250 words.
Please be sure to include: Name, professional affiliation, address, phone number, and e-mail address with each abstract, whether submitted individually or as part of a session/roundtable proposal.
Papers must be kept to a twenty-minute reading time, including any technical and electronic support. All papers are to be essentially new and never before presented in public.
TEXTS AND CONTEXTS CONFERENCE
Ohio State University, 20-21 October 2017
Texts and Contexts is an annual conference held on the campus of the Ohio State University devoted to Medieval and Renaissance manuscripts, incunables and early printed texts in Latin and the vernacular languages.
The conference solicits papers particularly in the general discipline of manuscript studies, including palaeography, codicology, reception and text history. In addition to the general papers (of roughly 20 minutes), the conference also hosts the Virginia Brown Memorial Lecture, established in memory of the late Virginia Brown, who taught paleography at the Pontifical Institute of Mediaeval Studies for some 40 years. We also welcome proposals for sessions of two to three papers which might treat a more focused topic.
Please send abstracts to firstname.lastname@example.org. Deadline for abstracts: August 1, 2017.
Virginia Brown Memorial Lecture 2017: James Hankins, Harvard University
THE COMMUNITIES AND MARGINS OF EARLY MODERN SCOTLAND
St. Mungo’s Museum, Glasgow, 20-21 October 2017
Our aim is to provide a space for postgraduates, early career researchers, and academics to come together and facilitate lively discussion on narratives surrounding the concept of the ‘community’ and those who participated on the margins of early modern Scotland.
Possible themes may include, but are not limited to:
- Gender relations and social stratification
- Religious and political communities
- Textual communities; scholars, poets, playwrights, book-sellers
- Gaelic culture within and outwith the Highlands
- Crime, conflict and cohesion within the community
- Minority communities; the ‘othering’ of marginal sects
- Scots on the periphery and abroad; identity formation
We welcome proposals for both 20 minute papers, and for panels consisting of no more than three papers. Abstracts of 300 words along with a brief biographical note should be sent to ‘email@example.com’ by Friday 28 July, 2017.
Papers can be delivered in English, Scots or Scottish Gaelic. A limited number of travel bursaries will be made available.
POVERTY AND WEALTH
32nd Biennial Conference of the Classical Association of South Africa, Pretoria, 26-29 October 2017
The Classical Association of South Africa (CASA) and the Classics Section of the Dept of Biblical & Ancient Studies, University of South Africa invite proposals for papers that focus on (but are not limited to) the conference theme “Poverty and Wealth”.
ἅπαντα τῷ πλουτεῖν γάρ ἐσθ᾽ ὑπήκοα. [Aristoph. Wealth 146]
Across the world today there is much discourse around relative wealth and poverty, particularly relating to issues of privilege, class and inequality. Studies on wealth and poverty in antiquity are often centred on the transitional period towards Christianity, but Graeco-Roman antiquity as a whole has much to offer in terms of material for study. Although we are to some extent hampered by the fact that ancient literature, and even material remains, favour the views and lives of the wealthy, there are still many fruitful areas for exploration:
- Representations of poverty and wealth in literature and art
- Links between poverty, patronage and wealth
- Land ownership and wealth
- Transitions: wealth to poverty and poverty to wealth
- Images and metaphors of poverty and wealth
- The role of fate or fortune in views on poverty and wealth
- Actions and motivations towards alleviating poverty
- Material wealth and spiritual poverty
- Idealised poverty
- Differentiations between urban poverty/wealth, and rural situations
- Inequality and social tension
- Political theory and property distribution
- War and conquest and their effects on poverty/wealth.
In addition to the main theme of the conference, we also welcome individual or panel proposals on other aspects of the Classical World and Classical Reception.
Dr Martine De Marre – firstname.lastname@example.orgThe deadline for proposals is 1 February 2017. Please submit a paper title, an abstract (approximately 300 words) and author affiliation to either Dr Liana Lamprecht - email@example.com - or Dr Martine De Marre – firstname.lastname@example.org.
Details of the conference venue, accommodation and other important conference information will be made available on the conference website, which we hope to have up-and-running soon.
INTERDISCIPLINARY SHAKESPEARE BEYOND THEORY
The Shakespeare Association of Korea International Conference, Chungbuk National University, Cheongju, South Korea, 27-28 October 2017
Well before the beginning of the new century the New Historicism, which had dominated Shakespeare studies and, by extension, the English literary criticism since the 1980s, had been criticized for its methodological discontents or limitations as theory-based criticism. Now Shakespeare studies is being re-energized by the explorations from various interdisciplinary perspectives beyond theory. To invigorate this trend in Shakespeare studies, The Shakespeare Association of Korea will host its international conference on Oct. 27-28, 2017 at Chungbuk National University, Cheongju, South Korea. The conference, the title of which is “Interdisciplinary Shakespeare Beyond Theory,” will explore new directions for research in Shakespeare studies by opening conversations between disciplines such as history, art history & archeology, philosophy, political science, religious studies, ethics, etc. with reference to Shakespearean texts/contexts and production/reproduction. Pedagogical methods, translations, and issues related to new media, and the history of performance will be also included in the conference discussions.
Keynote Speaker: Prof. Brian Cummings (The University of York, U.K.)
Invited Speakers: Prof. Diana Henderson (MIT, U.S.A.); Prof. Tom Bishop (The Univ. of Auckland, New Zealand); Prof. Jason Gleckman (The Chinese University of Hong Kong, Hong Kong)
Topics of discussion may include (but not restricted to):
- Legitimacy and Authority
- Nation and Nationalism
- Reformation and Counter-Reformation
- Apocalypse and Redemption
- Classics and Ancient History
- Law and Justice
- Rhetoric and Ethics
- Representation of Self
- Renaissance Humanism and Skepticism
- Memory, Historiography, and the Use of History
- Visual Representations
- New Media and Digital Culture
- Curriculum and Teaching
- Cross-Cultural Adaptations
- Political Appropriations
- Problems and Methods of Translation
- Shakespeare on Stage and Screen
Please send a 250 word proposal and a brief curriculum vitae with contact information to Prof. Hyosik Hwang (Chungbuk National Univ.) or Prof. Sujin Oh (Seowon Univ.) at email@example.com by May 31, 2017.
EARLY MODERN SATIRE: THEMES, RE-EVALUATIONS AND PRACTICES
University of Gothenburg, Sweden, 2–4 November 2017
Keynote speakers: Howard Weinbrot & Ola Sigurdson
Early modern satire – broadly, from c. 1500 to c. 1800 – is a vast but still underexamined field of representation. Although flourishing in certain periods and certain places, satire can be said to be integral to the European project, often challenging the limits of tolerance and evoking hostility but also associated, increasingly in this period, with notions of freedom and enlightenment. This conference, hosted by Gothenburg University, seeks to position satire as a mode of representation throughout early modern Europe and clarify its role in politics, culture and religion. We seek proposals from scholars in all fields who work on aspects of satire in the period. Especially welcome are contributions that explore satire as a form of representation existing across boundaries – of territories, of genres and/or periods. We also welcome proposals that situate satire in a wider aesthetic context, including cross-disciplinary work that seeks to address satire
as a mode of for example visual representation.
Topics may include, but are not limited to:
- The mediation of satire. Described variously as a “genre” and a “mode”, satire often transgresses medial and generic boundaries during the early modern period. Is satire more of an “intermedial” phenomenon in certain periods and places?
- The gendering of satire. Early modern satire in has been characterized as very much a male enterprise. Are there variations over time and between places, as regards for example female authorship, and in terms of form and theme, how does satire depict aspects of femininity and masculinity?
- Satire and censorship. Always having had a complex relationship with authority, satire in the early modern period also saw the rise of the print medium and various attempts at regulating published output. How do censorship and other forms of regulative interventions shape satirical texts (in a wide sense)?
- Perspectives on the classical heritage. Although a thoroughly investigated field, the relationship between early modern satire and its classical predecessors is still relevant as a field of inquiry. Just how dependent was early modern satire on its Horatian, Juvenalian and other role models?
- Satire and religion. While relating to classical forms and themes, satire also has a complex relation to Christian religion as both a target and a formative system of belief. In what ways do changes in religious institutions and norms affect the production of early modern satire?
- Satire and medical discourse. The frequent description of satire as “melancholy”, for example, suggests links to humoral theory and other aspects of physiology. To what extent can satire be understood in such terms?
- Satire and the canon. While for example literary history has ascribed a central role to satire in the 18th century, scholarly discussions are often based on select examples and relegate others to the margin. What are the social and historical determinants of the “lasting appeal” of certain satirical texts?
Presentations are strictly limited to 20 minutes in length. A 250-word abstract, a title, and a 50- word biographical statement should be submitted to firstname.lastname@example.org by 4 January, 2017.
Enquiries may be directed to this address, to Dr. Per Sivefors at email@example.com or Dr. Rikard Wingård firstname.lastname@example.org. Website: http://lir.gu.se/forskning/forskningssamverkan/tidigmoderna-seminariet/early-modern-satire
From popular television (The Tudors, Reign, Outlander, Vikings etc) to Booker-prize winners (Hilary Mantel’s Wolf Hall and Bring up the Bodies), film (The Handmaiden, The Young Victoria), video games (Assassin’s Creed franchise, Civilization The Legend of Sword and Fairy) and more, historical fictions are a significant part of twenty-first-century culture. Contemporary audiences engage with the past as entertainment more than they engage with it through education. Historical fictions reveal more about the time in which they were produced than they do about the period that they represent. This symposium aims to explore the cultural work done around identities in the twenty-first century by fictionalised pasts. How do we make who we are now by re-making the past? Which identities are included and excluded from narratives of particular periods? What present identities are projected back into, for example, ancient Rome, the European Middle Ages, eighteenth-century Japan, the English Regency, pre-colonial America, the Victorian era, the antebellum South? How do constructions of race, gender, sexuality, nationality, dis/ability and more use imagined pasts to create themselves in the present? How are hegemonic identities created or resisted by representing history?
We are excited that Dr Anita Heiss and Professor Stephanie Trigg will be keynote speakers at Historical Fictions/Identities.
Professor Trigg will deliver a plenary address and Dr Heiss will be interviewed by Dr Kelly Gardiner.
The Historical Fictions/Identities symposium is convened by Dr Kelly Gardiner, Dr Kylie Mirmomahadi, Dr Catherine Padmore and Dr Helen Young of La Trobe University.
The symposium is generously supported by the English and Theatre Disciplinary Research Program and the portfolio of the Deputy Vice Chancellor (Research) of La Trobe University.
The event will be held at La Trobe University, Melbourne, Australia on Friday 3 November 2017 and will also have a dedicated web-presence and facilities for remote presentation by contributors who cannot attend in person on the day.
A peer-reviewed edited collection or special journal issue is also planned.
Please send any queries to email@example.com
The symposium takes a broad approach to defining historical fictions which includes literary and popular fictions; cross-genre (e.g. Regency romance, medieval crime); alternative history; biofictions; digital media; fandoms; and re-enactments. Topics may include (but are not limited to):
- LGBTI identities
- Intersectional identities
- Authorial and academic identities.
36TH INTERNATIONAL CONFERENCE OF THE HASKINS SOCIETY
University of North Carolina-Chapel Hill, 3-5 November 2017
Long known as a forum for research into English and northern French history on either side of the Norman Conquest, as well as for a particular interest in the close study of chronicles and charters, the Haskins Society continues to build on its traditional base while actively seeking to include the latest scholarship on all aspects of the European experience between the early medieval period and the thirteenth century. While remaining broadly historical in its substantive and methodological orientations, the Society encourages interdisciplinary synergies and welcomes the contributions of researchers in the many disciplines that contribute to historical understanding.
The featured speakers in 2017 are:
- William Purkis (University of Birmingham)
- Sarah Hamilton (University of Exeter)
- Constance Bouchard (University of Akron)
In addition to these three featured speakers, conference attendees are also welcome to attend the 2017 Dorothy Ford Wiley Lecture, to be held on the evening of Thursday 2 November. The 2017 Wiley Lecture will be presented by Rachel Koopmans (York University)
For paper and panel submissions, please send a 250 word abstract and c.v. to firstname.lastname@example.org. For panels, provide a one-page rationale for the panel in addition to the information for each paper. Papers by graduate students, untenured faculty, and independent scholars are eligible for the Denis Bethell Prize. For details, see: https://thehaskinssociety.wildapricot.org/bethellprize. The deadline for proposals has been extended until Wednesday July 26.
We also invite submissions for two alternative forms of presentation and participation:
1) New Research Forum
On Friday morning, the conference will host a New Research Forum to highlight and discuss new research or work in progress. Modelled on “flash sessions,” presenters will have five minutes to explain their projects as a prelude to in-depth small group discussions. Presenters will be listed in the program and should send a one paragraph abstract and c.v. to email@example.com and include the word “Forum” in the address line.
