NORTH AMERICAN CONFERENCE ON BRITISH STUDIES ANNUAL MEETING
Providence, Rhode Island, October 25-28, 2018
Deadline: 30 March 2018
The NACBS and its affiliate, the Northeast Conference on British Studies, seek participation by scholars in all areas of British Studies for the 2018 meeting. We will meet in Providence, Rhode Island, from October 25-28, 2018. We solicit proposals for presentations on Britain, the British Empire, and the British world, including topics relating to component parts of Britain and on British influence (or vice versa) in Ireland, the Commonwealth, and former colonies in Asia, Africa, and the Caribbean (etc.) Our interests range from the medieval to the modern. We welcome participation by scholars from across the humanities and social sciences, from all parts of the globe (not just North America), and from all career stages and backgrounds. We reaffirm our commitment to British Studies broadly conceived, and welcome proposals that reflect the diversity of scholars and scholarship in the field.
We invite panel proposals that address selected themes, methodology, and pedagogy, as well as roundtable discussions of topical and thematic interest, including conversations among authors of recent books, reflections on landmark scholarship, and discussions about professional practice. We are particularly interested in submissions that have a broad chronological focus and/or interdisciplinary breadth. Standard panels typically include three presenters speaking for 20 minutes each, a commentator, and a chair, while roundtables typically include four presenters speaking for 15 minutes each and a chair. We are open to other formats, though; please feel free to consult with the program committee chair.
We hope to secure as broad a range of participation as possible and will thus consider individual paper proposals in addition to the standard full panel proposals. Our preference is for panels that include both emerging and established scholars; we welcome the participation of junior scholars and Ph.D. candidates beyond the qualifying stage. To foster intellectual interchange, we ask applicants to compose panels that feature participation from multiple institutions. In an effort to allow a broader range of participants, no participant will be permitted to take part in more than one session in a substantial role. (That is, someone presenting or commenting on one panel cannot also present or comment on another, though individuals presenting or commenting on one panel may serve as chairs for other panels, if need be.) Submissions are welcome from participants in last year’s conference, though if the number of strong submissions exceeds the number of available spaces, selection decisions may take into account recent participation.
As complete panels are more likely to be accepted, we recommend that interested participants issue calls on H-Albion or social media (e.g., @TheNACBS on Twitter or on the NACBS Facebook page) to arrange a panel. If a full panel cannot be arranged by the deadline, however, please do submit the individual proposal and the program committee will try to build submissions into full panels as appropriate.
In addition to the panels, we will be sponsoring a poster session. The posters will be exhibited throughout the conference, and there will be a scheduled time when presenters will be with their posters to allow for further discussion.
The submission website is now open - submissions will close as of March 30 2018.
All submissions are electronic, and need to be completed in one sitting. Before you start your submission, you should have the following information:
Names, affiliations and email addresses for all panel participants. PLEASE NOTE: We create the program from the submission, so be sure that names, institutional titles, and paper titles are provided as they should appear on the program.
A note whether data projection is necessary, desired, or unnecessary.
A brief summary CV for each participant, indicating education, current affiliations, and major publications. (750 words maximum per CV.)
Title and Abstract for each paper or presentation. Roundtables do not need titles for each presentation, but if you have them, that is fine. If there is no title, there should still be an abstract - ie “X will speak about this subject through the lens of this period/approach/region etc.”
POSTERS: Those proposing posters should enter organizer information and first presenter information only.
All communication will be through the panel organizer, who will be responsible for ensuring that members of the panel receive the information they need.
All program presenters must be current members of the NACBS by September 28, one month before the conference, or risk being removed from the program.
Some financial assistance will become available for graduate students (up to $500) and for a limited number of under/unemployed members within ten years of their terminal degree ($300). Details of these travel grants and how to apply will be posted to the NACBS website and emailed to members after the program for the 2018 meeting is prepared.
37TH INTERNATIONAL CONFERENCE OF THE HASKINS SOCIETY
The Haskins Society is an international scholarly organization dedicated to the study of the history of the early and central Middle Ages, with special emphases on Viking, Anglo-Saxon, Anglo-Norman and early Angevin history as well as the many other fields encompassed by the scholarly interests of the American medievalist, Charles Homer Haskins (1870-1937). These traditional fields of interest have expanded over the years via the scholarship of our members and the Society welcomes new contributions in all related fields.
The call for papers is now open for the 37th International Conference of the Haskins Society.
26–28 October 2018
University of North Carolina-Chapel Hill
William Chester Jordan (Princeton University)
Alice Rio (King’s College London)
Theodore Evergates (McDaniel College)
Katherine Smith (Puget Sound) (25 October)
For paper proposals, please send a 250 word abstract and c.v. to firstname.lastname@example.org by 10 July 2018.
University of Pittsburgh’s History of Art and Architecture 2018 Graduate Symposium, 2-3 November 2018. We’re especially interested in the function of monuments and monumentality in the premodern world. Abstracts for a 20 minute presentation are due midnight 30 March 2018 at email@example.com. Feel free to use Facebook or twitter to contact us or follow us for updates @pitthaagradsymp
ADMINISTRATIVE ACCOUNTABILITY IN THE LATER MIDDLE AGES
Administrative Accountability in the Later Middle Ages: Records, Procedures and their Societal Impact, Bucharest, 16-17 November 2018
The emergence of new types of financial records, the creation of institutional procedures, and the birth of a bureaucratic corps in a society in which accountability had been largely social and moral represent key developments in the history of the later Middle Ages. The colloquium will explore the multifaceted reality of administrative accountability in Western Europe, c. 1200-1450. Because the renewed interest in the subject makes methodological exchanges all the more timely, the colloquium will provide a venue for testing new approaches to the sources. Special attention will be given to underexplored archival documents, such as the castellany accounts (computi) of late-medieval Savoy, and to topics that have hitherto received less attention, such as the social impact of institutional consolidation. Comparisons with better-known texts, such as the English pipe rolls, are also encouraged.
The colloquium is organised in the frame of the European Research Council Starting Grant no. 638436, ‘Record-keeping, fiscal reform, and the rise of institutional accountability in late-medieval Savoy: a source-oriented approach’ (University of Bucharest)
Proposals for 30-minute papers are invited on topics including:
- the institutional dialogue between the central and local administration
- the impact of administrative and fiscal reform on local communities
- accounting practices and the auditing of financial records
- the cultural underpinnings of medieval accountability
- prosopography: background and career of administrators, from auditing clerks to castellans
- methodological advances, from manuscript studies to sociological frameworks
- the transfer of administrative models across medieval Europe
The colloquium papers, which will collected in an edited volume published with an international academic press, should reflect original, unpublished research. The authors will be given the opportunity to revise their contributions for publication.
Papers can be presented in English or French; if delivered in French, it is the author’s responsibility to have the paper translated into English for publication.
Proposals of circa 300 words, outlining the source material, methodology, and anticipated findings, should be emailed to firstname.lastname@example.org by 30 March 2018.
The organisers will provide three nights hotel accommodation and help defray travel expenses.
THE MIDDLE AGES IN THE MODERN WORLD
The Middle Ages in the Modern World is a biennial conference about the ways in which the Middle Ages have been received, imagined, invoked, relived, used, abused and refashioned in the modern and contemporary worlds.
Hosted by John Cabot University and the Ecole française de Rome, MAMO 2018 will take place for the first time outside of Great Britain, in the historic center of Rome, on 21–24 November 2018.
Proposals for twenty-minute papers pertinent to medievalism in all parts of the world are warmly welcome, as are planned panels of three twenty-minute papers each. Proposals and papers may be presented in English, Italian or French.
Paper and panel proposals are especially welcome in the following areas:
- Medievalism in contemporary public discourse
- Southern Europe and the Mediterranean
- North South East West
- Comparative periodization
- Early Modern medievalism
- Non-European perspectives
RELIVING THE MIDDLE AGES
- Medievalism in modern and contemporary arts: visual, musical, architectural, theatrical
- Experimental archaeology
- Public history
- Festivals and re-enactments
- Re-inhabiting medieval spaces
- Medievalism and tourism
- Medieval material heritage: loss,restoration, adaptation
- How science and technology are transforming modern perceptions of the medieval world
For individual papers, please send abstracts of 250 words to: email@example.com.
Panel proposals should include abstracts, names, and contact details of presenters and a short (c. 200 word) description of the panel itself and the organiser’s contact details.
RELIGION AND EMOTION IN MEDIEVAL AND EARLY MODERN EUROPE, C.1100–1800
The University of Adelaide, 23 November 2018
Keynote: Professor Thomas A. Fudge (University of New England)
In the medieval and early modern world, religious belief and practices were expressed with passionate commitment out of an emotional attachment to the divine. Institutional religion cultivated and prescribed certain emotions and emotional styles, through media such as literature, sermons, rituals and art. At the same time, the individual’s own relationship with both God and the Church was underpinned by emotion, in ways that could either, in the words of John Corrigan, ‘confirm or challenge the authority of [this] religious emotionology’. This one-day symposium seeks to explore the emotional dimensions of both institutional and individual religious belief, experience and practice, as well as the relationships between them. It aims to bring together scholars already working on emotions, and those interested in exploring how a focus on emotion may enhance their research on medieval and early modern religion, broadly conceived.
We invite proposals for 20-minute papers from any discipline dealing with religion and emotion within a European context between 1100 and 1800. We particularly encourage proposals from postgraduates and ECRs. Papers may wish to explore, but are not limited to:
- Rituals, practices and performance
- The language of religious emotions
- How religious imagery, objects and music conveyed or embodied emotional messages
- Comparisons between different institutions or denominations
- Links between religion, emotion and morality
- The emotional dynamics of religious vocations and communities
- The emotional dynamics of lay religion
- The role of gender
Abstracts of no more than 250 words, and a short biography, should be emailed to both Stephanie Thomson (firstname.lastname@example.org) and Jessica McCandless (email@example.com). Questions or queries can also be addressed to the above.
Deadline for proposals: 31 July 2018
Notification of acceptance: 15 August 2018
Registration deadline: 2 November 2018
Opening public lecture: 22 November 2018
Symposium and dinner (dinner at own expense): 23 November 2018
TRUTH AND TRUTHINESS: BELIEF, AUTHENTICITY, RHETORIC, AND SPIN IN THE MIDDLE AGES AND RENAISSANCE
1 December 2018
The 26th Biennial Conference of the Medieval and Renaissance Studies Program of Barnard College
Lorna Hutson (University of Oxford)
Dyan Elliott (Northwestern University)
The capacity of language both to communicate truth and to manipulate perceptions of it was as vexed a problem for the Middle Ages and Renaissance as it is today. From Augustine to Erasmus, enthusiasm for the study of rhetoric was accompanied by profound concern about its capacity to mask the difference between authenticity and deceit, revelation and heresy, truth and truthiness. Even the claim of authenticity or transparency could become, some thinkers argued, a deliberate form of manipulation or “spin.” In our current era when public figures aim to create effects of immediacy and authenticity, this conference looks at the history of debates about rhetoric and, more generally, about the presentation of transparency and truthfulness. Taking an interdisciplinary approach, this conference considers the role of the verbal arts in the history of literature, law, politics, theology, and historiography, but also broadens the scope of rhetoric to include such topics as the rhetoric of the visual arts and the language of the new science to produce effects of objective access to “things themselves.”
