Article by Andrew Fuhrmann published in the latest RealTime Arts Magazine
Every drone has a human operator. Even self-directed drones on autopilot rely on the human behind the software to give them purpose. Someone is always calling the shots. And it's this necessary human element which is at issue in A Drone Opera, an exciting high-tech, high-art spectacle created by director Matthew Sleeth and composer Susan Frykberg.
Read the article: Targeted by art drones, Andrew Fuhrmann: A Drone Opera on the RealTime Arts website.
Andrew Fuhrmann is currently undertaking a Master with Professor Denise Varney in theatre studies, working as an Research Assistant with Professor Rachel Fensham and Professor Denise Varney, and teaching at the Victorian College of the Arts (VCA).