2) Thursday Afternoon/Evening Mock Interviews
To support graduate student members of the Haskins Society in their career development, the Haskins Conference will again offer the opportunity to have mock job interviews with senior scholars on Thursday afternoon and evening. Please contact Nicholas Paul (firstname.lastname@example.org) to indicate interest.
Bursaries for Graduate Students
The Society and UNC are making available a number of bursaries to [post]graduate students to facilitate participation in the conference. Two bursaries of $250 each will be available to students registered in a university or equivalent institution in North and Central America. Three bursaries of $500 each will be available to students, similarly registered at a university or equivalent, from all other parts of the world.
In order to apply, please so indicate when submitting your proposal to give a paper or to take part in the New Research Forum. Please also include a statement, 300-400 words in length, that situates your proposal within your wider research trajectory and explains how participation in the Haskins Society conference will aid both your academic and career-development goals.
COURTS AND THEIR RECORDS IN SCOTLAND, FROM THE EARLIEST TIMES TO THE PRESENT DAY
SRA Conference 2017: The Annual Conference of the Scottish Records Association, New Register House, Edinburgh, 10 November 2017.
This one day conference will explore the subject of court records in Scotland. We welcome proposals for twenty – minute papers focused on courts, their processes of recording and record production, and legal records in Scotland. Papers can cover any aspect of the topic on any period, although we are seeking broad overall chronological coverage combined with a close focus on the records themselves in individual papers: what survives, where and when does it survive from, the processes behind record keeping and how these factors affect research today.
Proposals from scholars at any stage in their career addressing the following themes are especially welcome:
- The central civil and criminal courts – the Session, the Justiciary Court, Justice Ayres
- Local courts – burgh courts, sheriff courts
- Military Courts, the Admiralty and police courts
- Ecclesiastical courts (pre and post Reformation) and other religious courts
- Legal Registers – deeds, testaments, sasines, and the land registry
- Heraldic courts
- Large-scale projects (completed, ongoing, planned) related to the digitisation or editing of court
and legal records
Please send abstracts of 200-400 words, with a brief biography and (if applicable) current institutional affiliation and status to email@example.com by Sunday 20 August, 2017.
The conference fee will be waived for speakers and small bursaries towards travel costs may be available for postgraduate speakers. If you are a postgraduate student and would like to be considered for support please indicate this on your application, although funds are very limited.
DEVIANT THINKING: EARLY MODERN PHILOSOPHY AND THE ENLIGHTENMENT
Australasian Seminar in Early Modern Philosophy, The University of Sydney, 15-17 November 2017
More info: https://wordvine.sydney.edu.au/files/844/15770/.
What the Enlightenment stands for has been subject to much discussion in recent years, and many valuable contributions have been made that help us to understand better the significance of this period. This conference takes this discussion further by connecting up the Enlightenment with the early modern period and the “rebellious” ideas that were already formulated and passed around during this time. We seek papers that bring into focus the many challenges philosophers of the 17th and 18th century posed to established intellectual, political, religious and social norms. These challenges touch on a diverse range of topics, spanning from fundamental questions concerning the status of the human being in the natural world, and the prospect of gaining knowledge of that world, to the redefinition of sentiment and affect as defining features of the moral potential of humanity. Reflections on the foundations of the state, self-governance and the rights of individuals and groups often followed on from these questions and thereby led to a novel engagement with the conditions that structure and shape human life.
SIHN’s Enlightenment Thinking Project will be hosting this conference, a central aim of which is to use the wider discussion of 17th- and 18th-century thought to launch a new series, the Australasian Seminar in Early Modern in Philosophy (ASEMP). In future years, ASEMP will be held at rotating locations at universities in the Australasian region. By establishing this conference series, we seek to provide a regular opportunity for high-quality discussions of research presentations in early modern philosophy, while encouraging closer collaboration and network opportunities between Asia-Pacific and Australian universities. Each conference will have a mentoring stream that teams up PhD students and early career researchers with senior scholars to prepare conference submissions for publication.
We are interested in receiving abstract submissions on the following subjects:
- Early modern and enlightenment ideas that in some important respects deviated from the norms established in 17th and 18th century thought.
- Philosophical thought that questioned or challenged ideas that are today understood as central ideals of the Enlightenment.
- Interpretations of early modern and enlightenment ideas/figures that deviate from standard interpretations of those ideas/figures.
We also welcome submissions (for both papers and panels) on early modern topics that fall outside the main conference theme.
The deadline for the submission of abstracts (max 800-1000 words) for conference papers (30 minutes presentation time) is 30 June, 2017. Please prepare your submission for anonymous review and add a separate cover sheet with your details.
Please email your submission to Anik Waldow.
5th INTERNATIONAL SCIENTIFIC SYMPOSIUM "DAYS OF JUSTINIAN I"
Special Thematic Strand for 2017: “Byzantium and the Slavs: Medieval and Modern Perceptions and Receptions”, Skopje, 17-18 November 2017
Organised by “EURO-BALKAN UNIVERSITY, Skopje, Republic of Macedonia and UNIVERSITY OF BOLOGNA, Italy,
in partnership with the Institute of National History - Skopje.
With the financial support of the Ministry of Culture of the Republic of Macedonia and the City of Skopje.
The International scientific symposium “Days of Justinian I” is an annual interdisciplinary scholarly forum aimed at the presentation of the latest research followed by discussions on various aspects of Byzantine and Medieval Studies, that include the treatment and interpretation of cultural, historical and spiritual heritage in contemporary Europe. The Symposium is dedicated to Emperor Justinian I with the aim to address a broad range of issues related to Byzantium and the European Middle Ages, comprising the exploration of the cultural and historical legacy as an integrative component of the diversities and commonalities of Unified Europe.
This year the International Symposium “Days of Justinian I” chose a special thematic strand “Byzantium and the Slavs: Medieval and Modern Perceptions and Receptions”, with the aim of discussing various aspects of the Slavic world and its legacy, from the Medieval and Modern perspective. The Symposium will address many issues concerning the Origins, Ethnicity, Identity, the State Formation of the Slavs and the relationships with Byzantium and Western Europe. The reception of the Slavic legacy in post-medieval Europe will also be explored and compared with the divergent visions of the Byzantine heritage, with the aim of defining their place within the frame of the European civilizational concept.
Тhe Symposium will embrace broader issues, geographical areas and chronological scope addressing the diverse aspects of religion, politics, ideology, identity, ethnicity, literary and artistic expression, political and cultural memory reflected in the historical and cultural legacy of the Slavia Orthodoxa, Slavia Romana and Byzantium.
Papers are welcomed on various topics that may include, but are not limited to the following areas of discussion:
- The origin of the Slavs reconsidered
- The emergence of the Slavs in Europe: Between migration and construction
- Slavic Ethnicity and identity: A reinterpretation
- Antiquity and the Slavs: Medieval and Modern receptions
- Byzantine and Western perceptions of the Slavic World
- Christianization of the Slavs and the concept of barbarism
- Slavia Orthodoxa and Slavia Romana: Political and ideological contexts
- State formation in the Middle Ages: Slavs, Byzantium and Western Europe
- Sharing the traditions in Europe: The reception of the mission of Sts. Cyril and Methodius
- Projecting the Middle Ages in the ideologies of Pan-Slavism and Yugoslavism
- Appropriation of the medieval past in 19th century Europe
- Imagining the Byzantine-Slavs rivalry in the 19th and 20th century Balkans
- The Slavic identity and the nationalism in Europe
- Literary Receptions of the Middle Ages
- Reinterpreting the archaeological evidence
- Reconstructing the messages of medieval visual narratives
- Language and folklore
- Music and liturgical practices
- Heritage politics and the perception of the Past
- Preserving the cultural heritage: Restoration and protection
First Deadline for submitting the abstract of the papers: 10 August, 2017
Second Deadline for submitting the abstract of the papers: 20 October, 2016
Notification of acceptance for early applicants: 15 August, 2017
Notification of acceptance for other applicants: 25 October, 2017
Deadline for submitting the full papers for publication: 1 March, 2018
Please send the application form to the address: firstname.lastname@example.org; email@example.com
EURO-BALKAN UNIVERSITY, Blvd. Aleksandar Makedonski 24, 1000, Skopje, Republic of Macedonia / Tel: 00389 2 3075570
Presentation of the papers will be limited to 10 minutes.
Working languages: Macedonian, Italian and English.
No participation fee is required.
Travel and accommodation expenses are covered by the participants themselves.
The full papers will be peer-reviewed.
Papers delivered at the Symposium will be published in the Proceedings of the Symposium.
For further inquires please contact the Secretary of the Symposium: Dr. Dragan Gjalevski:
Please check the Euro-Balkan website: https://protect-au.mimecast.com/s/drx4BDilQ49MI8?domain=euba.edu.mk for news on the Symposium, the agenda, special events and the online application form.
Symposiarch: Professor Mitko B. Panov
RECASTING REPRODUCTION (1500-1800)
London, 18 November 2017
The contested concept of “reproduction” stands at a critical nexus of the conceptualisation of Early Modern artistic thought. The early modern period has been characterised by the development of novel and efficient reproduction technologies, as well as the emergence of global empires, growing interconnectedness through trade, warfare and conquest, and the rise of new markets and cultures of collecting. This ethos of innovation and cultural exchange was, however, contextualised against myriad contemporary ideologies still rooted in the values and legends of narratives of the past. Reproduction stood at the centre of this dichotomy. Set against the context of changing cultural tastes and the increasingly overlapping public and private spheres, ‘reproductions’ were involved within changing viewing practices, artistic pedagogy, acts of homage and collecting.
The idea of reproduction connotes a number of tensions: between authenticity and counterfeit; consumption and production; innovation and imitation; the establishment of archetype and the creation of replica; the conceptual value of the original and the worth of the reproduction as a novel work of art; the display of contextualised knowledge and the de-contextualisation of the prototype. At the same time, production is shaped historically through practices and discourses, and has figured as a key site for analysis in the work of, for example, Walter Benjamin, Richard Wolin, Richard Etlin, Ian Knizek and Yvonne Sheratt. Participants are invited to explore reproduction ‘beyond Benjamin’, investigating both the technical and philosophical implications of reproducing a work of art and seeking, where possible, a local anchoring for the physical and conceptual processes involved.
We welcome proposals for papers that investigate the theme of reproduction from the early modern period (c.1500-1800), including painting, print making, sculpture, decorative arts, architecture, graphic arts and the intersections between them. Papers can explore artistic exchanges across geopolitical, cultural and disciplinary divides and contributions from other disciplines, such as the history of science and conservation, are welcome. Topics for discussion may include, but are not limited to:
- The conceptualisation and processes of reproduction and reproduction
- technologies before and at the advent of ‘the mechanical’;
- Reproduction in artistic traditions beyond ‘the West’;
- The slippage between innovation and imitation;
- Part-reproduction and the changing, manipulation and developments of certain motifs;
- Problematizing the aura of ‘authenticity’ and the ‘value’ of the original, copies and collecting;
- Fakes and the de-contextualisation of a work through its reproduction;
- Reproduction within non-object based study e.g. architecture;
- Theoretical alternatives and the vocabulary used to describe the process and results of reproduction in contemporary texts.
Organised by Kyle Leyden, Natasha Morris and Angela Benza (The Courtauld Institute of Art).
EDITING LATE-ANTIQUE AND EARLY MEDIEVAL TEXTS: PROBLEMS AND CHALLENGES
International Workshop, University of Lisbon, 23-24 November 2017
This workshop aims at fostering and promoting the exchange of ideas on how to edit Late-Antique and Early-Medieval texts. By presenting case-studies, participants will be encouraged to share the editorial problems and methodological challenges that they had to face in order to fulfil their research or critical editions. Troublesome issues will be addressed like how to edit, for instance,
- an 'open' text or a 'fluid' one (as in the case of some glossaries, grammatical texts, chronicles or scientific treatises),
- a Latin text translated from another language, like Greek, or bilingual texts (like some hagiographic texts, hermeneumata, Latin translations of Greek medical treatises, etc.),
- a text with variants by the author or in double recensions,
- a text with linguistic instability,
- a collection of extracts,
- a lost text recoverable from scanty remnants or fragments,
- a text transmitted by a codex unicus or, on the contrary, a text transmitted by a huge number of manuscripts,
- a text with a relevant indirect tradition,
- homiliaries and passionaires as collections of selected texts.
Attention will be devoted as well to different aspects of editorial practice and textual criticism.
Carmen Codoñer (U. Salamanca), Paolo Chiesa (U. Milano), Charles Burnett (Warburg Institute).
The papers should be 30 minutes in length and will focus on the edition of late-antique and early Medieval texts, in particular on editions currently in preparation, forthcoming or recently concluded. The scientific committee will select a number of proposals to be presented and discussed during the workshop. The papers can be presented in English, French, Italian and Spanish.