Please submit an abstract of 250-300 words and a 2-page CV by April 30 2018 to Rachel Eisendrath, firstname.lastname@example.org
PERDITION CATCH MY SOUL: SHAKESPEARE, HELL AND DAMNATION
This one-day symposium will be held at Shakespeare’s Globe, London on 8 December 2018. The symposium will examine the dramatization of early modern philosophies of hell and damnation. We will ask how Renaissance drama explored the hazards of judgement, damnation, and perdition. What did playwrights think it meant to sell one’s soul to the devil? What was their definition of sin? What role did the devil play in theatre – and in people’s everyday lives?
Papers are invited on (but not limited to) topics such as: hell, damnation, sin, the devil, the demonic, Satan, witchcraft, the supernatural, prophecy, theological disputes.
Proposals for 20-minute papers should be sent to email@example.com by 15 October 2018.
GENDER AND MEDIEVAL STUDIES 2019 – GENDER AND ALIENS
Paper and poster submissions are invited for the Gender and Medieval Studies 2019 conference, to be held at Durham University, 7-10 January 2019. The conference theme is ‘Gender and Aliens’.
In recent years discourse around ‘aliens’, as migrants living in modern nation-states, has been highly polarised, and the status of people who are technically termed legal or illegal aliens by the governments of those states has often been hotly contested. It is evident from studies of the past, however, that the movement of people is not a recent phenomenon: in the medieval west, one of the Latin terms applied to such people was alieni (‘foreigners’, or ‘strangers’), and it is clear from the surviving evidence that there were many people in the Middle Ages who could be, and indeed were, identified as aliens. This conference aims to stimulate debate about the ways in which gender intersected with and related to the idea of such aliens – and, more broadly, alienation – in the whole medieval world from c. 400 to c. 1500. The organisers welcome proposals for papers on any topic related to gender and aliens or alienation, broadly construed, and encourage submissions relating to the world beyond Europe. Papers might consider topics such as:
- refugees, immigrants, emigrants
- inclusion and exclusion
- alterity and difference
- outlaws, the law, legality
- marginalised or disenfranchised groups
- non-normative bodies, illness, disability
- imagined geographies
- borders and frontiers
- ethnicity and identity
- slavery and slaves
In addition to sessions of papers, the conference will also include a poster session. Proposals for a 20-minute paper or for a poster can be submitted online by September 30 2018.
The conference organisers are also happy to consider proposals for other kinds of presentation. Please contact the organisers at firstname.lastname@example.org to discuss these.
Some travel bursaries will be available for students and unwaged delegates to attend this conference: details.
SHAKESPEARE AND THE ANIMAL WORLD
Paris, Fondation Deutsch de la Meurthe, 10-12 January 2019
In the title of a book published in 1973, Terence Hawkes spoke of “Shakespeare’s talking animals”. Language and communication are not, by far the only features which, for the playwright, served to differentiate men from animals. As the son of a Stratford glover, who, in his young days, must have attended the slaughter and suffering of beasts while being made an apprentice in the treatment of their skins, Shakespeare developed a personal sensibility and a particular attention to animals.
Animals occupy a prominent place in the canon, both by their presence on stage (one may here think of Crab, Lance’s dog in The Two Gentlemen of Verona or the bear in The Winter’s Tale) and in the reminiscence of the medieval world of heraldry and of the bestiaries, of hunting and sacrificial rites. In the historiae animalium of Aristotle, Pliny the Elder, Conrad Gesner or Edward Topsell, but also in the contemporary emblem books, Shakespeare and his fellow playwrights found many examples for his animal imagery as well as for various proverbs and ironical fables. Ovid’s Metamorphoses were another important source for the ass Bottom, the wolf Shylock, Orsino comparing himself to Acteon, Macbeth’s currish murderers, Lear’s ‘pelican daughters’ as well as Caliban, the fish-man of The Tempest. Desdemona and Othello, according to Iago, “are making the beast with two backs” and their “unnatural” love threatens Venice with a whole generation of monsters. But through its masks and many disguises, theatre encourages such metamorphoses, for laughs, but also in order to frighten the spectators or to give them food for thought, as in the case of De Flores’s dog face (in Middleton’s The Changeling) or the animal-coded names of the characters in Ben Jonson’s Volpone.
Is man “the paragon of animals” as Hamlet says to Rosencrantz and Guildenstern in a fit of bitter irony? Beyond feelings of real compassion for the suffering, sentient beast which serve to illustrate melancholy or taedium vitae, animals are presented as possible models for man. In Henry V, the archbishop of Canterbury claims that honey-bees “teach / The act of order to a peopled kingdom”, while, for Cleopatra, the beauty and bounty of Antony is encapsulated in the image of the dolphin showing “his back above / The element”.
The word “beast”, which has 75 occurrences in the canon, differs from the word “animal” (only 8 occurrences) which etymologically refers to the breath of life (anima) responsible for motion. This raises the issue of taming and domestication, and thus that of the opposition between socialised and savage creatures. In The Taming of the Shrew, the Lord, who returns from a hunting party, takes loving care of his dogs while feeling nauseated by the sight of the drunken beggar Christopher Sly: “O monstrous beast, how like a swine he lies!” Shakespeare proves attentive to the singularity and diversity of individuals more than to the species or category to which they are supposed to belong, so that his animal kingdom leads to a dizzying multiplication of appellations as well as to great linguistic virtuosity. This world, for him, illustrates the idea of hierarchy and symbolises law and order as much as such subversive ends as Hamlet’s referring to the worm, “the only emperor for diet”, which, through the fish which it serves to catch, allows the beggar to eat of the flesh of the king.
The very same animals that are presented onstage as scenic objects or instruments at the service of living performances are also at the origin of the production of tools and objects of daily life. The drum, for instance, over which skins of goats, lambs, cows, fishes or reptiles had been stretched since early antiquity, retained in its emblems the characteristics of the animal used for its manufacturing. Contrary to this warlike instrument, the lute materialises the celestial power of harmony which elevates the soul and takes it closer to God. But with its strings made with animal guts and its tortoise-shaped sound-box, the instrument also connoted suspicious animal qualities, poles apart from the supernatural virtues attached to it.
This conference invites a vast range and variety of proposals on Shakespeare and his contemporaries. The following list, which by no means claims to be exhaustive, may serve to suggest possible topics and fields of investigation:
- The role of animal heraldry;
- The tradition of the fable and its subversion;
- The hunt, its rites, vocabulary and imagery;
- Domestication and savagery; domestic animals and wild beasts;
- The function of metamorphosis; animals in the world of imagination, of the dream or of the unconscious; hybrids and fantastic beasts; esoteric lore and its chimeras;
- Animal images of madness, possession and witchcraft;
- The animal kingdom as related to climate and the environment;
- The animalisation of man (and woman) and the humanisation of the animal;
- Puns, terminology, insults, lexical and linguistic combinations in the field of the animal kingdom;
- Meat consumption, slaughter and butchery; cruelty against vs. love of and pity for animals;
- Animals in sports, games and festivities; animal imagery in popular riots, carnivals and the world upside down;
- Animals as providing models or counter-models for social and political organisation; the animal kingdom as a mirror of law and order vs. the animal kingdom as image of chaos;
- Classifications, inventories and hierarchies: from the king of animals to pest, from nobility to the ignoble, from the admirable to the frightening or the revolting;
- Animality, bestiality, sexuality;
- Objects related to the animal world: pelts, furs, objects made out of horn, fetishes, weapons, musical instruments;
- Animals and music;
- Animals on stage and on screen.
Please send your proposals to email@example.com by 10 May 2018, with a title, an abstract (between 500 and 800 words) and a brief biographical notice. A few words in the abstract should explain in what way(s) your paper intends to address the topic of the conference.
SHAKESPEARE FUTUR-ED CONFERENCE
Shakespeare FuturEd is an international conference exploring the nexus of Shakespeare Studies and Education to be held at the University of Sydney on Friday 1–Saturday 2 February 2019.
We are seeking proposals for papers, panels and workshops that interrogate and experiment with new directions in Shakespeare pedagogy in theory and practice. We welcome proposals from primary and secondary teachers, tertiary educators, researchers, theatre practitioners, and anyone with an interest in Shakespeare and education.
Please send 250 word proposals (and a short biography) to: firstname.lastname@example.org. CFP closes 31 October 2018.
For more information and a list of confirmed keynotes, please visit the website.
ASCS 40 (2019)
The Australasian Society for Classical Studies (ASCS) will hold its 40th Annual Meeting and Conference at the University of New England in Armidale, NSW, Australia, from 4-7 February 2019.
The conference convenors are Drs Graeme Bourke, Bronwyn Hopwood and Clemens Koehn.
2019 will be an auspicious year. It marks the 40th Annual Conference of ASCS, the 50th Anniversary of the Australian Academy of the Humanities, and 60th Anniversary of the UNE Museum of Antiquities. We are delighted, therefore, to announce four special events as part of ASCS 40 (2019):
The 40th ASCS Annual Conference Keynote Lecture will be delivered by the 2019 ASCS Keynote Speaker, Professor Theresa Morgan (Oriel College, Oxford).
The 21st A. D. Trendall Lecture of the Australian Academy of the Humanities will be delivered jointly by Dr Lea Beness and Associate Professor Thomas Hillard (Macquarie University).
The 23rd Maurice Kelly Lecture of the University of New England Museum of Antiquities (UNEMA), will be delivered by Dr Julie Anderson, Assistant Keeper (Curator), Department of Ancient Egypt and Sudan (The British Museum).
UNEMA will also unveil the UNEMA 60th Anniversary Commemorative Artefact.
ANZAMEMS 2019: CATEGORIES, BOUNDARIES, HORIZONS
The Australian and New Zealand Association for Medieval and Early Modern Studies (ANZAMEMS) and the organising committee invite proposals for presentations at the Association’s 12th Biennial Conference to be hosted at the University of Sydney from 5-8 February 2019.
