The Forger's Wife and Colonial Australian Fiction
University of Melbourne
Please join us as we celebrate the launch of two important books:
The Forger’s Wife by John Lang Edited and with an introduction by Rachael Weaver and Ken Gelder. The Forger’s Wife will be Grattan Street Press’s first book.
Colonial Australian Fiction: Character Types, Social Formation and the Colonial Economy by Ken Gelder and Rachael Weaver. Published by Sydney University Press, the book will be launched by Professor Kate Darian-Smith.
The Forger’s Wife
John Lang was Australia's first locally born novelist, publishing early work in Sydney in the 1840s and going on to write several bestsellers. The Forger's Wife (1856) is a lively adventure novel, set in unruly colonial NSW where everyone is on the make. The forger's wife is a young woman who follows her rakish husband out to Australia and struggles to survive as her marriage falls apart. She soon meets detective George Flower, a powerful man with a cavalier sense of justice and retribution. Flower literally controls the fortunes of the colony: taking on the local bushrangers, instructing colonial authorities, and helping himself to the spoils along the way.
First serialised in Fraser's Magazine in 1853, The Forger's Wife was popular in its day and was reprinted many times over. It is Australia's first detective novel – and most likely, the first detective novel in the Anglophone world.
‘It is a powerful, if occasionally painful, book. It sells even now in all the colonies and in England by the thousand...’ ‘Rolf Boldrewood on Australian Literature’, The Advocate (Melbourne), 20 May 1893
Colonial Australian Fiction: Character Types, Social Formation and the Colonial Economy
Over the course of the nineteenth century a remarkable array of types appeared – and disappeared – in Australian literature: the swagman, the larrikin, the colonial detective, the bushranger, the ‘currency lass’, the squatter, and more. Some had a powerful influence on the colonies’ developing sense of identity; others were more ephemeral. But all had a role to play in shaping and reflecting the social and economic circumstances of life in the colonies.
In Colonial Australian Fiction: Character Types, Social Formations and the Colonial Economy, Ken Gelder and Rachael Weaver explore the genres in which these characters flourished: the squatter novel, the bushranger adventure, colonial detective stories, the swagman’s yarn, the Australian girl’s romance. Authors as diverse as Catherine Helen Spence, Rosa Praed, Henry Kingsley, Anthony Trollope, Henry Lawson, Miles Franklin, Barbara Baynton, Rolf Boldrewood, Mary Fortune and Marcus Clarke were fascinated by colonial character types, and brought them vibrantly to life.
As this book shows, colonial Australian character types are fluid, contradictory and often unpredictable. When we look closely, they have the potential to challenge our assumptions about fiction, genre and national identity.
Professor Kate Darian-Smith, University of Melbourne
Professor Kate Darian-Smith
University of Melbourne
**Kate DarianSmith** holds joint appointments as Professor of Australian Studies and History and Chair of the History Program in the School of Historical and Philosophical Studies, and Professor of Cultural Heritage in the Faculty of Architecture, Building and Planning. She is an elected Fellow of the Academy of Social Sciences in Australia (ASSA).
Dr Rachael Weaver, The University of Melbourne
Dr Rachael Weaver
The University of Melbourne
**Rachael Weaver** is an ARC Senior Research Fellow in English and the Australian Centre at the University of Melbourne. She is author of *The Criminal of the Century* (Arcadia/ASP 2006), and coeditor with Ken Gelder of four anthologies of colonial Australian popular fiction published by Melbourne University Publishing.
Professor Ken Gelder, Co-director
Professor Ken Gelder
**Ken Gelder** is Professor of English and codirector of the Australian Centre at the University of Melbourne. His books include *Popular Fiction: The Logics and Practices of a Literary Field* (Routledge, 2004), *Subcultures: Cultural Histories and Social Practice* (Routledge, 2007), *New Vampire Cinema* (British Film Institute, 2012), and with Rachael Weaver, *The Colonial Journals, and the Emergence of Australian Literary Culture* (UWA Press, 2014). He is also editor of *New Directions in Popular Fiction: Genre, Distribution, Reproduction* (Palgrave Macmillan, forthcoming 2016).