An abstract of around 200 words, including the name, institution and email, should be sent before May 30, 2017 to: Lisbonworshop17@letras.ulisboa.pt.
Acceptance of the papers will be communicated until June 30, 2017.
70 € for participating with paper.
50 € for Ph.D. students presenting a paper.
Organizing Committee: Paulo F. Alberto (Univ. Lisboa), David Paniagua (Univ. Salamanca), Rossana Guglielmetti (Univ. Milano).
Centro de Estudos Clássicos
Faculdade de Letras
TEL (351) 21 792 00 05 (Secretariado)
FAX (351)21 792 00 80
E-mail: firstname.lastname@example.org / email@example.com
UNIVERSITY OF OTAGO CENTRE FOR THE BOOK 2017 SYMPOSIUM: BOOKS AND USERS
University of Otago, Dunedin, New Zealand, 28–29 November and 30 November–1 December 2017
The University of Otago Centre for the Book is pleased to announce our sixth annual research symposium. In 2017, we are teaming up with Dunedin UNESCO City of Literature to offer a 3-day extravaganza engagement with books and culture.
The Centre for the Book Symposium will start on Tuesday evening, November 28th, with our usual public lecture at the Dunedin City Library. The lecture will feature Warwick Jordan, proprietor of Hard to Find Books, talking about his wide experience as a bookseller and the variety of book users that he supplies.
The symposium proper will take place on the University campus all day Wednesday, November 29th, at the College of Education and will feature a slate of presentations on the theme “Books and Users.”
The two-day UNESCO Creative Cities symposium will follow, with international and local keynote speakers on Thursday November 30th, followed on Friday by facilitated workshops at the Dunedin Athenaeum in the Octagon.
Please note: Thanks to generous support from the University of Otago Centre for the Book, the NZ National Commission for UNESCO and the Dunedin City Council, both of these events will be free to attend, with delegates responsible for providing their own lunch. Delegates are welcome to register for specific days or all three days.
The theme for the Centre for the Book 2017 Symposium is “Books and Users.”
Before the advent of electronic text storage, a whole realm of print existed to record and store information. From instruction manuals to phone books and encyclopedias, these publications were to be consulted rather than read. Today, increasingly, many of these works are no longer printed on paper. They are instead disseminated to users in electronic formats, often only when they are requested. This shift in media has made readers more conscious of how they use books. It also raises questions about which sort of books work well in electronic format and which do not.
This symposium seeks to investigate all the ways people use books, not just consciously or as intended, but for any purpose. Some may be propping up an item of furniture in the corner; some used for artistic design; some for elegant wallpaper. Even those books that are actually read are used in many different ways: for self-exploration; for escape; for gifts to others; for inspiration. And there are the readers, an equally diverse lot: some fold down corners; some write in books (some even in ink); some insert all sorts of items such as bookmarks or for storage; others handle a book so delicately that a second reader cannot tell the book has ever been opened. Indeed, in medical contexts, ‘users’ may refer to those in control of their habit or to those harmfully addicted. Is this also true in the book world?
Traditionally, libraries recorded the frequency with which books were used. Today, especially because of increased privacy concerns, such information is less publicly available, but is still being used. Indeed, publishers often place restrictions on how many times an e-text may be loaned. Institutions face pressure, often having to buy another copy after the set number of loans has been reached.
The variety of uses for books and of users of books creates areas both of mutual benefit and of potential conflict. The codex is a superbly efficient and highly evolved technology with a well-established set of design conventions that permit quite distinctive uses. Change is in the wind, and the book beyond the codex is evolving in new directions, some of which will no doubt succeed and others of which are bound to fail.
Call For Papers
All of these topics are of potential interest for the Centre for the Book symposium. Whether you are an adept or an addict, whether books for you are primarily physical, spiritual or cerebral, and whether you prefer to look up information online or in print, you undoubtedly have thoughts on this topic. So please email a 250-300 word abstract of your ideas to firstname.lastname@example.org and set aside the end of November for a thought-provoking few days of reflection and engagement with books and users of books. In short – sharpen those pencils!
Abstracts must be received by 1 October 2017, with a final programme announced by mid-October. If you have any questions, please contact Dr. Donald Kerr (email@example.com) or Dr. Shef Rogers (firstname.lastname@example.org).
THE PAST AND THE CURIOUS: RE(VIEWING) HISTORY
The University of Sydney Postgraduate History Conference, Quadrangle, The University of Sydney, 30 November-1 December 2017
Some people call historians the detectives of the past. At the University of Sydney’s 2017 postgraduate history conference, we want to know: what are the mysteries you’re uncovering? What are you curiously (and furiously) researching? How are you re-framing our understanding of the established, and seemingly ordinary, past? This two-day conference will allow postgraduate historians from across Australia, and beyond, to share their investigations of the past — and to share in the spirit of historical curiosity.
Possible themes, covering the ancient to the twenty-first century, include (but are not limited to):
- (Re)viewing history through a transnational lens;
- Investigations through Oral History;
- (Re)viewing Race
- Delving into Digital Histories
- (Re)viewing Histories of Sexuality
- (Re)viewing Gender
- (Re)viewing Indigenous Histories
- Public Histories
- Histories of Emotion
- History and (Auto)Biography
- (Re)viewing Labor Histories
We invite proposals for twenty-minute papers exploring any of the above themes.
We welcome abstracts from honours students, postgraduates and early-career researchers involved in history, although they may take an interdisciplinary approach. Applicants from other states and universities are also encouraged to apply. Abstracts should be no more than 200 words accompanied by a 100 word bio, and are to be submitted via our website: http://usydhistoryconference.wordpress.com.
The deadline for submissions is by the extended deadline of the close of business on 15 August 2017.
Please note that we have some funds available for travel bursaries for honours and Masters students travelling from outside the Sydney area. More information is available on our website.
We also warmly welcome those who simply wish to attend but ask that you go to the website and register for catering purposes. There is no registration fee levied.
Please direct any related inquiries to email@example.com.
AGAINST CONVENTIONS: UNCOMMON SOCIAL ROLES OF WOMEN AND MEN FROM EARLY MODERN TIMES TO 1945
Historical Institute of the University of Wroclaw, 30 November–1 December 2017
The Historical Institute of the University of Wroclaw hereby invites scholars and PhD students to join us for the international conference: Against Conventions. Uncommon Social Roles of Women and Men from Early Modern Times to 1945 to be held in Wroclaw, November 30th – December 1st, 2017. The organizers propose to use tools which the category of gender gives in humanistic and social studies. However, we would like to overcome present tendencies to separate studies related to women or men. We hope that during the meeting it will be possible to capture mechanisms occurred while undertaking tasks which were contrary to social norms from both „feminine”, and „masculine” perspectives. We are aware that definitely more women struggled with social boundaries. Nevertheless, we consider the reflection on men’s experience, who also faced such challenges, as equally important.
We encourage experienced researchers, young scholars, as well as PhD students to focus on the following issues:
A) METHODOLOGY-CURRENT STATE OF RESEARCH-PERSPECTIVES:
- methodology of gender studies,
- difficulties and obstacles in studies on social roles,
- current state of research regarding social roles,
- new themes and research perspectives;
B) ACTIONS AND MOTIVATIONS:
- uncommon actions taken by women/men,
- circumstances under which one might/was forced to play an untypical role, traditionally assigned to the opposite sex,
- motivation to act against the formulaic schemes,
- strategies for action,
- factors determining success/defeat;
- behavior and emotions of people who were undertaking activities characteristic for the opposite sex,
- “import” of attitudes resulted from traditional tasks in family and society to “new” roles,
- reproducing models of behavior characteristic for the opposite sex,
attitudes of people performing typical roles towards these women or men who were taking actions against the conventions,
- mechanisms related to crossing the boundaries from comparative perspective (in different countries and cultures)
D) BELIEFS AND PERCEPTIONS:
- division into „feminine” and „masculine” roles and changes in their perception,
- attitudes towards women/men acting differently to adopted standards; consequences of the progressive emancipation of women,
- characteristic of groups and individuals who tried to combat stereotypical thinking about roles of women and men in society: their strategies, motivation and results of actions,
- who, for what purpose, by what methods and with what result tried to retain status quo in division into “feminine” and “masculine” social roles.
The aforementioned issues indicate the main directions of discussion, nonetheless we encourage to submit other proposals related to the main theme of the conference.
Your proposal should be submitted by August 30, 2017 via the registration form: https://docs.google.com/forms/d/e/1FAIpQLSdy6Z3Ny5jBuVLrMXbAEcfGvfZ2TahgmobFTjM-DFETW5a8BQ/viewform
EARLY MODERN DISCOURSES ON EUROPE: REPRESENTATIONS OF COMMUNITY AND COMMON IDENTITY (1450-1750)
Ludwig Boltzmann Institute for Neo-Latin Studies, Innsbruck, November 30-December 2 2017
Organised by: Nicolas Detering (Freiburg i. Br.), Clementina Marsico (Innsbruck), Isabella Walser (Innsbruck)
Starting in the post-war decades of the 20th century, the history, the concept, and the identity of Europe as a geographical, cultural, political, religious and ideological entity has become a popular field of investigation in many different disciplines. Historians, political scientists, and philologists have come to examine the meaning of Europe in the face of contemporary developments and problems, which the European integration is facing. Their research shows that while ancient and medieval writers may have already ‘sensed’ some sort of European identity, a proper discourse on the continent’s political significance, cultural meaning, historical fate and contemporary crisis – based, for example, on the use of a shared vocabulary (the term ‘Europe’ among it) and of specific rhetorical strategies (like the personification of Europe) –, only evolved during the 15th and 16th century and proliferated in the 17th and 18th century.
But even though the existing studies have shed some light on the concept of Europe in the works of ‘great thinkers’ like Piccolomini, Richelieu, or Leibniz, its wide distribution across languages and genres, as well as its influence on the actual shaping of Europe in political, cultural and other related aspects have only recently received more attention. This holds especially true for texts written in Neo-Latin, as is shown by the project entitled Europe and European Identity in Neo-Latin Literature conducted at the Ludwig Boltzmann Institute for Neo-Latin studies in Innsbruck, the organiser of this conference. This project attempts for the first time to take into consideration the vast amount of Neo-Latin literature processing the discourse on Europe and European identity, for most of what we know so far about the early modern process of the formation of Europe relies almost exclusively on vernacular sources. The dispersion of discourses on Europe across the continent – be it in Latin or in the vernaculars –, however, is difficult to grasp, since they are not restricted to one specific genre. In fact, the discourses span a variety of text types, such as political treatises, poems, novels, commentaries, periodic journals, grammar books, private letters etc. The early modern discourses of Europe rely on an immense communicative network, the contours of which are challenging to decipher.
Conference Aim and Research Questions
To this end, the conference will dive into the early modern days of the notion of Europe. Assuming that discourses on Europe tend to transcend linguistic, historic, and generic boundaries, we invite participants from different fields to examine vernacular and Latin negotiations of Europe from the late 15th to the early 18th century. This multi-angled approach will serve to identify both similarities and differences in the constructions of Europe within its different national and cultural communities. Comparing the results from Neo-Latin studies with the findings of other disciplines, the conference’s main purpose is to investigate the discursive representations of Europe from a contrastive and interdisciplinary pan-European perspective: papers should concern questions of how the term Europe was defined and evaluated, which concepts were attached to Europe, and in which way texts were trying to create or propagate a common European identity in the various languages, disciplines and genres of Early Modernity.
Accordingly, papers regarding the following topics are particularly (but not exclusively) welcome:
- ideas, definitions, interpretations as well as discourses on Europe in texts and media of any given genre (e.g. the geographical concept; the religious idea of Christianitas; the intellectual notion of the res publica litteraria; the cultural image of Europe as the heir of values derived from the ancient past; the political concept of a ‘balance of power’);
- the ‘rhetorics’ of Europe, i.e. in which way discourses on Europe are performed and promoted, which metaphors and narratives are employed to describe Europe or to convey the interactions between Europe and its parts (e.g. eroticism of lovers and rivals in allegories);
- the interplay between language and identity, i.e. the role language plays ideologically and politically in shaping identity in connection with the notion of Europe (e.g. Latinitas against the vernaculars);
- relationships between nations and Europe, i.e. the way texts sharpen national identities with regard to the supra-national (e.g. Europe as a plurality of nations following the principle of unity in diversity).
We welcome papers of a maximum of 30 minutes length. Each paper will be followed by c.10 minutes of discussion. English will serve as the main conference language. The publication of the papers in a collective conference volume is planned for 2018, the deadline for article submission will be April 30, 2018. To submit a proposal, please send an abstract of your paper (max. 150 words) and a brief curriculum vitae (max. half a page) to firstname.lastname@example.org or email@example.com before April 30, 2017.
The Ludwig Boltzmann Institute for Neo-Latin Studies will reimburse the travel expenses and compensate for the conference hotel in Innsbruck, max. three nights (arrival Wednesday, November 29, departure Saturday, December 2, 2017).