The theme for ANZAMEMS 2019 is Categories, Boundaries, Horizons. Categories and boundaries help us to define our fields of knowledge and subjects of inquiry, but can also contain and limit our perspectives. The concept of category emerges etymologically from the experience of speaking in an assembly, a dialogic forum in which new ways of explaining can emerge. Boundaries and horizons are intertwined in their meanings, pointing to the limits of subjectivity, and inviting investigation beyond current understanding into new ways of connecting experience and knowledge. Papers, panels, and streams are invited to explore all aspects of this theme, including, but not limited to:
- the limitations of inherited categorization and definition
- race, gender, class, and dis/ability boundaries and categories
- encounters across boundaries, through material, cultural, and social exchange
- the categorization of the human and animal
- national and religious boundaries and categorization
- the role of interdisciplinary and multidisciplinary research
- temporal boundaries and categories, including questions of periodization
Proposals for papers on all aspects of the medieval and early modern are also welcome.
SUBMITTING A PROPOSAL
Please send proposals to email@example.com
Submissions close on 31 August 2018.
You may submit a proposal for a paper (20 minutes), a session (normally three 20 minute papers) or a strand of sessions (normally limited to four sessions). Individual paper abstracts will be anonymised for peer review.
When submitting a proposal, you will need to include the following information:
* Affiliation (if any)
* Preferred email
* Is this a proposal for a paper/session/strand?
* Is there a day(s) of the conference on which you will NOT be able to give your paper? (The committee will work to accommodate your request.)
* Do you have any audiovisual requirements?
* Paper/Session/Strand Title
* Abstract (up to 300 words)
Abstracts submitted for strands or sessions should indicate the name of the strand or session proposed. Proposals for strands should indicate the number of sessions required.
Strand and session organisers are encouraged to be mindful of the ANZAMEMS Equity and Diversity guidelines which state that “ANZAMEMS’ preference is for diversity among the speakers in an individual session or panel”. More information on Equity and Diversity at ANZAMEMS.
PATS: POSTGRADUATE ADVANCED TRAINING SEMINARS
A PATS will precede the conference on February 4-5 2019 at the University of Sydney. Details will follow in a separate email inviting expressions of interest from postgraduates and early career researchers.
To keep up to date with full information on the conference including keynote speakers, venue, and registration details please visit the website.
CRUSADES: CATEGORIES, BOUNDARIES AND HORIZONS - PANEL AT ANZAMEMS 2019
The theme for the 2019 Australian and New Zealand Association for Medieval and Early Modern Studies (ANZAMEMS) conference is Categories, Boundaries, Horizons. This offers an excellent opportunity to explore medieval and modern perceptions of the crusades and crusading, examine the implications of categories and boundaries in our field, and discuss the future horizons of the field in a series of linked panels.
Topics may include, but are not limited to:
- Boundaries and the liminal in crusade sources
- Categories and boundaries in scholarship (e.g. restriction, anachronism)
- Future horizons of crusades scholarship
These sessions are organised by Megan Cassidy-Welch (University of Queensland) and Beth Spacey (University of Queensland). If you would be interested in applying to give a 20-minute paper as part of these sessions, please send a paper title and a 200-word abstract to Beth Spacey (firstname.lastname@example.org) by 31 July 2018.
The twelfth biennial ANZAMEMS Conference will be held in Sydney, Australia, 5-8 February 2019 at the Camperdown Campus of the University of Sydney. More information.
MUSIC, EMOTIONS, MEDIEVALISM AT ANZAMEMS 2019
Proposals for 20-minute papers are invited for a panel on Music, Emotions, Medievalism to be convened at the ANZAMEMS 2019 conference, University of Sydney, 5-8 February 2019.
The panel asks: What is distinctive about musical medievalism? What can the post-medieval reception, invention, representation or ideological employment of medieval music tell us about medievalism’s desires, emotions and enjoyments that differs from, qualifies, or complements what we find in medievalist literature, art, architecture, film or gaming? What emotions come into play when music supplies the medium or the matter of medievalist creation?
For further details and to submit an abstract, please contact email@example.com
CULTURAL IDENTITY IN THE EARLY MEDIEVAL CELTIC WORLD
Call for papers: due 17 August 2018
Identity is a cultural marker that is almost ephemeral, so hard is it to pin down in the sources. It is a
quality which varies over time, has different meanings depending on the intended audience, and an
individual can hold multiple identities. Yet in the early medieval world, a person's identity could be
readily discerned from various visual and aural markers. This session will seek to uncover how
identity was understood among early medieval communities, tribes, and kingdoms within the Celticspeaking
lands of Europe.
Proposals are invited for 20 minute papers on any aspect of Celtic cultural identity including, but not
- Etymology, Categorisation, and the description of identity in the early medieval period
- The changing nature of cultural boundaries and horizons over time
- Modes of change for cultural and/or personal identity across time and space
- The individual within society: definitions of self
- How did individuals change their identity: war, migration, conversion, marriage and death
- How were strangers identified in the context of pilgrimage, mercantile travel, or war
- The limitations of modern categories of cultural identification
- The role of interdisciplinary and multidisciplinary research
Please note that depending on the number of papers received and breadth of topics there may be
the opportunity for a second panel.
Please email your completed proposal to:
Erica Steiner (University of Sydney) at (firstname.lastname@example.org) by 17 August 2018
Please include the following information:
- Affiliation (independent scholars welcome)
- Day or days of the conference on which you will NOT be able to give your paper?
- Audio-visual requirements
- Abstract (up to 300 words)
This panel will convene at the ANZAMEMS conference on 5-8 February 2019 at the University of
Sydney, Australia. Please visit the conference website for any further conference information.
CULTURAL IDENTITY IN THE ANGLO-SCANDINAVIAN WORLD
Call for papers: due 3 August 2018
Scandinavian migration and settlement in the British Isles and Ireland in the early Viking Age effected significant cultural and social change among communities as cultures interacted, assimilated and, at times, rejected one-another. For scholars, categorising the resultant cultural groups has proved contentious, with a proliferation of overlapping terms such as ‘Anglo-Dane,’ ‘Anglo-Scandinavian', ‘Hiberno-Norse,’ ‘viking,’ ‘Norse,’ and ‘Dane,’ used interchangeably as ethnic identifiers. Contemporary sources, in contrast, do not clearly ascribe identity to ethnicity, but rather by cultural origin or religion. The Anglo-Saxon Chronicle, for example, primarily refers to those of a Scandinavian cultural identity simply as Dene [Dane] or, at times when interactions were hostile, as hæðene [heathen]. Which gives rise to the question: how was cultural identity perceived in the Early Medieval Anglo-Scandinavian world and to what degree was self-identity associated with ethnicity, religion, or language?
Proposals are invited for 20 minute papers on any aspect of Anglo-Scandinavian cultural identity
including, but not limited to:
- Migration and the inter-cultural exchange of ideas
- Religious identity and Christianisation
- Linguistic identity and cross-cultural communication
- Characterisations of the foreign in saga literature
- The utility of modern categories of cultural identification
Please note that depending on the number of papers received and breadth of topics there may be the opportunity for a second panel: Religious Identity in the Anglo-Scandinavian World.
Please email your completed proposal to Matthew Firth (email@example.com) by 3 August 2018.
Please include the following information:
- Affiliation (independent scholars welcome)
- Day or days of the conference on which you will NOT be able to give your paper?
- Audio-visual requirements
- Abstract (up to 300 words)
This panel will convene at the ANZAMEMS conference on 5-8 February 2019 at the University of Sydney, Australia. Please visit the conference website for any further conference information and for the ANZAMEMS Equity and Diversity guidelines.
MEDIEVAL ASSOCIATION OF THE PACIFIC/ACMRS JOINT CONFERENCE
The 2019 conference of the Medieval Association of the Pacific will be held 6-9 February at the Phoenix-Scottdale Embassy Suites Hotel. This year’s meeting will be hosted jointly by MAP and the Arizona Center for Medieval and Renaissance Studies (ACMRS).
The program committee welcomes submissions on any topic related to the study and teaching of the Middle Ages and Renaissance. We particularly encourage proposals for papers or panels that focus on the conference theme: “Magic, Religion, and Science in the Global Middle Ages and Renaissance.”
Proposals accepted on a rolling basis until 1 November 2018
The registration fee is $200; the graduate student rate is $100. The first 20 graduate students to register with accepted paper proposals will have their registration fees waived. To be eligible, students must be current members of MAP.
Refunds for registration fees (less $20 handling charge) are made up until two weeks prior to the start date of the conference. No refunds are made after that date.
Pre-Conference Professionalization Workshop:
Speak with interdisciplinary experts about how to market yourself, make connections, and deliver a polished presentation at an upcoming conference or professional venue. We especially encourage graduate students, junior faculty, advanced undergraduates, and anyone interested in making a strong impression, networking, and presenting your work to attend and bring your most burning professionalization questions. The workshop will be held on the afternoon of Wednesday, February 6, and participation will be limited to the first 25 individuals to register. Registration is free.
Pre-Conference Manuscript Workshop:
ACMRS will host a workshop on manuscript studies led by Dr Timothy Graham, Director of the Institute for Medieval Studies at the University of New Mexico. The workshop will be held on the afternoon of Wednesday, February 6, and participation will be limited to the first 25 individuals to register. The cost of the workshop is $50 ($25 for students) and is in addition to the regular conference registration fee.
The Beowulf Project by Chris Vinsonhaler:
Professor Chris Vinsonhaler, City University of New York, presents Beowulf: the Grendel episode, a new translation which gives its audience a darkly comic experience that is both heroic and ironic.
Selected papers focused on “Magic, Religion, and Science in the Global Middle Ages and Renaissance” will be considered for publication in the conference volume of the Arizona Studies in the Middle Ages and the Renaissance series, published by Brepols Publishers (Belgium).
Proposals will be accepted on a rolling basis until midnight, Mountain Standard Time on November 1, 2018. Responses will be given within a week of submission. Please submit an abstract of 250 words and a brief CV to ACMRSconference@asu.edu. Proposals must include audio/visual requirements and any other special requests; late requests may not be accommodated. Full panel submissions are welcomed.
Ayanna Thompson, Director of ACMRS, Arizona State University
John Ott, President of MAP, Portland StateUniversity
Susan J. Dudash, Assistant Director of ACMRS, Arizona State University
Anthony Perron, Secretary of MAP, Loyola Marymount University
Ryan Kashanipour, Conference Volume Editor, Northern Arizona University
MAP members are encouraged to renew their memberships before attending the conference.Graduate students and independent scholars wishing to be eligible for registration subventions or MAP’s prizes must be currently registered members of the organization. Membership costs are $35 for regular members and $15 for students. In order to renew, please visit the MAP website. If you have questions about membership or would like to ask whether your dues have been paid, please contact the MAP treasurer, Edward Schoolman at firstname.lastname@example.org.
INTERNATIONAL SYMPOSIUM ON EARLY MODERN SONGSCAPES
Deadline: April 15 2018
Proposals are invited for a two-day international symposium coinciding with the launch of the digital platform “Early Modern Songscapes” to be held 8-9 February 2019 at the University of Toronto’s Centre for Reformation and Renaissance Studies in Toronto, Canada.