Further information about the conference can be found at http://neolatin.lbg.ac.at.
HOMER AND THE EPIC TRADITION IX
The 9th Homer Seminar, to be held at ANU,will take place from 4–5 December 2017. The seminar is intended to give Australasian scholars interested in the epic tradition the chance to test out ideas, methodologies and findings in a supportive environment, and is particularly (but not exclusively) open to postgraduates and early career researchers. Please submit your abstract to Fiona Sweet Formiatti (firstname.lastname@example.org) by 30 September. Further information.
AAANZ 2017 CONFERENCE: ART AND ITS DIRECTIONS
The University of Western Australia, Perth, 6-8 December 2017
This year’s conference theme Art and its Directions is broadly conceived against the backdrop of debates relating to national sovereignty and globalisation. Rather than purely a focus on politically based art in this context, we turn to the question of directions in art, where directions refer both to geography and chronology. The aim is to investigate artistic production and exchange in relation to the geographical, conceptual and imaginative relationships between north, south, east and west, so as to encompass discussion of transnational and global art histories; and the binaries of centre and periphery, modern and traditional. The theme takes account of the conference location in Western Australia – ranging from perceptions of the west to its distinct collections, and history.
There is also focus upon how art objects and art practices exist in different spatial and temporal contexts. This may include discussion of the mobility of objects and the materials of art, and of curatorial practices relating to the display of works of art.
- Convenors of panel sessions might consider subject areas such as:
- The theorising of geographies in relation to art
- Art and the changing history of place
- Landscapes, travel and the sensory dimension of place
- Heritage, nostalgia and anachronism in art
- Contemporary curatorial practice and its global aspects
- Indigenous art and cultural objects in their original settings and in the museum
- The legacy of colonialism in historical and contemporary art practice
- Emigré and refugee artists, and cross-cultural exchange
- Representations of the cosmos, and the mapping of sea and land in Aboriginal art
- Aboriginal rock art and cross-cultural encounters
- Art and cartography, navigation, travel and trade
- The translocation of art through commercial forces and war
- The mobility of images in the digital age, including the role of photography
- The space of the studio and its relation to the outer world
- Conference sessions are timetabled for three 20 minute papers plus 10 minute questions, totalling 90 minutes
- Alternative formats may be proposed, such as round table or open discussions providing that they can be accommodated by the timetable structure
- On Wednesday 6 December there will be a dedicated Postgraduate Day for presentation of papers from current postgraduate students and those who have completed postgraduate study within the last eighteen months. These papers do not need to relate to the conference theme. The call for postgraduate papers will open on 17 June 2017
- Postgraduate students are also eligible to propose conference sessions and papers in other sessions
- Panel session proposals are to include: name and email address of the session convenor(s); institutional affiliation; session title; a brief abstract (of no more than 250 words) that describes the session and how it fits with the conference theme
- Email session proposals to email@example.com, attention Conference Administrator
- The deadline for session proposals is COB Monday 22 May 2017
- Session convenors are required to be active members of AAANZ at the time of the conference and will be asked to renew or register for membership upon acceptance of their panel proposal
- Session convenors will be notified of the acceptance of their proposed session on or before 13 June 2017
- Call for papers for sessions will open on 17 June 2017
- Session convenors are expected to administer all enquiries and correspondence relating to their session in consultation with the conference committee
Please address all correspondence to the Conference Administrator, Vyonne Walker, firstname.lastname@example.org
REPRESENTING INFIRMITY: DISEASED BODIES IN RENAISSANCE AND EARLY MODERN ITALY
Monash University Centre in Prato, December 13-15 2017
Students currently enrolled in a Master’s or Doctoral program are invited to submit a project for “Representing Infirmity: Diseased Bodies in Renaissance and Early Modern Italy,” an international conference to be held at the Monash University Centre in Prato on December 13-15, 2017. The event is organized by John Henderson (Birkbeck, University of London and Monash University), a historian of medicine, Fredrika Jacobs (Virginia Commonwealth University) and Jonathan Nelson (Syracuse University in Florence), both historians of art, and Peter Howard (Monash University, Melbourne), a historian and Director of the Centre for Medieval and Renaissance Studies at Monash (Melbourne and Prato).
The conference will be the first to explore how diseased bodies were represented in Italy during the ‘long Renaissance,’ from the early 1400s through ca. 1650. Many individual studies by historians of art and the history of medicine address specific aspects of this subject, yet there has never been an attempt to define or explore the broader topic. Moreover, most studies interpret Renaissance images and texts through the lens of current under-tandings about disease. This conference avoids the pitfalls of retrospective diagnosis. Accordingly, proposed projects should look beyond the modern category of ‘disease’ to view ‘infirmity’ in Galenic humoural terms.
The event begins with a keynote lecture by John Henderson on December 13, followed by two days of papers by (in alphabetical order): Sheila Barker, Danielle Carrabino, Peter Howard, Fredrika Jacobs, Jenni Kuuliala, Jonathan Nelson, Diana Bullen Presciutti, Paolo Savoia, Michael Stolberg, and Evelyn Welch. For topics, see below.
Graduate students are invited to participate in the ‘poster session.’ Selection will begin on 15 August 2017. Grant recipients will produce a PDF for a poster that illustrates one aspect of how infirmity was represented in Renaissance Italy. The poster will be exhibited at the Monash Prato Centre, and an electronic version will be posted on the conference webpage. During the conference, students will give short presentations of their work. These junior colleagues are invited to all meals, and encouraged to participate in discussions; they may be invited to submit their paper for publication in the acts of the conference. Students will be provided with up to $500 for economy transportation, plus hotel and meals in Prato for the three-day event. Given the terms of this grant, priority will be given to US students and students in US programs, but all students are encouraged to apply.
Applicants must be currently enrolled in a Doctoral or a research-based Master’s program. Applications should be sent via email to Infirmity2017@gmail.com, and must include the following:
- Academic Summary (university level only): a) name and address of current institution, b) title of program, c) short description of thesis (ca. 200 words), d) expected date of completion, e) name and address of advisor, and f) name and address of second academic or professional reference.
- Professional Summary: a list of relevant work experience and/or publications.
- Proposal: title, and short description (ca. 200 words).
- Proposals should address one the following topics:
- What infirmities are depicted in visual culture, in what context, why, and when?
- How did the idea and representations of infirmities change over the 15th-17th centuries?
- How, did awareness of new diseases in this period inform the visual representation of infirmity?
- How did these representations change across media (altarpieces, sculptures, votive images, prints, book illustrations)?
- What was the relationship between images and texts, principally medical, religious, and literary?
- How and why did representations of infirmity differ in popular versus learned texts?
The Conference is organized by Centre for Medieval and Renaissance Studies, Monash University Prato, as part of the “Body in the City Arts Focus Research Program.”
Funding for graduate students is provided by the Samuel H. Kress Foundation, administered through Syracuse University.
NATURES AND SPACES OF ENLIGHTENMENT
The Sixteenth David Nichol Smith Seminar in Eighteenth-Century Studies, Griffith University and the University of Queensland, Brisbane, 13-15 December 2017
The Australian and New Zealand Society for Eighteenth-Century Studies is pleased to announce that the sixteenth David Nichol Smith Seminar, Natures and Spaces of Enlightenment, will be held in Brisbane, Australia, at Griffith University and the University of Queensland on the 13th to 15th December 2017.
The following keynote speakers will be presenting at the conference:
- Deidre Lynch (Harvard University)
- Jan Golinski (University of New Hampshire)
- Georgia Cowart (Case Western Reserve University)
- Sujit Sivasundaram (University of Cambridge)
We welcome proposals for papers or panels on the theme ‘Natures and Spaces of Enlightenment’, broadly conceived as referring to the plurality of Enlightenments as well as the ideas and uses of nature which they endorsed, and the spaces in which they developed. In the inclusive spirit of the David Nichol Smith Seminar, proposals may address any aspect of the long eighteenth century. Especially relevant topics include:
- Enlightenment and religion or science
- Enlightenment and empire or gender
- Popular, moderate and radical enlightenments
- Regional, national and global enlightenments
- Climate, the environment and the Anthropocene
- Emotion, sentimentalism and feeling
- Theories of human nature and civil society
- Trade, commerce and improvement
- Travel, exploration and discovery
- Philanthropy and the culture of reform
- Spaces of sociability
- Urban and rural spaces
- Ideas of landscape and forms of land use
- Nature in art, literature and music
- Natural history, natural philosophy, natural law
- Nature in economic and political writing
- Medicine, sexuality and the body
- Botany, geology and geography
- Representations and uses of animals
- Work, leisure, technology and industrialisation
We welcome proposals for 20-minute papers and panels comprising 3 x papers. Please submit an abstract of 250 words (maximum) and a 2-page CV via email as a pdf attachment to email@example.com
Deadline for submissions: 1 August, 2017.
THE ART OF PRAISE: PANEGYRIC AND ENCOMIUM IN LATE ANTIQUITY
Organizer: Paul Kimball, Bilkent University
Sponsored by the Society for Late Antiquity
Near the turn of the last millennium two collections of essays appeared which called our attention to late antique panegyric.The Propaganda of Power: The Role of Panegyric in Late Antiquity, ed. Mary Whitby (1998) underlined the genre's public and political contexts, whileGreek Biography and Panegyric in Late Antiquity, edd.Thomas Hägg and Philip Rousseau (2000) explored its links with the forms and practices of biography and hagiography. The contributions to both volumes made it clear that from origins in the fourth century BCE to the end of antiquity (and beyond), panegyric proved a long-lived and highly adaptable platform for the articulation of social relations and the values that supported them. At the meeting of the Society for Classical Studies in Boston, Massachusetts from 4-7 January 2018, the Society for Late Antiquity will sponsor a session to revisit the significance of the rhetoric of praise in late antiquity. We are especially interested in proposals that examine what, if anything, was distinctively "late antique" about late antique panegyric and encomium. In addition to papers addressing this specific question, we also welcome submissions on all aspects of these genres in late antiquity: theory and practice, political and private contexts, literary and declamatory presentations, prose and verse, parodic and ironic, etc.
Abstracts for papers requiring a maximum of twenty minutes to deliver should be sent no later than February 15, 2017by email attachment to Paul Kimball at firstname.lastname@example.org. All submissions will be judged anonymously by two referees. Prospective panelists must be members in good standing of the SCS at the time of submission and must include their membership number in the cover letter accompanying their abstract. Please follow the SCS’s instructions for the format of individual abstracts:https://classicalstudies.org/annual-meeting/guidelines-authors-abstracts. The submission of an abstract represents a commitment to attend the 2018 meeting should the abstract be accepted. No papers will be readin absentiaand the SLA is unable to provide funding for travel to Boston.
GENDER AND MEDIEVAL STUDIES GROUP AND SOCIETY FOR MEDIEVAL FEMINIST SCHOLARSHIP JOINT CONFERENCE
Corpus Christi College, University of Oxford, 8-10 January 2018
The glittering beauty of the Alfred Jewel, the rich illustration of the Lindisfarne Gospels, the dominating Great West Window of York Minster, the intricate embroidery of the Bayeux Tapestry, the luminous Maestà of Duccio, the opulent Oseberg ship burial, and the sophisticated imagery of the Ruthwell cross are all testament to the centrality of the visual to our understanding of a range of medieval cultures.
Constructed at and across the intersections of race, disability, sexual orientation, religion, national identity, age, social class, and economic status, gendered medieval identities are multiple, mobile, and multivalent. Iconography – both religious and secular – plays a key role in the representation of such multifaceted identities. But visual symbols do not merely represent personhood. Across the range of medieval media, visual symbolism is used actively to produce, inscribe, and express the gendered identities of both individuals and groups.
The 2018 Gender and Medieval Studies Conference welcomes papers on all aspects of gender, identity and iconography from those working on medieval subjects in any discipline.
Papers may address, but are not limited to:
- Sight and Blindness
- Visible and Invisible Identities
- Visual Languages
- Colour and Shade
- Icons and Iconoclasm
- Light and Darkness
- Collective and Individual Identities
- Orthodox and Heretical imagery
- Subject and Motif
- Convention and Innovation
We invite proposals for 20-minute papers. Please email proposals of approx. 200 words to email@example.com by Monday 4 September, 2017. We will also consider proposals for alternative kinds of presentation, including full panel proposals, performance and art; please contact the organisers to discuss.
A conference for everyone
Corpus Christi College’s auditorium is fully wheelchair accessible, has accessible toilets, and features a hearing loop for those using hearing aids. Please contact us if you have specific accessibility needs you would like to discuss. We plan to provide a private lactation space.
It is hoped that the Kate Westoby Fund will be able to offer a modest contribution towards (but not the full costs of) as many postgraduate student travel expenses as possible. We are exploring other avenues to make the conference financially feasible for postgraduates and early career scholars to attend.