We invite contributions from scholars of music, literature, theater, and digital humanities interested in “intermedia” approaches to sixteenth- and seventeenth-century English song and its performance—that is, methodologies that foreground points of connection between music, lyric, and performance, and their presentations and transformations across different media. Proposals could outline new ways of conceiving of song’s media and performance history, discuss formats or methodologies for curating song, reflect upon book history and media studies as they pertain to song, or consider the role of the digital humanities in scholarship on early modern song. The conference will incorporate a range of formats, including traditional paper sessions, roundtable discussions, and digital media presentations.Featured keynote speakers include Patricia Fumerton (Professor of English at the University of California, Santa Barbara), Whitney Trettien (Assistant Professor of English at the University of Pennsylvania), and Amanda Eubanks Winkler (Associate Professor of Music History and Cultures at Syracuse University).
Formal presentations will be limited to 20 minutes each, and digital salon or poster session pieces may be on display for a longer period. Please indicate the desired format of your proposal and include a clear statement of its originality and significance. Proposals should not exceed 300 words and should include the following information: contributor’s full name and contact information, institutional affiliation, academic status, nationality, and any audio/visual requests.
Proposals should be sent via email in Word format by midnight EST on 15 April 2018 to the Program Committee at email@example.com with the subject header “Early Modern Songscapes Proposal.”
Program Committee: Katherine Larson, University of Toronto; Scott Trudell, University of Maryland; and Sarah F. Williams, University of South Carolina.
The online platform “Early Modern Songscapes,” which will be launched at the conference in beta form, is co-developed by the University of Toronto Scarborough Library’s Digital Scholarship Unit and the University of Maryland Institute for Technology in the Humanities. It aims 1) to provide insight into song’s versatility in diverse textual and performance contexts; 2) to produce Text Encoding Initiative (TEI) and Music Encoding Initiative (MEI) editions of a selected corpus of early modern songs, together with audio and video recordings of those songs in performance; 3) to animate the acoustic and visual facets of early modern English song culture; and 4) to generate an interdisciplinary and collaborative hub for work on sixteenth- and seventeenth-century English songs.
COMPLAINT AND GRIEVANCE: LITERARY TRADITIONS
Paper proposals are invited for a two-day symposium on Complaint and Grievance: Literary Traditions
14-15 February 2019
National Library of New Zealand/Victoria University of Wellington, NZ.
‘O woe is me / To have seen what I have seen, see what I see’. Shakespeare’s Ophelia, wooed and cast aside by her one-time lover, Hamlet, amplifies her woe in the open-ended expression of grief that characterises complaint, a rhetorical mode that proliferates from the poetry of Ovid to the Bible, from the Renaissance to the modern day.
This symposium explores the literature of complaint and grievance, centring on the texts of the Renaissance but welcoming contributions from related areas. Shakespeare (A Lover’s Complaint) and Spenser (Complaints) are central authors of Renaissance complaint, but who else wrote complaint literature, why, and to what effect? Female-voiced complaint was fashionable in the high poetic culture of the 1590s, but what happens to complaint when it is taken up by early modern women writers? What forms—and what purposes—does the literature of complaint and grievance take on in non-elite or manuscript spheres, in miscellanies, commonplace books, petitions, street satires, ballads and songs? What are the classical and biblical traditions on which Renaissance complaint is based? And what happens to complaint after the Renaissance, in Romantic poetry, in the reading and writing cultures of the British colonial world, in contemporary poetry, and in the #metoo movement?
- Professor Danielle Clarke, University College, Dublin
- Professor Kate Lilley, University of Sydney
- Professor Rosalind Smith, University of Newcastle, Australia
We invite anyone with an interest in the literature of complaint and the politics of grievance to submit a 250-word paper proposal by 31 October 2018 to the conference organiser, Sarah.Ross@vuw.ac.nz.
This conference is supported by the Royal Society of New Zealand’s Marsden Fund, as part of the three-year project ‘Woe is me: Women and Complaint in the English Renaissance’.
THE 94TH ANNUAL MEETING OF THE MEDIEVAL ACADEMY OF AMERICA
University of Pennsylvania, Philadelphia, Pennsylvania, 7-9 March 2019
The 94th Annual Meeting of the Medieval Academy of America will take place in Philadelphia on the campus of the University of Pennsylvania. The meeting is jointly hosted by the Medieval Academy of America, Bryn Mawr College, Delaware Valley Medieval Association, Haverford College, St. Joseph’s University, the University of Pennsylvania, and Villanova University.
The Global Turn in Medieval Studies
Medievalists across various disciplines are taking a more geographically and methodologically global approach to the study of the Middle Ages. While the Organizing Committee invites proposals for papers on all topics and in all disciplines and periods of medieval studies, this year’s conference spotlights the “global turn” in medieval studies. To this end, we encourage session and paper proposals that treat the Middle Ages as a broad historical and cultural phenomenon, encompassing the full extent of Europe as well as the Middle East, southern and eastern Asia, Africa, and beyond. We also invite proposals that explore departures from traditional teleological discourses rooted in national interests, ones that apply disciplinary and interdisciplinary methods to study a broad array of subjects.
We especially encourage proposals that provoke explorations of the following “big questions”:
1) Periodization and the drawing of geographic borders in medieval studies can be helpful, but can also limit our ability to make connections, see patterns, or entertain dialogue among specialists in individual sub-fields. What do we mean when we speak of the “Middle Ages” in geographic, temporal, or disciplinary terms? What do we mean when we use contemporary geographical concepts, such as Europe or Asia? What do we mean when we say “Global Middle Ages”? What is in and what is out?
2) If we are to turn away from national models, what is an alternative? For instance, how can methodologies that highlight networks further our understanding of the “Global Middle Ages”? How might they contribute, for example, to understanding mechanisms of knowledge sharing and the development and use of religious, economic, and political systems?
3) Across all cultures in the medieval world, philosophers, theologians, scholars, healers, poets, artists, and musicians sought to understand the natural world and to apply that understanding to concrete ends. How do we make sense of their efforts? How might traditional paradigms of what we call “science,” philosophical inquiry, literary, and artistic practice be challenged?
4) Medieval studies has been at the forefront of the “digital turn” over the past few decades. How have digital approaches to scholarship altered the landscape for better or worse? In a global context, have new technologies broken barriers or created new ones? How do we create and evaluate digital scholarship in medieval studies vis à vis traditional methods?
Within the framework of these “big questions”, the organizing committee proposes the following threads:
- Uses of the Medieval
- Expanding Geographies of the Medieval
- Re-thinking Periodization: Beyond Eurocentrism and Postcolonialism
- Medieval Foundations of Contemporary Politics
- Alexander the Great and World Thinking
- Medieval Cosmologies
- The Trojan Myth and Genealogies
- What is Medieval/European/Literature?
- Transmission and Technologies of Knowledge
- Doing Science at Court
- The Locations of Learning
- Myths and Legends of Languages and Letters
- Dante, Local and Global: Towards 2021
- Deconstructing “National” Legal Traditions
- Gender Matters
- Ars/Arts: Intersections Across Disciplines and Borders
- Global Manuscript Markets and Movements
- Digitizing the Global Middle Ages: Practices, Sustainability, and Ethics
- Approaches to Historiography
- Interfaith Encounters, Real and Imagined
- Religious and Cultural Ethics across Cultures: Conversation or Confrontation?
- Saints and Sages
- Words and Music
Individuals may propose a:
- single paper for a listed thread
- full session on a listed thread
- single paper not designated for a specific thread
- full session on a topic outside the listed threads
- poster, paper, full session, or workshop that explores the role and uses of digital technologies
Sessions are 90 minutes long, and typically consist of three 20-minute papers. Proposals should be geared to that length. The committee is interested in other formats as well: poster sessions, roundtables, workshops, etc. The Program Committee may suggest a different format for some sessions after the proposals have been reviewed.
Any member of the Medieval Academy may submit a proposal; others may submit proposals as well but must become members in order to present papers at the meeting. Special consideration will be given to individuals whose field would not traditionally involve membership in the Medieval Academy.
In order to be considered, proposals must be complete and include the following:
(1) A cover sheet containing the proposer’s name, statement of Medieval Academy membership (or statement that the individual’s specialty would not traditionally involve membership in the Academy), professional status, email address, postal address, home or cell and office telephone numbers, fax number (if available), and paper title;
(2) A second sheet containing the proposer’s name, session for which the proposal should be considered, title, 250-word abstract, and audio-visual equipment requirements.
(3) Additional sheets as necessary containing all of the above information, plus a session abstract, when a full panel for a session is being proposed.
Submissions: Proposals should be submitted as attached PDFs to the MAA Program Committee by email to MAA2019@TheMedievalAcademy.org
The deadline is 15 June 2018.
Please do not send proposals directly to the Organizing Committee members.
Selection Procedure: Paper and panel proposals will be reviewed for their quality and for the significance and relevance of their topics. The Organizing Committee will evaluate proposals during the summer of 2018 and the Committee will inform all successful and unsuccessful proposers by 10 September 2018.
Organizing Committee Members
- Lynn Ransom & Julia Verkholantsev, University of Pennsylvania (co-chairs)
- Daud Ali, University of Pennsylvania
- Chris Atwood, University of Pennsylvania
- Kevin Brownlee, University of Pennsylvania
- Mary Caldwell, University of Pennsylvania
- Linda Chance, University of Pennsylvania
- Paul M. Cobb, University of Pennsylvania
- Catherine Conybeare, Bryn Mawr College
- Talya Fishman, University of Pennsylvania
- Fr. Allan Fitzgerald, Villanova University
- Scott Francis, University of Pennsylvania
- Nicholas Herman, University of Pennsylvania
- Tom Izbicki, Rutgers University & Delaware Valley Medieval Association
- Ada Kuskowski, University of Pennsylvania
- Ann Matter, University of Pennsylvania
- Maud McInerney, Haverford College
- Paul Patterson, St. Joseph’s University
- Montserrat Piera, Temple University
- Dot Porter, University of Pennsylvania
- Jerry Singerman, University of Pennsylvania Press
- Emily Steiner, University of Pennsylvania
- Eva del Soldato, University of Pennsylvania
- Elly Truitt, Bryn Mawr College
- David Wallace, University of Pennsylvania (ex officio as MAA president)
RSA 2019 SEMINAR: SEX, GENDER AND RACE IN THE ATLANTIC AND MEDITERRANEAN WORLDS: A COMPARATIVE VIEW
The Renaissance Society of America Meeting in 2019, which will take place in Toronto, 17-19 March 2019, is launching new seminar sessions. Seminars will be a discussion of 3-6 pre-circulated papers (approx. 4000 words) dealing with the period 1300-1700 from any discipline. Seminars are open to attendees although the assumption is that everyone will read the papers in advance.
Please see below for the seminar description that Janine Peterson (History) and Patricia Ferrer-Medina (Spanish) are convening on “Sex, Gender, and Race in the Atlantic and Mediterranean Worlds: A Comparative View”. For further information, please contact Janine.Peterson@marist.edu
This seminar will explore how Europeans constructed the identities of non-European and non-Christian peoples in the early modern Atlantic and Mediterranean worlds. We invite papers that examine how Europeans racialized, sexualized, or in any way “othered” Jews and Muslims in Southern Europe, the indigenous peoples of the Americas, and the peoples of North/West Africa that they encountered in Africa in addition to those encountered as slaves when traveling to the Caribbean and Central America. Renaissance and early modern European views of different peoples was closely connected to, and constructed by, prevailing ideas about gender and sexuality as well as notions of civilization and nature. This panel aims to explore these conceptions comparatively by fusing European Renaissance studies to date with new Atlantic world and transatlantic scholarship. We welcome papers that bridge the geographical and disciplinary divisions inherent in much of the literature to date of the period from 1300-1700.
Any RSA member may submit an abstract for consideration for a seminar through the standard submissions website (opening 1 July 2018). These abstracts will count as the one allotted paper submission per member for the annual conference cycle, and will be vetted by the seminar organizers. Any abstract not selected for a seminar will then be rolled over for consideration by the conference program committee, during its review of regular submissions. The deadline for submission is 15 August. You will be notified about acceptance by 31 August. If not accepted, your submission will be sent to general submission pool with notification about possible inclusion on another panel in September.
FRIENDS, NEIGHBOURS, ALLIES: THE NETWORKS OF NON-ELITE WOMEN IN EARLY MODERN SOCIETIES - RSA 2019 PANEL
Call for proposals for a panel on “Friends, Neighbours, Allies: The Networks of Non-Elite Women in Early Modern Societies” at the at the 2019 meeting of the Renaissance Society of America (Toronto, 17-19 March 2019).
An ever-richer scholarship has explored the social relationships and cultural collaborations of literate and elite early modern women. This panel seeks to broaden our understanding of homosocial networks to include working, poor, and marginalized women between 1500 and 1700. Representations drawn from literary texts, visual imagery, and archival sources are welcome. Themes of interest might include: the role of gender in female same-sex relationships; relationships between peers or across social categories, such as mistress and servant; meanings of friendship among plebeian women; emotions, especially empathy; instrumentality and collaboration; material exchanges; and coping strategies, including the illegal. Papers about a mix of geographical and cultural settings will advance discussion of similarities and differences in the homosocial networks of early modern women.
Professor Elizabeth Cohen (York University), collaborating on this CFP, will chair the panel.
Please email paper proposals, including a title and abstract of 100-150 words, as well as a one-page C.V. (300 words) to Marlee Couling by 14 July 2018.
PhD Candidate, ABD
CANADIAN SOCIETY FOR RENAISSANCE STUDIES PANELS AT RSA
The Canadian Society for Renaissance Studies / Société canadienne d’études de la Renaissance (CSRS/SCÉR) will be sponsoring up to four panels at the 2019 meeting of the Renaissance Society of America, in Toronto, 17-19 March 2019.
We invite proposals for individual papers and panels in any topic that falls within our period, from all disciplines.
Proposals must be submitted by July 10, and decisions will be made by the end of July. Any proposals that do not fit into the CSRS/SCÉR panels may be submitted to the general RSA submissions website, which closes August 15.
Anyone making a proposal must be a member of CSRS/SCÉR, and must also be a member of RSA in 2019.
Please send proposals to:
Professor of English
Canadian Mennonite University
Individual paper proposal:
- paper title (15-word maximum)
- abstract (150-word maximum) abstract guidelines
- curriculum vitae (.pdf or .doc attachment)
- PhD completion date (past or expected)
- general discipline area (History, Art History, Literature, or other)
- full name, current affiliation, and email address
- a/v requests
- description of the panel as a whole (maximum 150 words)
- panel title (15-word maximum)
- panel keywords
- a/v requests
- panel chair
- general discipline area (History, Art History, Literature, or other)
- individual paper requirements, as above
FRAUD, MOCKERY, JEST AND CONY-CATCHING IN THE EARLY MODERN PERIOD (RSA 2019, TORONTO)
Proposals are invited for a session on Fraud, Mockery, Jest, and Cony-Catching in the Early Modern Period, to be convened at RSA 2019 conference, Toronto, 17-19 March 2019.
To what extent is a jest also a lie? Are frauds funny? Taking a cue from “mockery” as mimic, sham, and spoof, this panel is interested in the ways fraud, imposture, and deceit function as ludic entertainment – whether intentionally or as byproduct.
This panel invites submissions that consider the jocularity of fraud, counterfeit, trickery, disguise, quackery, and cozenage. Papers are welcome to explore the theme in regards to:
- Material culture including trick objects like blow books, mock almanacs, or fraudulent copies of famous works
- Gendered experiences of deception or artifice
- Jestbooks, ludic ballads, mock pamphlets
- Mountebanks, street performers, gambling games, and pick-pockets
- Medicine, especially the preoccupation with quack physicians
- Natural philosophy and debates pushing back against charges of superstition
- Magic, either through a focus on prestidigitation or representations and discussions of witchcraft
- Religious debates including displays of anti-Catholic sentiment and fears as well as fetishizations of “Popery”
- Theatre, stagecraft, and/or anti-theatrical sentiment
Proposals should be for 20-minute papers, and should include:
- title for the paper
- abstract of 150 words
- 1-page CV
- current contact information
- A/V requirements
Submit proposals to firstname.lastname@example.org by 10 August, 2018. Subject line: “RSA – Fraud and Mockery.”
THE BODY AND POLITICS
Cambridge Graduate Studies in Political Thought and Intellectual History invite proposals for the 2019 Conference: The Body and Politics, to be held at the University of Cambridge, 18-19 March 2019.
Keynote speaker: Dr Anna Becker (University of Copenhagen)
The relationship between the body and politics has long been a central concern of political thought. The ‘body politic’ and ‘person of the state’ are core metaphors of European political theory. Understandings of the body have been used to delimit the sphere of political action, distinguishing human politics from sacred and animal relations, and excluding bodies through constructions of race, gender, and class; but the body has also been used to disrupt that sphere, from bodily obstruction as a form of defiance, to the invocation of bodily security as a justification for resistance.
In the latter half of the twentieth century, through explorations of ‘the King’s two bodies’ and legal and artificial persons, historians of political thought, from Ernst Kantorowicz to Quentin Skinner, sought to unpack the complex interactions between metaphors of the body, authority, and sovereignty from the medieval period to the modern. Meanwhile, Michel Foucault influentially redrew the relationship between the body, power and politics, interpreting the history of modern states through the emergence of ‘biopolitics’. Theorists and historians alike increasingly reflected on the connections between the exercise of state and imperial power, and gendered and racial constructions of the body.
Yet, for all its importance, the body has rarely been accorded the central consideration in historical thinking about politics it so clearly demands; it remains possible to insist, as Diana Coole has, ‘the body has been widely neglected in political thought’. The work of our keynote speaker, Dr Anna Becker, on the gendered body in early modern political thought, suggests a powerful research agenda for future intellectual history to consider the multifaceted ways in which the body can be read into, and through, the political.
This conference encourages graduate researchers to take up this agenda, centering the body – human, animal, sacred, and political – in histories of political thought and scholarship. In thinking through the complex relation between the body and politics, participants are welcome to draw on insights from political thought and intellectual history, gender and post-colonial history, cultural history, and the history of science.
Submissions are invited on topics including, but not limited to:
- Bodily metaphors in the history of political thought
- Legal bodies: corpus and persona
- Science, the body, and the politics of race and gender
- Humans, animals, and the limits of the political
- The body as a source of religious and scholarly controversy: ‘the body of Christ’ in the Eucharist; the corporeal resurrection; the nature of the Incarnation
- Saintly relics, state funerals and the body in political memory
- Biopolitics and the government of populations and territories
- The body and laws of war: human shields, body counts and torture
- The politics of medicine and the working of the body
- Bodies on the move: refugees, migrants and statelessness
- Free bodies and enslaved bodies
- Planetary bodies and ideas of the universe
The deadline for proposals is 31 October 2018.
CULTURE AND IDEOLOGY UNDER THE SELEUCIDS: AN INTERDISCIPLINARY APPROACH
29-31 March 2019
Macquarie University, Sydney
The conference seeks to bring together historians, archaeologists, epigraphists and other scholars interested in the cultural ideologies that shaped the character of Seleucid rulership from its foundation to its end. The renewed interest in Seleucid studies in the past two decades, anticipated by Andreas Mehl and his Seleukos Nikator und sein Reich (1986), has certainly restored its early obscure scholarly profile as a dynasty that spiraled into decline soon after the death of its founder (E.R. Bevan, 1902, The House of Seleucus, 1.76). More recently, the appreciation and sensitivity of the Seleucids to the cultural symbols and traditions of the regions they ruled has attracted significant scholarly attention (for example, see D. Ogden, The Legend of Seleucus, 2017; K. Erickson, “Seleucus I, Zeus and Alexander,” in Every Inch a King, 2013 and id. “Apollo-Nabû: the Babylonian Policy of Antiochus I,” in Seleucid Dissolution, 2011; N. Wright, Divine Kings and Sacred Spaces, 2012; P.A. Beaulieu, “Nabû and Apollo: the Two Faces of Seleucid Religious Policy,” in Orient und Okzident in hellenistischer Zeit, 2014; P.J. Kosmin, “Seeing Double in Seleucid Babylonia,” in Patterns of the Past, 2014).
Equally, Seleucid archaeology has made huge strides, not only in the Levant, Turkey and Central Asia, but also in Syria and Mesopotamia; as the 2018 SCS “New Directions in Seleucid Archaeology” panel showcased, “Numerous surveys and excavations that have been initiated in the last 5-10 years in Iraq and the Gulf are producing great quantities of material of Seleucid date.”
We now think it is time to enrich the scholarly debate on the Seleucids by inviting voices from all disciplines studying the Seleucid phenomenon to contribute to it. Confirmed speakers (in alphabetical order) include:
Paul-Alain Beaulieu (Toronto)
Andreas Mehl (Halle-Wittenberg)
Rachel Mairs (Reading)
Daniel Ogden (Exeter)
Stefan Pfeiffer (Halle-Wittenberg)
Our aim is to initiate an interdisciplinary network of scholars interested in the Hellenistic successors and their regimes so that this conference can be repeated every two years in universities across the world and pave new lines of communication and new research agendas across disciplines. The Seleucids were proud of their mixed cultural background and therefore, to be able to appreciate them we need to expand our lenses of studying them.