LAW AND LEGAL AGREEMENTS 600-1250
The Faculty of English, Cambridge University, 9 West Road, Cambridge, CD3 9DP, 12-13 January 2018
Following on from the Law and Language Colloquium in 2015 and the Law and Ritual Colloquium in 2016, the final Colloquium in the Voices of Law series, funded by The Leverhulme Trust, will be Law and Legal Agreements 600-1250. This conference aims to draw together scholars working on various geographical areas to identify points of similarity and contrast in language, text and legal practice.
Keynote Speaker: Prof. Robin Chapman Stacey
The making of legal agreements opens a window onto various aspects of the medieval world, from trade to marriage to the treatment of ‘outsiders’, and this conference aims to chart the development of these agreements from the period c.600 to c.1250.
Papers covering the following strands are encouraged, but not limited to:
- Agreement and Disagreement – including aspects of judgments and arbitration; conflict resolution; the material and visual culture of legal disputes; violence
- Inheritance, Kinship and Marriage – including topics on dower and dowry; family relationships defined through legal action; divorce and annulment of marriage; fostering and the process of adoption; wardship and inheritance, including will making
- Status, ‘Others’ and Gender – including free and unfree; female agency; queer cases before the courts; sexual deviancy and the intersectionality of status and gender in the making of legal agreements. This strand can also consider the legal status of aliens and strangers; exclusion, expulsion and displacement; and issues surrounding community and identity, including different faith identities and heretical identities in secular and canon law
- The Spoken vs the Written Word – including performance; witnesses and jurors; the use of liturgy and religious texts; satire
- Written versus Material Evidence – including the materiality of legal spaces; archaeology and architecture; the interaction between written and material evidence
Email abstracts of no more than 300 words to firstname.lastname@example.org by no later than 17:00 Wednesday 15 February, 2017. Abstracts and papers must be in English. Registration and bursary application forms will be available to download from the Events page of the Voices of Law website at www.voicesoflaw.wordpress.com/events, and are also available on request – just email email@example.com to request a form, and find out more.
NATIONALISM OLD AND NEW: EUROPE, AUSTRALIA AND THEIR OTHERS
EASA Biennial Conference, University of Barcelona, Spain, 17-19 January 2018
We invite you to submit papers for the EASA Biennial Conference “Nationalism Old and New: Europe, Australia and Their Others”, organised by the Observatory: Australian Studies Centre (ASC) for the European Association for Studies of Australia (EASA) at the Faculty of Letters of the University of Barcelona, Spain, Wed 17 to Fri 19 January 2018.
We are very pleased to confirm the following keynote speakers: Baden Offord, Suvendrini Perera, Tabish Khair, Dolores Herrero, Bill Ashcroft and Shirley Steinberg
Please send your 250-word abstracts for 20-minute papers and 100-word bio notes in two separate Word files to firstname.lastname@example.org by 1 September, 2017 (2nd extended deadline). We also encourage panel proposals, which should be accompanied by a 100-word overall abstract and title in addition to the 250-word abstracts for a panel?s individual papers. Notification of acceptance/rejection of abstracts will be sent by 1 October 2017.
For more detailed information on the conference, see our full CFP at the conference webpage: https://easa2018barcelona.wordpress.com.
WOMEN’S NEGOTIATIONS OF SPACE, 1500-1900
University of Hull, Thursday 18 January 2018
(9.30am to 5pm, to be followed by a wine reception and conference dinner)
Keynote Speakers: Dr Ruth Larsen (University of Derby) and Dr Nicola Whyte (University of Exeter)
Doreen Massey argued that ‘particular ways of thinking about space and place are tied up with, both directly and indirectly, particular social constructions of gender relations.’ This conference will investigate how women have used their agency to negotiate gender constructions in space-time; and the ways in which women’s agency has been curtailed through constructed spatial limitations.
Due to generous funding from the Women’s History Network and the University of Hull Graduate School, we are able to offer a number of small travel or accommodation bursaries to PG students and ECRs. Details will be available shortly.
Possible themes include, but are not limited to, women’s roles and experiences in:
- Mobility and travel across space and life-cycles
- Domestic spaces and families
- Working and professional spaces
- Negotiations in legal spaces and engagement with the law
- Experiences of property ownership and relationships with property
- Agriculture, estate and land management
- Movements and impact on political spaces
- Social spaces and networks
- Building, renovating, and managing country houses and estates
- Geographical, social and familial networks of and between women
- Women’s histories in heritage spaces and public history: reflections and methodologies
Please send an abstract of up to 350 words for 15 minute papers, including a short biography, to the conference organisers at: email@example.com by 30 September 2017.
Organisers: Stormm Buxton-Hill, Helen Manning, Lizzie Rogers, Sarah Shields, Alice Whiteoak.
TRANSITION(S): CONCEPT, METHODS AND CASE STUDIES (14TH–17TH CENTURIES)
International PhD Students’ Meetings: Part 1, Liège, Belgium, 30-31 January 2018
The Research Unit Transitions. Middle Ages and First Modernity (University of Liège) associated with the research laboratory TRAME (Texts, Representations, Archaeology and Memory from Antiquity to the Renaissance) of the University of Picardie Jules Verne and with the Centre for Advanced Studies in the Renaissance of the University François Rabelais (Tours) on the occasion of International PhD Students’ Meetings in three parts. Implemented by PhD students of these three institutions, the aim of the meetings is to enable exchange and discussion between PhD students, junior researchers and skilled colleagues. The first of these three meetings will be held in Liège on Tuesday January 30th and Wednesday January 31st, 2018.
From the Middle Ages until the upheavals brought about by Galilean science, Europe underwent a period of unceasing questioning which challenged the political balance and its legitimacy, shook the foundations of confessional unity, and expanded the limits of knowledge and of creation. In an attempt to transcend the inherited divisions of the long historiographical tradition, the Research Unit Transitions. Middle Ages and First Modernity (http://web.philo.ulg.ac.be/transitions/fr/) explores these constant transformations in the Western and in the Mediterranean Basin. Open to Medievalists and Modernists, the Research Unit promotes confrontation between research practices, original collaboration, and the sharing of results in a transdisciplinary way. Furthermore, it attempts to show several factors which contributed to the construction of the social and cultural frameworks by which we define ourselves even today.
In January 2018, the Liège meetings will focus on the theme “Transition(s): concept, methods and case studies (14th–17th centuries)”. Nowadays, the Social Sciences and Humanities Research on the whole tend to delete categories and traditional historical periodization in favor of transversal approach of objects, phenomena, genders, forms and ideas. The concept of “Transition” is linked to the idea of “passage” and it may be defined as “the passage from one state to another” a “degree or an intermediate state” (Trésor de la langue française). From their own research objects, participants will be asked to think on this concept, its acceptability and its relevance toward those of “Mutation”, “Change”, “Transformation”, “Modification”, “Revolution” and “Metamorphosis”. Thereby, it aims to renew the debate on the methods and theoretical ways which mark all disciplinary fields presented in those meetings.
How does one develop a methodology and an analytic grid allowing the study of objects, practices and behaviours positioned between two elements, between two historical periods, between two trends, between two styles, between two manners to do, to see, to write, to think and to believe? Also, how does one get out of this idea of “between two”? Do Transition have breaks, innovations, transfers, exchanges or flow aspects? Do these objects really depict the passage from a practice, a period, from one style to another, or is it actually because the Researcher sees them as doing so? Is the concept of “Transition” a new category, a new pragmatic approach, but nevertheless fruitful? Is this concept involved in advances in our disciplines, and why?
This methodological approach may be considered by concrete questions about the linguistic, cultural, historical, artistic transitions which happened between the 14th and the 17th centuries in Western Europe and the Mediterranean basin, whether through actors and their works (objects, texts), ideas, and / or the areas within which they lived.
Lectures will be the subject of transdisciplinary discussions. They should not last more twenty minutes and they will be given in either French, English or Italian. Each lecture will then be followed by a short debate with the audience.
The organising committee expects the PhD students’ proposals for Friday the 15 September, 2017 at the latest. They should be addressed to the RU Transitions (firstname.lastname@example.org) as an attached document that includes the personal data of the PhD student and those of the research director(s), as well as the title of the thesis, the title of the lecture, the year of registration as a PhD student and, finally, a fifteen-line summary of the proposed lecture. Proposals are to be written in French, English or Italian. Candidates will be informed of the approval or the rejection of their proposal by the 15th of October 2017.
Each PhD student is invited to contact his own institution about the possibility of valorising his or her participation in the study days within the framework of their doctoral training (attestation, ECTS credits, etc.). At the end of the seminar, the organizers will provide a document certifying the active participation of the PhD student in the meeting. Furthermore, in view of its limited financial resources, RU Transitions will not be able to bear the cost of mobility and accommodation for Participants.
Organising Committee : Emilie Corswarem, Sébastien Damoiseaux, Frédéric Degroote, Aurore Drécourt, Adelaïde Lambert, Anne-Sophie Laruelle, Julie Piront
Scientific Committee : Emilie Corswarem, Annick Delfosse, Laure Fagnart, Marie-Elisabeth Henneau, Nicola Morato, Julie Piront
AUSTRALASIAN SOCIETY FOR CLASSICAL STUDIES 2018
The 39th conference of the Australasian Society for Classical Studies will be held at the University of Queensland from 30 January to 2 February 2018. Full details and the call for papers are available on the conference website.
Submission of abstracts closes 28 July 2017.
SHAKESPEARE AT PLAY
ANZSA 2018, The University of Melbourne, 8-10 February 2018
- Gina Bloom, UC Davis
- Claire M. L. Bourne, Penn State U
- Roslyn L. Knutson, U Arkansas, Little Rock
20 minute papers are now invited for the Australian and New Zealand Shakespeare Association (ANZSA) biennial conference. Papers might consider (but are not restricted to) these or any related topics:
- early modern plays
- Shakespeare in plays
- play on words
- play-based learning
- playing tricks
- playback theatre
- Melbourne: capital of cultural and sporting play
- improvisational play
- getting played
- pop up playground
Inquiries and proposals (200 words + 50 word bio) should be sent to David McInnis (email@example.com) by Friday 4 August, 2017.
“LEND THY SERIOUS HEARING”: IRREVERENCE AND PLAY IN SHAKESPEARE ADAPTATIONS
ANZSA 2018 Panel
Four hundred years after William Shakespeare’s death, his work continues to not only fill playhouses around the world, but be adapted for various forms of popular culture, including film, television, online video, and comics/graphic novels. These adaptations introduce a whole new generation of audiences to the work of Shakespeare, and are often fun, playful, engaging, and “irreverent, broadly allusive, and richly reimagined takes on their source material” (Cartelli and Rowe, New Wave Shakespeare on Screen, 2007, 1).
Proposals are invited for papers engaging with the various ways irreverence and play are used in Shakespearean adaptations in order to draw out existing humour in Shakespeare works and/or, and as a pedagogical aid used to help explain complex language, themes, and emotions found in Shakespeare’s works, and more generally make Shakespeare relatable, and entertaining for twenty-first century audiences.
This panel will convene at the 2018 Australian and New Zealand Shakespeare Association (ANZSA) Biennial Conference at The University of Melbourne, on the 8-10 February, 2018.
Topics could include, but are not limited to:
- Irreverence and play in media related to the “Shakespeare 400” celebrations in 2016: e.g. Shakespeare Live! “To Be, or Not to Be” skit; Horrible Histories: Sensational Shakespeare.
- Irreverence and play in “biographical” Shakespeare adaptations on stage and screen: e.g. Shakespeare in Love (1998); Bill (2015); Something Rotten! (2015); Upstart Crow (2016).
- Irreverence and play in Shakespearean adaptations for the theatre: e.g. Andy Griffith’s, Just Macbeth!; The Listies’, Hamlet: Prince of Skidmark; Reduced Shakespeare Company; Shit Faced Shakespeare; Something Rotten!
- Irreverence and play in Shakespeare adaptations in children’s and YA literature: e.g. Marcia Williams’ Mr William Shakespeare’s Plays; Andy Griffith’s Just Macbeth!; John Marsden’s Hamlet, A Novel; Kim Askew’s Twisted Lit series, Molly Booth’s Saving Hamlet; Ryan North’s To Be or Not To Be and Romeo And/Or Juliet.
- Irreverence and play Shakespeare adaptations in comics and graphic novels: e.g. Kill Shakespeare; Manga Shakespeare; Nicki Greenberg’s Hamlet; Ronald Wimberley’s Prince of Cats.
- Irreverence and play in Shakespeare adaptations on screen: e.g. A Midwinter’s Tale (1995); 10 Things I Hate About You (1999); Scotland, PA (2001); Hamlet 2 (2008); Were the World Mine (2008); Rosencrantz and Guildenstern are Undead (2009); Shakespeare Sassy Gay Friend! series (2010); Gnomeo and Juliet (2011); Messina High (2015); BBC’s A Midsummer Night’s Dream (2016).