Individual abstracts or thematic panels are invited to submit their abstracts to Eva.Anagnostou-Laoutides@mq.edu.au by July 29 2018.
The Department of History and Philosophy of Science (HPS), University of Cambridge, will be hosting the annual British Society for the History of Science Postgraduate Conference on 10-12 April 2019.
Keynote speaker: Dr Sujit Sivasundaram
Deadline for paper abstracts: 9 November 2018
This event provides a friendly environment in which graduate students can present their research and meet peers from around the world.
Abstracts from graduate students working in any area of the history of science, medicine and technology, science and technology studies, and philosophy of science are welcome. We hope to reflect a diverse range of papers and approaches, shaped in the West, Asia, South America, and Africa, as per Cambridge’s commitment to global research. Students working in related fields, such as environmental and medical humanities, historical anthropology, and areas on the margins of the history of science are also encouraged to apply.
Presentations will be up to 20 minutes, with 10 minutes for discussion. Joint submissions for three-person panels are also welcome. One application should be made, with a short overview of the contributed papers, followed by an abstract of up to 250 words from each panelist.
Please submit a 250-word abstract by midnight on 9 November 2018, along with your name, affiliation, and contact details to email@example.com.
Successful presenters will be notified by mid-December.
Members of the BSHS may apply for travel grants from the Butler-Eyles Fund. For more information, click here.
Please see the conference website and read more about the Department of History and Philosophy of Science at the University of Cambridge.
For further information, please email Laura Brassington, Jules Skotnes-Brown, Eoin Carter, and Emilie Skulberg at firstname.lastname@example.org.
PERFORMANCE, ROYALTY AND THE COURT, 1500-1800
Next year is the 400th anniversary of the death of Anne of Denmark (1574-1619), a queen consort of the king of Scotland, England and Ireland, who is well known for her patronage of art, architecture and court entertainments, in particular masques devised by Ben Jonson and Inigo Jones. To mark this important anniversary, the Society for Court Studies, with the support of the Paul Mellon Centre for Studies in British Art and Birkbeck College School of Arts, is organizing a two-day conference (11-12 April 2019) focusing on performance and the courts of the British Isles and continental Europe during the early modern period, with the opportunity to explore the networks and encounters between courts, both within and beyond Europe. The interdisciplinary nature of the topic necessarily embraces cultural, political and economic history, literature, and the visual and performing arts.
Performance was at the heart of the early-modern period, with the court itself forming a stage for the construction, communication and display of power and privilege; a world in which the social relationships that circulated around rulers, their families and supporters took shape and found expression. Men and women played out a variety of important social, political, military and governmental roles as well as participating in dramatic events, with court rituals and ceremonies providing occasions for demonstrations of authority, prowess and magnificence. The architecture and decoration that surrounded the court, whether permanent or temporary, not only provided a physical setting but reinforced objectives and allegiances, as did dress, accoutrements and entourage. The court also formed a rich source of inspiration for composers, playwrights and actors, whether representing courts in their dramas, playing before the court or devising masques and ballets with courtiers as performers. Equally, art and artistic patronage were of central importance, not only through the direct participation of painters, designers and craftsmen in ceremonies, dramas and other occasions, but also through portraiture and other forms of representation. Indeed, a work of art was often perceived and described as a performance.
In all its senses, performance represented opportunities for individuals and groups to find ways of expressing their ideals, their ambitions and aspirations, their frustrations and hostilities. This conference aims to bring this sense of opportunity to the study of the early-modern court, thinking in the broadest possible terms about how we can define our approaches and how, by taking the theme of performance as our guide, we can open up the study of the courtly world and its peoples to new scholarship and new audiences.
Suggested themes include, but are not restricted to:
- Political ritual and gift-giving
- Diplomacy, power play and hospitality
- Gender and modes of performance
- Loyalties and affiliations
- Control and freedom
- Identity and values
- Court rituals and traditions
- Ceremonies, receptions, progresses and processions
- Reception, audience and commentary
- Drama, dance, music and speeches/addresses
- Cultural and social patronage
- Chivalric, sportive and martial performance (tournaments, barriers, manege)
- Trade, commerce and entrepreneurship
- Visual arts as performance
- Architecture, interiors, settings and locations
Please send proposals of no more than 300 words along with a short biography to email@example.com by 7 December 2018.
Convenors: Dr Janet Dickinson, Conference Secretary SCS and Oxford University; Dr Jacqueline Riding, Committee Member SCS and Birkbeck College.
The conference is being supported and hosted by the Paul Mellon Centre, 16 Bedford Square, London, WC1B 3JA.
SEAFARING: EARLY MEDIEVAL STUDIES ON THE ISLANDS OF THE NORTH ATLANTIC - TRANSFORMATIVE NETWORKS, SKILLS, THEORIES AND METHODS FOR THE FUTURE OF THE FIELD
Simon Fraser University, Vancouver, BC, Canada, April 11-13 2019
IONA: Seafaring is a three-day international conference on the islands of the North Atlantic that brings together scholars of early medieval Ireland, Britain, and Scandinavia to imagine cooperative, interdisciplinary futures for the study of North Atlantic archipelagos during the early medieval period. The conference will be held at Simon Fraser University at the downtown campus in Vancouver, BC, April 11-13, 2019.
Designed less around traditional conference presentations and more as a “workspace,” IONA: Seafaring is designed to provide time and space for nascent and developing work, intellectual risk-taking, collaboration and cooperation. In addition to workshops, seminars and labs, three plenary themes with speakers and workshops will shape the conference; our tentatively slated plenary speakers are indigenous studies/medieval studies with Abraham Anghik Ruben, an artist whose work fuses Inuit story and Old Norse myth; Nicola Griffiths, award-winning novelist of Hild (2013), set in seventh-century Britain; and Elaine Treharne, the Roberta Bowman Denning Professor of Humanities, Professor of English, and Director of Stanford’s Center for Spatial and Textual Analysis whose work is in book history, text technologies and early English and Welsh literature. With its non-traditional formats and inclusive experimental approaches, IONA: Seafaring aims to forge reciprocal connections between artists and scholars in contemporary art and poetics, indigenous studies, and new media, broadening, complicating, and enriching those fields in counterpoint to academic work in early medieval North Atlantic studies. These kinds of networks between early medievalists, and between early medieval studies and other disciplines can give scholars foundations to build robust and productive new knowledge in the field and reshape its role in the contemporary academy, society, and politics.
We invite proposals for (at least) three kinds of sessions: seminars, labs, and workshops (not paper proposals at this stage). These sessions will meet for two days of the conference in order to foster extended discussion. These sessions will be designed to develop competencies and skills, enrich interdisciplinary and comparative methods, and widen geographic and temporal scope for early medievalists.
- Seminars will take up a specific focus on an issue, question, methodology, or problem and consist of a group of around 8 to 12 scholars, sharing work on the seminar’s focus. Organizers will circulate their own CFP for their seminar (but we at IONA will help!), and choose their own participants
- Labs will put scholars into conversation to test out new theoretical engagements, methods, or approaches. An organizer might want to assign an instrumental text beforehand or ask participants to take on a particular kind of methodological or theoretical angle to produce a collaborative learning experience and opportunities for discovery. Organizer of a lab may want to select or solicit participants with a CFP of their own
- Workshops will be run by an expert in a particular competency - eg early medieval palaeography or critical race theory or Old Norse as a kind of bootcamp for scholars in the field. These could include active learning, a tutorial on a subject, or a masterclass in a particular skill
For all three, organizers will have complete autonomy in organizing their session, from soliciting proposals to running the seminars. For all three of these kinds of sessions, organizers may wish to ask participants to pre-circulate materials. The conference is open to other types of session proposals as well.
To propose a seminar, workshop or lab, please send a 250-word proposal to Matt Hussey (firstname.lastname@example.org) by March 15, 2018.
The conference is subject to several grant applications, but the current plan is to make funding available to session organizers.
FROM FIBER TO DECORATED TEXTILES IN THE EARLY NORTH ATLANTIC
Proposals are invited for sessions on “From Fiber to Decorated Textiles in the Early North Atlantic: Making, Methods, and Meanings,” to be convened as part of IONA: Early Medieval Studies on the Islands of the North Atlantic. Transformative networks, skills, theories, and methods for the future of the field. The conference will be held at Simon Fraser University, Vancouver, BC, Canada, 11-13 April 2019.
Textiles are a ubiquitous part of life, essentially so in eras when they had to be produced by hand. In early medieval Europe the making and use of textiles also had symbolic, metaphorical, and even allegorical meanings, in additional to the functional. We wish to spend time exploring the connections between the act of making and understanding how something is being made as well as connections among disciplines, approaches, and interpretations.
We are envisioning a series of linked sessions in which participants first learn generally about the textile-making process in the Early North Atlantic, before choosing one skill to learn more deeply, which they will then proceed to practice for the remainder of the sessions. During this final part, scholars will also present their research findings and interpretations, most likely in a modified roundtable format, culminating in a final large discussion that brings together the insights of making through practice and how this might influence interpretation.
We invite proposals of two kinds. First we seek those versed in the making of early medieval textiles and the teaching of those skills. We are specifically interested in scholars accomplished in one of the following: nalbinding, lucet braiding, tablet weaving, inkle weaving, sprang, upright loom weaving, and other fabric and fiber arts. The organizers will be instructing in the use of the hand spindle and loop stitch embroidery. We also welcome other textile skills that were employed in the early North Atlantic world. The session organizers hope to be able to provide basic materials such as yarn, needles, fabric, and thread, and may be able to help provide larger specialty equipment.
The second kind of proposal we invite is from interpreters of early medieval textiles in the North Atlantic and the methods of making them. We hope to gather an interdisciplinary group of researchers, teachers, curators, and artists working in this area to spark a dialogue about how one can practically and metaphorically come to understand any of the following:
- textile and textile tool remains
- literary and artistic depictions of textile-making processes
- how gender, region, religion, or economics were part of meaning making in textiles and the how the making process was experienced by medieval people or how these categories of analysis impact our contemporary understanding
- the role of trade and/or migration in disseminating or adapting textile making processes, decoration, and raw and finished materials
- how access to resources impacted the making of textiles
- methods of decorating textiles (embroidery, braid, trim, and so forth)
If one is both a maker and an interpreter, one may submit a joint proposal.
Questions may be addressed to Karen Agee (email@example.com), Erika Lindgren (firstname.lastname@example.org), or Alexandra Makin (email@example.com). Please submit a 250 words proposal/abstract to Karen Agee (firstname.lastname@example.org) by 25 July, 2018. Please use Textiles IONA in the subject line.
(RE)CONSTRUCTING HISTORY THROUGH LANDSCAPE AND PRACTICE
IONA: Early Medieval Studies on the Islands of the North Atlantic - transformative networks, skills, theories and methods for the future of the field.
Simon Fraser University, Vancouver, BC, Canada, 11-13 April 2019
Seminar organisers: Dr Pamela O'Neill and Associate Professor Jay Johnston (University of Sydney)
This seminar will draw together academics and practitioners to investigate how we experience, represent and ultimately construct history. It will consider the creative processes that are triggered when the subject is physically immersed in the landscape: archaeologists who seek to authentically reproduce artefacts and sites, historians and toponymists who travel hypothesised early routeways, folklorists who seek to replicate encounters with the otherworld, artists who create through physical immersion in landscape, religious practitioners who (re)enact pilgrimage, heritage bodies who curate historic sites, writers who publish or blog their travel experiences. This seminar aims to explore multiple questions regarding the relationship between discursive academic and creative modes of enquiry including:
* In what ways do we create historical, artistic and other narratives in response to immersion in landscape?
* In what ways do such narratives differ from those created in a disengaged, physically separate context traditionally espoused by scholarship?
* Of what value are such narratives to historians and other scholars working in the traditional mode?
* What does a close physical experience of landscape add to scholarly understanding?
* What could be the ultimate effect of a physically immersive model of scholarship being integrated into the academic endeavour?
* How do these modalities of research and exploration relate to Critical Practice (practice-based methodology)?
* What could such scholarship contribute to the understandings and experiences of the general public?
We invite expressions of interest from all who are keen to take part. Please include:
* a very short biographical statement (100 words),
* a brief explanation of your interest in the seminar
* and a suggestion for a presentation you could contribute (200 words).
LISTENING AND LEARNING IN THE MIDDLE AGES AND THE RENAISSANCE
Proposals are invited for the 40th Medieval and Renaissance Forum: Listening and Learning in the Middle Ages and the Renaissance, which will take place on 12 and 13 April, 2019 at Keene State College in Keene, New Hampshire.
We welcome abstracts (one page or less) or panel proposals that discuss music and other aural experiences in the Middle Ages and the Renaissance. Papers and sessions, however, need not be confined to this theme but may cover other aspects of medieval and Renaissance life, literature, languages, art, philosophy, theology, history, and music.
This year’s keynote speaker is Margot Fassler, Keough-Hesburgh Professor of Music History and Liturgy at the University of Notre Dame. Dr. Fassler is a music historian who gives the liturgy and its performance primary emphasis in her scholarly publications and her teaching. Her scholarship profoundly elucidates the connections between texts and music. Her 2014 book, Music in the Medieval West and its accompanying anthology (Norton) are now standard introductions to medieval music. Fassler’s many books, edited volumes, and articles focus on the Latin Middle Ages from around 800-1300, but she also has strong interests in contemporary sacred music and ritual, and in American song, singers, and song collections. She is currently writing a book on Hildegard of Bingen. Fassler is also a documentary filmmaker focusing on communities of song. She recently finished (with Christian Jara) the short documentary Where the Hudson Meets the Nile: Coptic Chant in Jersey City.
Students, faculty, and independent scholars are welcome. Please indicate your status (undergraduate, graduate, or faculty), affiliation (if relevant), and full contact information, including email address on your proposal.
We welcome undergraduate sessions, but ask that students obtain a faculty member’s approval and sponsorship.
Please submit abstracts, audio/visual needs, and full contact information to Dr. Robert G. Sullivan, Assistant Forum Director at email@example.com.
Abstract deadline: 15 January 2019
Presenters and early registration from 15 March, 2019.
LIVES AND AFTERLIVES
The Sewanee Medieval Colloquium, University of the South in Sewanee, TN, 12-13 April 2019
The Sewanee Medieval Colloquium invites proposals for panel themes engaging with the lives and afterlives of medieval cultures for its 2019 meeting. These sub-themes address a particular aspect of our general theme, and could be the basis for either one or two panels. As a rule of thumb, panel themes should be broad enough to encourage numerous applicants, and interdisciplinary proposals are particularly encouraged. Possibilities might include the theologies of heaven, medieval ecologies, everyday life in the Middle Ages, the production of reliquaries, ordering of public space, and popular medievalism. If a panel theme is accepted, organizers will be responsible for selecting participants (from abstracts submitted through the website by October 26, 2018) and choosing a commenter (a well-established expert in the field) to respond to the papers at the panel session.
Panel theme proposals should include a description/rationale of the panel theme, a list of possible commenters (organizers may serve as commenters), and the CVs of the organizers, all submitted via e-mail to firstname.lastname@example.org. Panel proposals are due 27 July 2018. Commenters are generally established figures in the field with a significant record of publication; participants in the Colloquium are generally limited to holders of a Ph.D. and those currently in a Ph.D. program.
The Sewanee Medieval Colloquium also invites proposals for individual papers engaging with any aspect of our 2019 theme, ‘Lives and Afterlives.’ Possibilities might include the theologies of heaven, medieval ecologies, everyday life in the Middle Ages, the production of reliquaries, ordering of public space, and popular medievalism. Papers should be twenty minutes in length, and commentary is traditionally provided for each paper presented. We invite papers from all disciplines, and encourage contributions from medievalists working on any geographic area. A seminar will also seek contributions; please look for its separate CFP soon. Participants in the Colloquium are generally limited to holders of a Ph.D. and those currently in a Ph.D. program.
Please submit an abstract (approx. 250 words) and brief c.v., via our website (http://medievalcolloquium.sewanee.edu), no later than 26 October 2018. If you wish to propose a session, please submit abstracts and vitae for all participants in the session. Completed papers, including notes, will be due to commenters no later than 12 March 2019.
You may also propose a complete panel of either two or three papers; please submit all abstracts together, and attach all relevant CVs. Complete panel proposals will be due at the same time as our general call, 26 October 2018.
ANGELICAL CONJUNCTIONS: CROSSROADS OF MEDICINE AND RELIGION, 1200-1800
McGill University, April 13-15 2019
“Angelical Conjunction” was the term coined by the seventeenth-century New England Puritan Cotton Mather to denote the mutual affinity of medicine and religion. Indeed, medical and spiritual practices have a long history of coexistence in many religious traditions. This connection took many forms, from the pious provision of health care (in person or through endowed charity), to the archetypal figure of the healing prophet. Yet despite decades of specialized research, a coherent and analytical history of the “angelical conjunction” itself remains elusive. This conference therefore aims to explore the connection between medicine and religion across the time-span of the late medieval and early modern eras, and& from an intercultural perspective. Taking as our focus the Mediterranean, the Islamic World and Europe, and the various Christianities, Islams and Judaisms that flourished there, we aim to develop methodological and theoretical perspectives on the “angelical conjunction(s)” of these two spheres. How did the entanglement of religion and medicine shape epistemologies in both of these spheres? What are the conceptions of the body and its relationship to the soul that these entanglements assumed or envisioned? What were the limits to coexistence? How did the “conjunction” change over time?
We invite papers on a range of themes that include, but are not limited to:
- The relationship between spiritual charisma and medical practice
- The involvement of medical practitioners in theological debates
- Medicine and “fringe” religious traditions (eg Hermetic, heretical, “occult”…)
- Representations of the healer-prophet or healer-saint in art
- Debates on body and soul informed by medical and theological knowledge
- Spiritualization of physical illness
- Devotion as therapy, and (the provision of) therapy as devotion
Accommodation and meals will be provided. We are seeking grant support to subsidize travel.
Please submit an abstract of 300 words and a CV to Dr Aslıhan Gürbüzel at email@example.com by January 10, 2018.
OTHELLO’S ISLAND INTERDISCIPLINARY CONFERENCE
The Academic Board for Othello’s Island invites applications to present papers at the 6th edition of Othello’s Island, the 6th annual interdisciplinary conference on Byzantine, Medieval, Renaissance and Early Modern art, literary, archaeological, historical and cultural studies. This will take place in Nicosia, Cyprus, 15-17 April 2019 and is organised in association with the University of Nicosia, the University of Kent, the University of Sheffield and Sheffield Hallam University.
We are interested in hearing papers on diverse aspects of Byzantine, Medieval, Renaissance and early modern art, literature, history, society and other aspects of culture. A special colloquium will also be held as part of the conference in 2019, focusing on Early Modern Women Writers,.
Our remit is broad, and so papers do not have to be related to Shakespeare, Cyprus or the Mediterranean. It is worth looking at the range of papers from past conferences to see that previous speakers have covered topics ranging from slavery in medieval Cyprus and Malta, to the impact of Italian Renaissance art on Cypriot Byzantine painting, and even discussion on the Anglo-Saxon epic Beowulf.
In the seven years of its existence, Othello’s Island has developed a reputation as one of the most liberal-minded and friendly medieval and renaissance studies conferences in the world today, and it is also genuinely interdisciplinary. In part this is due to the relatively small size of the event, which generates a true sense of community during the conference.
Our location in Cyprus allows for visits to some stunning medieval museums and other sites, including the French gothic cathedrals of St Sophia in Nicosia, and St Nicholas in Famagusta, and we are housed in the centre of the medieval old town of Nicosia, with its narrow winding streets and impressive city walls and gate houses.
Deadline for submissions is 31 December, 2018.
Lead Academic Co-ordinators: Prof. James Fitzmaurice (Northern Arizona University, USA); Prof. Lisa Hopkins (Sheffield Hallam University, UK); Dr Sarah James (University of Kent, UK; Dr Michael Paraskos FRSA (Imperial College London, UK)
Academic Board: Dr Stella Achillaos (University of Cyprus, Cyprus); Jane Chick (University of East Anglia, UK); Prof. James Fitzmaurice (Northern Arizona University, USA); Prof. Lisa Hopkins (Sheffield Hallam University, UK); Dr Sarah James (University of Kent, UK); Dr Richard Maguire (University of East Anglia, UK); Dr Michael Paraskos (Imperial College London, UK); Dr Laurence Publicover (University of Bristol, UK); Prof. David Rollo (University of Southern California, USA); Dr Rita Severis (CVAR, Cyprus); Prof. Astrid Swenson (Bath Spa University, UK); and, Dr Violetta Trofimova (St Petersburg University, Russia)
READING THEN, READING NOW
A Bloomfield Conference, English Department, Harvard University, 18-20 April 2019
In the sixteenth century reading, or at least hearing, the Word became identified with salvation. That remarkable phenomenon was coterminous with, and possibly produced by, the information technology revolution of print. In Anglo-American scholarship, the reading revolution of the Reformation remains a key platform of still vital Whig triumphalism, notably as a sign of interpretive liberty. Whether or not the Reformation was a moment of interpretive liberty, Protestant reading practice certainly produced, in time, a secular culture of reading whereby “salvation” of a (secular) kind continued to be identified with reading. It thereby produced, and legitimated, university departments of literature. The 500 years from the Reformation to the present have witnessed, in Anglo-American culture at least, the undisputed dominance of the Word, whether secular or sacred.