Please send a 200-word abstract and 50-word bios to Dr Marina Gerzic at: firstname.lastname@example.org by Monday 3 July, 2017 with the topic “ANZSA18 Panel”. I aim to submit a proposal for an edited collection from panel proceedings.
THE 24TH ANNUAL ACMRS CONFERENCE
Scottsdale, AZ, February 8–10 2018
ACMRS invites session and paper proposals for its annual interdisciplinary conference to be held February 8-10, 2018 at the Embassy Suites Hotel in Scottsdale. We welcome papers that explore any topic related to the study and teaching of the Middle Ages and Renaissance and especially those that focus on the general theme of “Reading the Natural World: Perceptions of the Environment and Ecology during the Global Middle Ages and Renaissance.”
Conference Publication: Selected papers focused on “Reading the Natural World: Perceptions of the Environment and Ecology during the Global Middle Ages and Renaissance” will be considered for publication in the conference volume of the Arizona Studies in the Middle Ages and the Renaissance series, published by Brepols Publishers (Belgium).
Keynote Speaker: TBD
Pre-Conference Workshop: ACMRS will host a workshop on manuscript studies led by Professor Timothy Graham, Director of the Institute for Medieval Studies at the University of New Mexico. The workshop will be held on the afternoon of Thursday, February 10, and participation will be limited to the first 25 individuals to register. Email email@example.com with “Pre-Conference Workshop” in the subject line to be added to the list. The cost of the workshop is $50 ($25 for students) and is in addition to the regular conference registration fee.
Les Enfans Sans Abri: Since 1989, the ad hoc medieval/Renaissance drama troupe Les enfans sans abri (LESA) has been performing comedies all over the country and even in Europe. To learn more about Les enfans sans abri, visit their website at: www.lesenfanssansabri.com.
Deadlines: Proposals will be accepted on a rolling basis until midnight, MST on December 1, 2017. Responses will be given within a week of submission. Please submit an abstract of 250 words and a brief CV to ACMRSconference@asu.edu. Proposals must include audio/visual requirements and any other special requests; late requests may not be accommodated.
MEDIEVAL AND EARLY MODERN SPACES AND PLACES
The Open University, Milton Keynes, 23 February 2018
Following a successful first workshop in February 2017, The Open University will be hosting a one-day conference on spaces and places on 23 February 2018, drawing upon the interdisciplinary research interests of the OU’s Medieval and Early Modern Research Group.
Theoretical approaches have informed new ways of thinking about the social production of space (from Henri Lefebvre to David Harvey) and recent research networks have also stimulated novel approaches to early modern spaces (PALATIUM). Early modern spaces were mutable and permeable, and new technologies, objects, and social formations played a role in defining spaces as well as identities. The expansion of trade routes and economic networks, the development of the printing press, struggles for territorial power and religious wars, and new diplomatic frameworks, all contributed to new ways of conceptualising geographies and spaces.
This annual conference is fundamentally interdisciplinary: literary, musical, architectural, artistic and religious spaces will be the subjects of enquiry, not as discrete or separate entities, but ones which overlapped, came into contact with one another, and at times were in conflict. The creation of boundaries and demarcations in subsequent centuries was often a result of these early approaches to spaces.
The conference will examine life in buildings, institutions and broader geographical areas from a variety of perspectives and will consider the following questions:
How were medieval and early modern spaces adapted and transformed through the movement of material and immaterial things?
Which particular aspects of political, social and economic infrastructures enabled the exchange of objects and ideas?
To what extent did a sense of place depend upon the activities taking place there?
TWENTY-FIRST BIENNIAL NEW COLLEGE CONFERENCE ON MEDIEVAL AND RENAISSANCE STUDIES
Sarasota, Florida, 8–10 March 2018
The program committee invites 250-word abstracts of proposed twenty-minute papers on topics in European and Mediterranean history, literature, art, music and religion from the fourth to the seventeenth centuries. Interdisciplinary work is particularly appropriate to the conference’s broad historical and disciplinary scope. Planned sessions are also welcome.
Junior scholars whose abstracts are accepted are encouraged to submit their papers for consideration for the Snyder Prize (named in honor of conference founder Lee Snyder), which carries an honorarium of $400. More details: http://www.newcollegeconference.org/snyderprize.
Abstract Submission Guidelines:
If you are considering submitting an abstract or session proposal, please be aware of the following:
1) So that we can accommodate as many scholars as possible, no one may present a paper in more than one session of the conference. Furthermore, no one should commit to more than two out of the following three activities: 1) presenting a paper; 2) chairing a session; and 3) participating in a roundtable. Organizing sessions does not count in these calculations, but session organizers are subject to them along with everyone else (i.e. you may organize as many sessions as you like, but you may only present one paper, and chair a separate session).
2) Session chairs should not also present in the panel they are chairing. Session organizers may either chair or present in a panel that they have arranged, but not both. If you are organizing a planned session, you may either arrange for a chair and include him/her in your proposal, or submit your panel without a chair and conference organizers will assign one. (The acceptance of your panel will not depend on whether or not your planned session already has a chair.)
3) Those organizing planned sessions should also know that the organizing committee strongly prefers sessions that include participants from more than one institution.
Please submit abstracts online: http://www.newcollegeconference.org/cfp.
The deadline for all abstracts is 15 September, 2017.
Please email firstname.lastname@example.org with any questions.
INSIDE OUT: DRESS AND IDENTITY IN THE MIDDLE AGES
38th Annual Conference of the Center for Medieval Studies, Fordham University, New York, 24-25 March 2018
Dress was a primary expression of identity in the European middle ages, when individuals made strategic choices about clothing and bodily adornment (including hairstyle, jewelry, and other accessories) in order to communicate gender, ethnicity, status, occupation, and other personal and group identities. Because outward appearances were often interpreted as a reliable reflection of inner selves, medieval dress, in its material embodiment as well as in literary and artistic representations, carried extraordinary moral and social meaning, as well as offering seductive possibilities for self-presentation.
This conference aims to bring together recent research on the material culture and social meanings of dress in the Middle Ages to explore the following or related questions:
- Given that very little actual clothing survives from the Middle Ages, how does our reliance on artistic, documentary, and literary representations affect the study of dress and its meaning?
- What aspects of medieval dress were most effective in communicating identity and what messages did they send? What strategies were served by dress, either embodied or in representation?
- How did religious, cultural, and economic factors, such as cross-cultural contact and trade and/or technology influence dress and its uses?
- Did ‘fashion’ or the so-called ‘Western fashion system’ actually begin in the Middle Ages? If so, what social and cultural changes did it inspire or reflect?
Please submit an abstract and cover letter with contact information by September 15, 2017 to Center for Medieval Studies, FMH 405B, Fordham University, Bronx, NY 10458, or by email to email@example.com, or by fax to 718-817-3987.
OTHELLO'S ISLAND 2018
Nicosia, Cyprus, 25-27 March 2018
The 6th annual interdisciplinary conference on Byzantine, Medieval, Renaissance and Early Modern art, literary, archaeological, historical and cultural studies.
Keynote Lecture 2018: “Donor Portraits in Byzantine Art”, to be presented by Professor Henri Frances (American University of Beirut)
The Academic Board for Othello’s Island invites applications to present papers at the 6th edition of Othello’s Island. This will take place in Nicosia, Cyprus, in March 2018.
We are interested in hearing papers on diverse aspects of Byzantine, Medieval, Renaissance and early modern art, literature, history, society and other aspects of culture.
Our remit is broad, and so papers do not have to be related to Shakespeare, Cyprus or the Mediterranean. It is worth looking at the range of papers from past conferences to see that previous speakers have covered topics ranging from slavery in medieval Cyprus and Malta, to the impact of Italian Renaissance art on Cypriot Byzantine painting, and even discussion on the Anglo-Saxon epic Beowulf.
In the six years of its existence, Othello’s Island has developed a reputation as one of the most liberal-minded and friendly medieval and renaissance studies conferences in the world today, and it is also genuinely interdisciplinary. In part this is due to the relatively small size of the event, which generates a true sense of community during the conference.
Our location in Cyprus allows for visits to some stunning medieval museums and other sites, including the French gothic cathedrals of St Sophia in Nicosia, and St Nicholas in Famagusta, and we are housed in the centre of the medieval old town of Nicosia, with its narrow winding streets and impressive city walls and gate houses.
Deadline for submissions is 22 December, 2017.
For the full call for papers please visit www.othellosisland.org
Lead Academic Co-ordinators: Prof. James Fitzmaurice (Northern Arizona University, USA); Prof. Lisa Hopkins (Sheffield Hallam University, UK); Dr Sarah James (University of Kent, UK; Dr Michael Paraskos FRSA (Imperial College London, UK)
Academic Board: Dr Stella Achillaos (University of Cyprus, Cyprus); Jane Chick (University of East Anglia, UK); Prof. James Fitzmaurice (Northern Arizona University, USA); Prof. Lisa Hopkins (Sheffield Hallam University, UK); Dr Sarah James (University of Kent, UK); Dr Richard Maguire (University of East Anglia, UK); Dr Michael Paraskos (Imperial College London, UK); Dr Laurence Publicover (University of Bristol, UK); Prof. David Rollo (University of Southern California, USA); Dr Rita Severis (CVAR, Cyprus); Prof. Astrid Swenson (Bath Spa University, UK); and, Dr Violetta Trofimova (St Petersburg University, Russia)
PRINTING COLOUR, 1700-1830: DISCOVERIES, REDISCOVERIES, AND INNOVATIONS
Senate House, London, 10–12 April 2018
Keynote: Margaret Graselli (National Gallery of Art, D.C.)
Convenors: Elizabeth Savage (Institute of English Studies) and Ad Stijnman (Leiden University)
Eighteenth-century book and print cultures are considered to be black and white (with a little red). Colour-printed material, like William Blake’s visionary books and French decorative art, is considered rare and exceptional. However, recent discoveries in archives, libraries and museums are revealing that bright inks were not extraordinary. Artistic and commercial possibilities were transformed between rapid technical advances around 1700 (when Johannes Teyler and Jacob Christoff Le Blon invented new colour printing techniques) and 1830 (when the Industrial Revolution mechanised printing and chromolithography was patented). These innovations added commercial value and didactic meaning to material including advertising, books, brocade paper, cartography, decorative art, fashion, fine art, illustrations, medicine, trade cards, scientific imagery, texts, textiles and wallpaper.
The saturation of some markets with colour may have contributed to the conclusion that only black-and-white was suitable for fine books and artistic prints. As a result, this printed colour has been traditionally recorded only for well-known ‘rarities’. The rest remains largely invisible to scholarship. Thus, some producers are known as elite ‘artists’ in one field but prolific ‘mere illustrators’ in another, and antecedents of celebrated ‘experiments’ and ‘inventions’ are rarely acknowledged. When these artworks, books, domestic objects and ephemera are considered together, alongside the materials and techniques that enabled their production, the implications overturn assumptions from the historical humanities to conservation science. A new, interdisciplinary approach is now required.
Following from Printing Colour 1400–1700, this conference will be the first interdisciplinary assessment of Western color printmaking in the long eighteenth century, 1700–1830. It is intended to lead to the publication of the first handbook colour printmaking in the late hand-press period, creating a new, interdisciplinary paradigm for the history of printed material.
Abstracts for papers or posters are encouraged from historians of all kinds of printed materials (including historians of art, books, botany, design, fashion, meteorology, music and science), conservators, curators, rare book librarians, practising printers and printmakers, and historians of collecting. Transport and accommodation offered to speakers. Please submit abstracts for papers (20 minutes) and posters (A1 portrait/vertical) by 1 October, 2017 at http://www.bit.ly/PC1700-1830-Submit.
BUCCANEERS, CORSAIRS, PIRATES AND PRIVATEERS: CONNECTING THE EARLY MODERN SEAS
International Symposium, Bielefeld University, Germany, 13-14 April 2018
Until recently manifestations of piracy as well as of its state-sanctioned counterpart, privateering, were mostly discussed as geographically isolated cultural phenomena. Depictions of armed robbery at sea in the early modern period have traditionally tended to focus on specific regions associated with seemingly distinct types of seafarers and their piratical practices of prize-taking. Scholars of literature, culture and history have treated spatially and temporally dispersed occurrences of piracy such as Elizabethan privateers attacking the Spanish treasure fleet, Muslim corsairs capturing English merchant ships in the Mediterranean, Caribbean buccaneers taking part in the English project of nation-building and local English pirates roaming the coastlines of the British Isles as distinct and discrete naval phenomena. This trend to slot piracy into different conceptual categories is echoed by the associated designations – pirates, corsairs, privateers, buccaneers – each carrying its own set of geographical and historical associations. However, researchers have recently begun to question such compartmentalization. Over the last ten years, increasing attention has been devoted to the various affinities and intersections between different forms of (trans)atlantic and mediterranean piracy and their cultural imaginations.
Inspired by this development we suggest a comprehensive approach in literary and cultural studies as well as in history, which looks at the connection between pirates and other seafarers who navigate the North Sea, the Mediterranean Sea and the Atlantic in the early modern period and the cultural products they inspire. Such an approach not only includes a transatlantic perspective, it also allows us to revisit the literary negotiation of piracy by focusing on different aspects like the appearance of piratical protagonists in diverse geographical locations, changing negotiations of pirate identity, and the fluid boundary between illegal piracy and state-sanctioned privateering. With this symposium, we want to establish a dialogue between scholars working on diverse topics connected with literary, cultural and historical representations of piracy and seafaring. In this way, we want to explore the cultural as well as the ideological impact and function of the pirate figure in early modern popular culture.
Papers could focus on (but are not limited to) topics such as:
- regional, national and transnational aspects of piracy
- representations of pirates across different genres
- piracy and gender: viragoes, damsels in distress, and (hyper)masculinity
- maritime law: legal aspects of piracy and privateering
- heroes and villains: the pirate as a criminal and rebel
- piracy, adventure, and popular entertainment
- the relationship between piracy and privateering
- Muslim corsairs in the English imagination
- Caribbean buccaneers and the formation of Empire
- piracy and early modern politics
If you are interested in contributing, please send a brief abstract (max. 300 words) for a 30-minute paper to the organizers by August 9, 2017:
LAW AND (DIS)ORDER
Sewanee Medieval Colloquium, The University of the South, Sewanee, TN, 13-14 April 2018
The Sewanee Medieval Colloquium invites papers exploring aspects of law, order, disorder and resistance in all aspects of medieval cultures. This includes legal codes, social order, orthodoxy and heterodoxy, poetic or artistic form, gender construction, racial divisions, scientific and philosophical order, the history of popular rebellion, and other ways of conceptualizing our theme.
Papers should be twenty minutes in length, and commentary is traditionally provided for each paper presented. We invite papers from all disciplines, and encourage contributions from medievalists working on any geographic area. A seminar will also seek contributions; please look for its separate CFP soon. Participants in the Colloquium are generally limited to holders of a Ph.D. and those currently in a Ph.D. program.
Please submit an abstract (approx. 250 words) and brief c.v., via our website (http://medievalcolloquium.sewanee.edu), no later than 26 October, 2017.
If you wish to propose a full panel session, please submit abstracts and vitae for all participants in the panel.
Completed papers, including notes, will be due no later than 13 March, 2018.
For more information, contact:
Dr Matthew W. Irvin
Director, Sewanee Medieval Colloquium
Follow us on Twitter @SewaneeMedieval
CONVERSIONS IN EARLY MODERN BRITISH LITERATURE AND CULTURE
Florence, 20 April 2018
The 2018 IASEMS Graduate Conference at The British Institute in Florence is a one-day interdisciplinary and bilingual English-Italian forum open to PhD students and researchers who have obtained their doctorates within the past 5 years. This year’s conference will focus on the theme of conversion, a fascinating phenomenon, a promise of newness that blends elements of individual experience with larger problems of historical change.
The ideological and spiritual life of early modern Britain finds a special interpretative key in the notion of conversion, whether perceived as an individual response to a religious and political challenge, a community reaction to political upheaval, or a social change brought about by the innovations of modernity.
The goal of this Conference is to develop an understanding of conversion that will address epistemological, psychological, political, spiritual and technological kinds of transformation, perceived both as subjective and collective change. Therefore conversion is to be understood in its broadest possible sense, and nor merely as a religious phenomenon.
Topics of interest include, but are not limited to the following:
forms of conversion, sacred and secular, i.e., awakening to a new faith, an intensification of existing beliefs, an embracing of a (radical) political movement, etc.
- conversional thinking and practice
- early modern textual ‘conversions’, i.e., from manuscript to print, from one format to another, from one genre to another
- relationships among transformation, freedom and power
- forms of religious dissent in early modern British culture
- religious change and gender
- how early modern English theatre and other theatrical practices represent, adopt, transform, relocate forms of conversion
- conversion narratives
- the phenomenon of forced conversion
- authenticity and pretense in conversion
- religious conversion as catalyst of other transformations (e.g., translation, alchemy, enthusiasm, etc.)
- technologies of transformation
Candidates are invited to send a description of their proposed contribution according to the following guidelines:
- the candidate should provide name, institution, contact info, title and a short abstract of the proposed contribution (300 words for a 20-minute paper), explaining the content and intended structure of the paper, and including a short bibliography;
- abstracts are to be submitted by Sunday 29 October 2017 by email to firstname.lastname@example.org;
- all proposals will be blind-vetted. The list of selected papers will be available by the end of November 2017;
- each finished contribution should not exceed 20 minutes and is to be presented in English (an exception will be made for Italian candidates of departments other than English, who can give their papers in Italian);
- Candidates whose first language is not English will need to have their proposals and final papers checked by a mother-tongue speaker
- participants will be asked to present a final draft of the paper ten days before the Conference.
- Selected speakers who are IASEMS members can apply for a small grant
For further information please contact Ilaria Natali (email@example.com)
SHAKESPEARE AND SCIENCE FICTION
The Anglia Ruskin Centre for Science Fiction and Fantasy (CSFF), Anglia Ruskin University, 28 April 2018
Despite science fiction’s associations with modernity and popular culture, it seems haunted by the literary canon. Shakespeare, in particular, has had a significant influence on the genre. Many texts and films rework or allude to Shakespeare’s plays. A well known example is Forbidden Planet (1956) which reimagines The Tempest in space. More recently, Iain Pears wove plot strands from As You Like It into the complex triple narrative of his novel Arcadia (2015).
Shakespeare has appeared as a character in many science fiction texts. Often in these he becomes a kind of touchstone for humanity – In the Doctor Who episode ‘The Shakespeare Code’ (2007) the Doctor refers to him as ‘the most human human there’s ever been.’ His plays sometimes have the power to prove that the earth should be spared from alien wrath – at other times they represent a consolation for the scattered remnants of humanity after a terrible catastrophe.
Over the decades writers have repeatedly been drawn to encounters between Shakespeare and non-humans – robots, aliens, post-humans – imagining their possible responses to his work. Science fiction has also had an impact on the way Shakespeare’s plays have been adapted and performed. In his 2016 BBC production of the play, Russell T. Davies transplanted A Midsummer Night’s Dream from ancient Athens to a dystopian future.
Papers are invited for a one-day conference on all aspects of the intersection between Shakespeare and science fiction. Proposals are welcomed from researchers at all stages of their career, including postgraduate students, independent scholars and creative writers.
Please send a 300 word abstract and a CV to firstname.lastname@example.org by Friday 6 October 2017.
53RD INTERNATIONAL CONGRESS ON MEDIEVAL STUDIES
The 53rd International Congress on Medieval Studies takes place 10-13 May 2018 at Western Michigan University, Kalamazoo.
THE ANIMAL IN MEDIEVAL ROMANCE
Panel session at the 53rd International Congress on Medieval Studies, May 10-13 2018.
The ‘animal turn’ is one of the newest and most exciting developments in medieval scholarship. Researchers are increasingly interrogating the role of animals in society and culture, the interaction between human and beast, and the formation of human and non-human identities.
The Medieval Romance Society is hosting two inter-related sessions on the role of animals in romances at the 53rd International Congress on Medieval Studies 2018, Western Michigan University, Kalamazoo. We welcome papers which draw on a broad range of methodologies and address a variety of themes relating to animals.
Session I: The Animal in Medieval Romance I: The Animal as Friend
This session invites papers examining the co-dependent relationships between animals and humans in romances. We encourage a broad interpretation of this theme, including cross-species friendships, sexual and romantic couplings, domestication and farmyard animals, and animals as parental surrogates.
Session II: The Animal in Medieval Romance II: The Animal as Product
This session welcomes papers which examine how animal bodies are exploited in medieval romances. Even after death, animals continue to exert their presence in romance narrative through their earthly remains. The genre’s commodification of bestial bodies also extends beyond texts to the physical product of vellum upon which they are transmitted. Papers might explore themes of butchery, the wearing of skins and furs, the use of bone and ivory, and the production of parchment and manuscript-binding.
SHAKESPEARE, TRAFFICS, TROPICS
Asian Shakespeare Association Conference, Manila, May 28-30 2018
Shakespeare, Traffics, Tropics is the 3rd biennial conference of the Asian Shakespeare Association jointly hosted by the Ateneo de Manila University and the University of the Philippines Diliman. It features leading Shakespearean scholars and theatre practitioners from around the globe with a keen interest in Shakespeare as produced in and by Asia and a mini-festival of Shakespearean performances from Japan and the Philippines.
The conference is scheduled on May 28-30, 2018 at the Arete, the new creative and innovation hub of the Ateneo de Manila University and at the College of Arts and Letters of UP Diliman. Prof. Peter Holland, Chairman of the International Shakespeare Association, will deliver the keynote address. A second keynote speaker is also under consideration. The conference will include plenary, panel, and seminar sessions on several aspects of Shakespearean pedagogy, publication, translation, adaptation, and theatrical histories in various Asian locations.
Performances to be staged include:
- The Tempest by the Yamanote Jijoshe company of Tokyo directed by Masahiro Yasuda
- Taming of the Shrew by an Ateneo theater group to be directed by Prof. Ian McClennan (Thornloe University, Canada),
- Rdu3, a contemporary Philippine take on Shakespeare’s Richard III to be co-directed by Anton Juan (University of Notre Dame, USA) and Ricardo Abad (Ateneo de Manila)
Spread out over 7, 641 tropical islands speaking 78 languages, the Philippines has a rich history combining Asian, European, and American influences. It is no stranger to traffic, in various forms, and negotiating this vibrant, colorful, and sometimes chaotic mix, often entails giving in to an easygoing way of life and enjoying oneself along the way. Quezon City, the conference site, is the most populous city of Metropolitan Manila that acts as the country’s political, social, economic, cultural, and educational center. The adjacent university campuses of the Ateneo and UP are sprawling green spaces that offer a respite from the flurry of life in one of the world’s largest cities.
CALL FOR PAPER AND SEMINAR PROPOSALS
Traffic is both a product of robust movements but can also refer to points of entanglements, both flows and disruptions that arise from global exchanges in goods, people, and even, Shakespeare. The Conference welcomes papers that use the idea of traffic whether construed as mobility, immobility, trade, enterprise, translation, exchange –- licit or illicit — as a key concept to contemporize Shakespeare and his place in today’s world. It seeks to explore Shakespeare as both purveyor and product, as either agent or victim of commodification, as subject and object of a wide array of linguistic, theatrical, economic, political, and social transactions. Papers may also take off from the prologue in Romeo and Juliet—“the two-hours traffic of the stage” – and revolve around performance and intercultural movements implied in Asian Shakespearean performances. A secondary theme, Shakespearean Tropics, is not only a nod to the conference location but also seeks to explore tropical Asian Shakespeare as a potentially distinct body of work with unique connections to tropical worlds elsewhere.
Topics may include but are not limited to:
- The Shakespearean Trade
- Shakespearean Entrepreneurs Shakespeare and Cultural Exchange
- Shakespeare and the Global Popular
- Shakespeare and/as Commodity Transactional Shakespeare
- Archives and Inventories
- Shakespearean stocks in global markets
- Shakespeare and Exploitation
- Theatrical Trades, Human Trafficking, and Migration
- Materialist Approaches to Shakespeare
- Shakespearean Performance Economies in Asia
- Shakespeare and the Book Trade
- The Travelling Theatre
- Shakespeare in the Tropics
- Hot Shakespeare
Selected papers from the conference will be published as a special issue of Kritika Kultura, a Thomson-Reuters-indexed and Scopus-listed internationally refereed online journal on literary, language and cultural studies published by the Ateneo de Manila University.
The conference includes both paper sessions and seminars. Graduate students are welcome.
- Paper: please submit a 250-word abstract, plus a short, 100-word bio.
- Seminar: please submit a 250-word description of the seminar, plus a short bio including a summary of your previous seminar experience.
- Deadline: Deadline for submission is 15 September, 2017. Results will be announced in October 2017. A second call for seminar papers will also be released.
THE ART OF THE POOR IN THE LATE MIDDLE AGES AND RENAISSANCE
A conference at The Warburg Institute, London, 14–15 June 2018
Organised by Dr Rembrandt Duits
The art history of the late Middle Ages and the Renaissance has generally been written as a story of elites: bankers, noblemen, kings, cardinals, and popes and their artistic interests and commissions. Recent decades have seen attempts to recast the story in terms of material culture and include a wider range of objects than are discussed in the traditional surveys of painting, sculpture and architecture, but the focus has not fundamentally shifted away from the upper strata of society. One otherwise excellent publication following this new approach even states confidently that ‘there was no such thing as poor man’s art in the Renaissance.’
There are, however, countless modest images, decorated objects and buildings across Europe that belie this notion, from lead and tin pilgrims’ badges in the Museum of London to frescoed churches commissioned by village communities during the Venetian period on Crete. These works of art were made for the more than 95% of the population who were economically less privileged: peasants, unskilled and skilled workers in the building and manufacturing industries, small-time artisans. They are works that tend not to enter the major art museums and exhibitions of the western world, or feature prominently in tourist guide books; they can be found in museums of urban history and archaeology and the closest they come to mingling with ‘real’ art is in shows with an anthropological approach, such as ‘the art of devotion.’ If they are discussed in artistic terms at all, these are often negative: ‘coarse’; ‘crude’; ‘primitive’; or ‘provincial’. There is also a common assumption that such objects did not have artistic traditions of their own but were always derived from the shining examples made by famous artists for the rich.
This conference aims to challenge these perceptions. For the first time, ‘the art of the poor’ will be given centre stage. Through a variety of case studies, objects, their functions and manufacturing traditions will be re-evaluated and established aesthetic judgements and tacit assumptions in scholarship re-examined. The conference will seek to give impetus to a new field combining the expertise of urban archaeologists, historians, historical anthropologists, and art historians. This field, different from general studies of material culture in that its principal object is ‘art’, can help us re-assess the very concept of ‘art’ and its function in society, neither of which can be understood properly without taking into account the broadest range of artistic activity. Topics for papers may include, but are not limited to:
- Art forms made for people with lower incomes, e.g. decorations of village and small parish churches, pilgrims’ souvenirs, woodcuts, decorated ceramics, drinking glasses, textiles, costume, modest paintings and sculptures
- The iconography of images for the poor
- The ‘art market’ of the poor, including manufacturing traditions, vending of artefacts, (collective) commissions, second-hand retail
- Relevant aspects of social history, e.g. income levels and purchasing power, records of transactions or possessions, anecdotal evidence from literary sources, visual evidence from paintings, manuscript illuminations and other images
- Relations between the art of the poor and more upmarket artistic manufacture
- The historiography (or lack of it) of the art of the poor
- Relevant finds in urban archaeology, relevant aspects of museum collections
Papers by early career scholars are particularly welcome. The aim is for the conference proceedings to be published. Papers are restricted to 25 mins. Please send a short abstract and a brief CV to email@example.com by 28 July, 2017.
INTERNATIONAL MEDIEVAL CONGRESS 2018
The twenty-fourth International Medieval Congress will take place in Leeds from 2-5 July 2018.
MARY JAHARIS CENTER SESSION AT INTERNATIONAL MEDIEVAL CONGRESS
The Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 25th International Medieval Congress, University of Leeds, July 2–5 2018. We invite session proposals on any topic relevant to Byzantine studies.
The thematic strand for the 2018 IMC is “Memory.” See the IMC Call for Papers (https://www.leeds.ac.uk/ims/imc/imc2018_call.html) for additional information about the theme and suggested areas of discussion.
Session proposals should be submitted through the Mary Jaharis Center website (https://maryjahariscenter.org/sponsored-sessions/25th-imc). The deadline for submission is September 1, 2017. Proposals should include:
**100-word session abstract
**Session moderator and academic affiliation
**Information about the three papers to be presented in the session. For each paper: name of presenter and academic affiliation, proposed paper title, and 100-word abstract
Successful applicants will be notified by mid-September if their proposal has been selected for submission to the International Medieval Congress. The Mary Jaharis Center will submit the session proposal to the International Medieval Congress and will keep the potential organizer informed about the status of the proposal.
If the proposed session is approved, the Mary Jaharis Center will reimburse session participants (presenters and moderator) up to $600 maximum for European residents and up to $1200 maximum for those coming from outside Europe. Funding is through reimbursement only; advance funding cannot be provided. Eligible expenses include conference registration, transportation, and food and lodging. Receipts are required for reimbursement.
The session organizer may act as the moderator or present a paper. Participants may only present papers in one session.
Please contact Brandie Ratliff (firstname.lastname@example.org@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture with any questions.
MEMORIES OF EMPIRE
International Medieval Congress 2018 session.
Cerae is sourcing submissions to participate in a panel focused on ‘Memories of Empire’ for the IMC Conference at the University of Leeds (2-5 July 2018). The focus of our panel is on the ways in which individuals or collectives used, or were influenced by, recollections and remnants of the Roman Empire.
Medieval ideas about education and civic duty were heavily influenced by Roman authors, for example, while Roman ruins were continuously used in Medieval buildings. Medieval theologians constantly grappled with the legacy of their ancient pagan forebears, while poets and playwrights sought to establish authority and prestige by placing themselves in the classical tradition through emulation and imitation. In Medieval memories and imaginations, the Roman Empire served as not only a past point of reference, but as an aspirational destination. In our panel, we would like to explore the relationship between memory, imagination and destiny. Submissions might focus on – but are not limited to:
- studies in the visual, literary and material culture of the Carolingian empire
- the birth of Renaissance humanism with its focus on classical notions of civic duty
- religious appropriations of the imperial claim to political supremacy
- medieval romance and epic as genres innovating on classical styles and themes
- the imperialist legacy in early colonial propaganda
Cerae is aiming to gather together panellists with varied disciplinary approaches, and submissions from scholars working in art history, literature, politics, intellectual history, social studies and beyond are encouraged.
Submissions by participants willing to write up their paper as an article for review and publication in 2018 as part of Cerae Volume 5 (of the same theme) will be prioritised. We can offer bursaries of $100 towards travel costs for postgraduates and ECRs travelling from Australia and New Zealand.
Please send a 250-300 word abstract along with a brief biography/publication list to email@example.com by 31 August 2017.
SIXTEENTH INTERNATIONAL CONFERENCE ON NEW DIRECTIONS IN THE HUMANITIES
University of Pennsylvania, Philadelphia, 5–7 July 2018
We are pleased to announce the Call for Papers for the Sixteenth International Conference on New Directions in the Humanities, held 5–7 July 2018 at the University of Pennsylvania in Philadelphia, USA.
First held at the University of the Aegean on the island of Rhodes in Greece in 2003, the conference has moved its location each year to different countries and continents, each offering its own perspectives on the human condition and the current state of studies of the human. This research network is brought together by a shared commitment to the humanities and a concern for their future.
We invite proposals for paper presentations, workshops/interactive sessions, posters/exhibits, colloquia, virtual posters, or virtual lightning talks. The conference features research addressing the annual themes.
- Theme 1: Critical Cultural Studies
- Theme 2: Communications and Linguistics Studies
- Theme 3: Literary Humanities
- Theme 4: Civic, Political, and Community Studies
- Theme 5: Humanities Education
Proposal submission deadline: 30 June, 2017.
For more information regarding the conference, please visit the conference website: http://thehumanities.com/2018-conference.
16TH INTERNATIONAL CONFERENCE ON BOOKS, PUBLISHING & LIBRARIES
University of Pennsylvania, Philadelphia, USA, 7 July 2018
Founded in 2003, the International Conference on Books, Publishing & Libraries brings together scholars and practitioners around a common shared interest in exploring the histories, traditions, and futures of books, publishing, and libraries.
We invite proposals for paper presentations, workshops/interactive sessions, posters/exhibits, and colloquia. The conference features research addressing the annual themes.
- Theme 1: Publishing Practices: Past, Present, and Future
- Theme 2: Reading, Writing, Literacy, and Learning
- Theme 3: Books and Libraries
For more information regarding the conference, and to submit an abstract please visit our conference website: http://booksandpublishing.com/2018-conference
Current proposal submission deadline: 3 July, 2017.
THE MARLOWE SOCIETY OF AMERICA’S 8TH INTERNATIONAL CONFERENCE
Wittenberg, Germany, 10-13 July 2018
Hosted by MSA President Kirk Melnikoff, the conference will feature keynote presentations by Lukas Erne (University of Geneva), Kristen Poole (University of Delaware), and Holger Syme (University of Toronto). Tours of the Luther House, the Melanchthon House, the Castle Church, and Cranach Studios will complement special events, workshops, screenings, and productions designed specially for conference attendees. We hope you will join us—and participate.
Papers should be no more than fifteen minutes in length and present original research on any topic concerning the works of Christopher Marlowe. We welcome proposals for individual papers and complete panels. Please send the following by email to the conference Program Chair, Lucy Munro, University of London, King’s College: firstname.lastname@example.org.
For individual papers, an abstract of 300–500 words;
For complete panels, an overview of the panel and abstracts of the individual papers, totalling 1200–1500 words.
The deadline for submission of abstracts is Friday, July 28, 2017.
PACIFIC PARTNERSHIP IN LATE ANTIQUITY
The 2nd Annual Pacific Partnership in Late Antiquity conference will be held at the University of Auckland from July 11-13 2018. Proposals can be for papers in any area of late antique, early medieval or Byzantine studies and the conference is intended to provide a venue for scholars in these fields around the Pacific Rim.
Submissions close on 1 October and should be sent to Lisa Bailey: email@example.com.
For further information please contact Lisa or visit the Centre for Hellenic Studies website (http://helleniccenter.ucsd.edu/news-events/index.html).
MOVABLE GOODS AND IMMOVABLE PROPERTY: GENDER, LAW AND MATERIAL CULTURE IN EARLY MODERN EUROPE (1450‒1850)
9th Conference of the European network “Gender Differences in the History of European Legal Cultures”, German Historical Institute, London, 19-21 July 2018
Conveners: Annette Cremer (Gießen), Hannes Ziegler (London)
The history of material cultures offers important new ways of studying the significance of gender differences in the history of legal cultures by exploring new relationships between gender, law and material culture. Material and immaterial possession informs the self-image of individuals and societies, dynasties and families. A threefold scheme of legal distinction differentiates between usufruct (1), possession (2), and property (3). Yet these relationships between individuals and objects are not only relevant to civil law, but correspond to political regimes. While usufruct, possession and property thus correspond to different forms of authority and society, they also have a bearing on gender relations on different levels of society. Usually, these gendered aspects of material culture are the products of traditional proximities between certain areas of activity and related groups of objects. Communities in early modern Europe can thus be said to have a gendered and often legally sanctioned relationship to the material world and the world of objects.
Our assumption is that this situation led to social rivalries and gender-informed conflicts between individual members of societies regarding usufruct, possession, and property. The action of taking possession of something is thus more than just a way of achieving material security, but a form of social practice and a way of self-assertion: in order to gain social status, as a way of accumulating social capital or broadening one’s personal or dynastic room for manoeuvre. In this respect, the single most important event is the distribution of goods in generational succession. Despite their chronologically wide applicability, we would like to explore these questions with respect to early modern history.
The starting point for our conference is objects and groups of objects, that is to say, mobile and immobile resources, and their relationships with gender, structures of power, estate orders, customs and legal norms. Perspectives from social and legal sciences will thus be combined with approaches from material culture studies. Our basic assumption is that ways and forms of usufruct, possession and property regarding certain objects inform the self-image and the prospects of individuals and families. What changes and dynamics can be observed in relation to the correlations between gender and objects? What differences occur between different forms of societies?
The network “Gender Differences in the History of European Legal Cultures” operates in a diachronic and comparative way. We are therefore looking for papers engaging with the relationships between objects, gendered self-images and rights of ownership on the basis of textual, pictorial and material sources in Europe between 1450 and 1850. Despite this emphasis on early modern history, we also encourage proposals that highlight transitions from the Middle Ages. Papers should engage with one or more of the following themes and questions:
- How can the distinction between movables and immovables be explained? On what experiences and everyday considerations is it based?
- When does the category of movables become relevant? Is the understanding of the house as immovable based on its material aspects, e.g. fabrics?
- Does the gendered coding of movables and immovables exist in different legal areas? How is the attribution of gendered codes argued for?
- What are the consequences of gendered attributions of objects and resources? Does the distribution of resources lead to specific hazards or profits?
- What objects are especially disputed? We are looking for examples of individuals trying to take possession of mobile and immobile, material and immaterial resources.
- Can tensions be discerned between the aims and interests of households and family units and the superior interests of the manorial system, the economies of cities and states, or the public weal?
- Does the distinction between mobiles and immobiles extend beyond legal norms? How is it handled in Common or Roman Law?
- What are the strategies of testators for distributing their property? How binding were marriage contracts and last wills in the case of succession?
- What institutions are resorted to in case of conflicts?
- How is the value of mobiles and immobiles assessed? How relevant are market values,
auctions and valuers?
- What is the role of gender, marital status, age, social standing, and religious
confession for pursuing one’s interest and the chances of success in the case of judicial
- What is the influence of the distribution of wealth on power relations within the
- And finally: what is the shape of households that have been reorganised by gavelkind,
single heir rule and other mechanisms of distribution? In other words: how is the redistribution of goods handled within households?
Keynotes will be presented by:
- Amy Erickson (Cambridge) and Margareth Lanzinger (Wien)