The second great information technology revolution, through which we are currently passing, may herald the end of that 500 year period of verbal dominance. As our own information technologies become virtual, we have witnessed at least two responses within universities: (i) a burgeoning scholarly attention, at the research level, to the material history of the book; and (ii) a heightened anxiety, at undergraduate level, concerning the ends of reading (in both related senses of “ends”). The response we have not so far witnessed with any force is to connect the extremely rich and subtle practices of pre-modern reading (practices for the most part dismissed as “allegorical”) to our contemporary predicaments.
The conference proposed here addresses both these recent responses to virtual technologies. It does so by looking to the longer, pre-modern history of reading leading up to the print revolution of early modernity. We do so driven by three persuasions: (i) that the early modern histories of the book and of reading have long pre-modern histories; (ii) that advance in the material history of the book as a scholarly field needs to be nourished by the so-far much less developed history of reading; and (iii) that genealogies of reading practice can help us orient our understanding of how we, and our undergraduates, read now.
The following adverbs and adverbial phrases serve as a by no means exhaustive shorthand to reading practices of current concern, each of which have pre-modern genealogies: postcolonially, cognitively, ethically, politically, post-imperially, as supercessionists, allegorically, tropologically, anagogically, literally, formally, closely, distantly, materially, philologically, suspiciously, critically, trustingly, performatively, interlingually, deeply, pleasurably, lovingly, privately, collectively (say). For this conference we invite papers focused on pre-modern practices that bear upon issues of contemporary scholarly reading and pedagogy. Our principal geographical and historical focus will be the British Isles, 7-16 centuries.
We aim to mount this conference in Spring Term (April 18-20, 2019). The following speakers have kindly agreed to offer plenary papers: Katherine O’Brien O’Keeffe (Bloomfield Lecture); Suzanne Akbari; Amy Appleford; and Catherine Sanok. We would be able to subsidize speakers and graduate student attendees with vouchers for on-site and some travel expenses.
Proposals for 20-minute papers are welcome. Please submit proposals to James Simpson (firstname.lastname@example.org) by Friday 28 September.
54TH INTERNATIONAL CONGRESS ON MEDIEVAL STUDIES
The 54th International Congress on Medieval Studies takes place 9-12 May 2019 at Western Michigan University, Kalamazoo.
ROUNDTABLE AT ICMS KALAMAZOO ON FATHER CHAUCER AND THE CRITICS
CFP for session Roundtable at Kalamazoo/International Congress on Medieval Studies, 9-12 May 2019, Western Michigan University: Father Chaucer and the Critics: The Problems of Chaucerian Biography in the 21st Century.
Organisers: Sarah Baechle and Carissa Harris
The 1380 document, enrolled in the Chancery by Cecily Chaumpaigne and releasing Geoffrey Chaucer from all charges “de raptu meo” [relating to my rape], has long been a thorn in the side of Chaucer scholars looking for ways to explain Chaucer’s actions. Chaucer has been imagined to have perpetrated various lesser offenses, including the termination of a love affair, an ill-advised youthful seduction, or an attempt to remedy “the heat of passion or exasperation [in which] he may indeed have raped her” (Howard, Chaucer: His Life, His Work, His World 319). Chaucer’s oeuvre poses similar challenges: scholarship on the Reeve’s Tale seeks ways to understand the clerks John and Aleyn’s actions toward the Miller’s wife and daughter outside the rubric of sexual violence, while the antisemitism of the Prioress’ Tale is varyingly blamed on other figures—The Prioress, Chaucer’s fictional pilgrim self—rather than the author, or even removed from conversation altogether as anachronism (Blurton and Johnson, The Critics and the Prioress 4).
This roundtable seeks to interrogate the ways in which current scholarship responds to ethical difficulties in Chaucer’s life records and in his literature. We invite short five-to-seven-minute talks investigating the areas in which Chaucer scholarship continues to fear to (metaphorically) tread. Panelists might consider new or unexpected biographical details or Chaucerian attitudes which scholars continue to excuse; they can explore the rhetorical strategies that scholarship uses to deflect unsavory interpretations of Chaucer and his life records; or they might read Chaucer’s biographical shortcomings alongside the complexities of his controversial texts. We particularly welcome talks which address the assumptions about Chaucer, the canon, and authorship that attempt to reinscribe the poet as a figure above reproach; talks considering what modern readers imagine to be at stake in calling Chaucer a rapist, a racist, or an anti-Semite; and talks which take intersectional approaches, considering the problems of Chaucerian racism and rape as they inform one another.
In exploring Chaucerian scholarship’s discomfort with the Chaumpaigne release and the Prioress’ Tale’s antisemitism, this panel extends the work of scholars like Susan Morrison, Heather Blurton, and Hannah Johnson. We seek to respond to and advance their efforts to suggest new interventions in Chaucer criticism that accommodate a more complex picture of the poet and his work.
MARY JAHARIS CENTER SPONSORED PANEL, 54TH INTERNATIONAL CONGRESS ON MEDIEVAL STUDIES
To encourage the integration of Byzantine studies within the scholarly community and medieval studies in particular, the Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 54th International Congress on Medieval Studies, Western Michigan University, Kalamazoo, 9-12 May 2019. We invite session proposals on any topic relevant to Byzantine studies.
Session proposals must be submitted through the Mary Jaharis Center website. The deadline for submission is May 27, 2018. Proposals should include:
**Session abstract (300 words)
**Intellectual justification for the proposed session (300 words)
**Proposed list of session participants (presenters and session presider)
Successful applicants will be notified by May 30, 2018, if their proposal has been selected for submission to the International Medieval Congress. The Mary Jaharis Center will submit the session proposal to the Congress and will keep the potential organizer informed about the status of the proposal.
The session organizer may act as the presider or present a paper. The session organizer will be responsible for writing the Call for Papers. The CFP must be approved by the Mary Jaharis Center. Session participants will be chosen by the session organizer and the Mary Jaharis Center.
If the proposed session is approved, the Mary Jaharis Center will reimburse up to 5 session participants (presenters and presider) up to $600 maximum for North American residents and up to $1200 maximum for those coming abroad. Session organizers and co-organizers should plan to participate in the panel as either a participant or a presider. Funding is through reimbursement only; advance funding cannot be provided. Eligible expenses include conference registration, transportation, and food and lodging. Receipts are required for reimbursement.
Please contact Brandie Ratliff (email@example.com), Director, Mary Jaharis Center for Byzantine Art and Culture with any questions. Further information about the International Congress on Medieval Studies.
SMFS PANELS AT ICMS KALAMAZOO
The Society for Medieval Feminist Scholarship (SMFS) is (co-)sponsoring six panels at the 2019 International Congress on Medieval Studies, Kalamazoo, Michigan, 9-12 May 2019. Details of individual panels and organisers follow.
1. Complicit: White Women and the Project of Empire
Women in medieval texts are often read as oppressed, powerless, and without agency. This panel asks how our readings of women, such as Constance in Chaucer’s Man of Law’s Tale or the Princess of Tars from The King of Tars, change when we view these women as not simply acted upon, but as complicit in the scenes of conversion and imperial power that dominate these narratives. This panel seeks papers that move beyond reading women in narratives of imperial dominance as solely victims of patriarchal structures of power, and asks what it means to recognize complicity with the project of empire alongside patriarchal oppression. The goal of this panel is to offer intersectional analyses of the project of patriarchy alongside the project of empire through a reexamination of how we define and understand women’s agency.
Send abstracts, Participant Information Form, and other inquiries to Shyama Rajendran (firstname.lastname@example.org).
2. Dysphoric Pedagogies: Teaching About Transgender and Intersex in the Middle Ages (co-sponsored by The Teaching Association for Medieval Studies (TEAMS))
Students have long seemed curious about the non-binary and non-cisgender lives that appear in courses on pre-modern periods. This panel will offer a range of pedagogy techniques, lesson plans, assignments, reading lists, and anecdotes for those interested in enhancing how they teach about transgender and intersex in the Middle Ages. The concept of “Dysphoric Pedagogies” is drawn from the DSM-5 diagnostic language that describes the experience where one’s identified or expressed gender conflicts with the gender assigned by society. Scholars will share their experiences teaching dysphoria within the art, history, and literature in an era before the DSM-5 and its various diagnoses, or the coinage of the words “transgender” or “intersex.” How have these moments of gender diversity and conflict provoked conversations about self and society, expression and audience, nature and nurture, gender norms and non-conformity, past and present?
Send abstracts, Participant Information Form, and other inquiries to Gabrielle M.W. Bychowski (Gabrielle.Bychowski@case.edu)
3. Critical Approaches to Medieval Men and Masculinities
In recent decades, there has been increasing engagement in medieval studies with questions of gender, space and identity as they relate to medieval men and masculinities. From the hypermasculine heroes of romance to Abelard’s eunuch body, performative medieval masculinities both uphold and challenge the structural frameworks that define medieval culture and society. As such, an understanding of medieval masculinities and their role in shaping culture and society is vital to a full reading of masculinities in the twenty-first century. This panel invites papers which contribute to and extend scholarship on medieval men and masculinities, particularly those which explore queer and intersectional masculinities.
Send abstracts, Participant Information Form, and other inquiries to Amy Burge (email@example.com).
4. Girls to Women, Boys to Men: Gender in Medieval Education and Socialization
Regardless of access to formal education, children learned how to become adults in medieval society from a variety of sources. Ruth Mazo Karras’s From Boys to Men: Formations of Masculinity in Late Medieval Europe traces some of the influences and ideologies surrounding the ways medieval boys were socialized to become men, contributing to critical masculinity studies by examining the formation in addition to the manifestation of masculinity. The manifestation of medieval concepts of femininity has been extensively studied, but more attention needs to be paid to the ways in which girls were socialized to become women. This panel will expand discussions about children and childhood, gender, and education. Questions that might be raised include: How were girls trained to become women? How were girls taught to view themselves? How were they taught to view men? How were men taught to view women? What ideologies and structures played a role in the ways girls were trained or taught? How do texts reinforce or defy the dominant models of feminine training and socialization?
Organizer: Dainy Bernstein. Send abstracts, Participant Information Form, and other inquiries to firstname.lastname@example.org.
5. #MEditerraneanTOO (co-sponsored by the Association of Spanish and Portuguese Historical Studies)
Neither rape culture nor women’s collective activism against sexual harassment and gender-based violence are 21st century phenomena, nor are they exclusive to the US. As a collaboration between the Association of Spanish and Portuguese Historical Studies and the Society of Medieval Feminist Scholarship, this panel seeks papers that examine these topics transregionally, specifically around the multi-religious environment of the medieval Mediterranean. A range of methodologies is welcome – literary assessments of the querelle des femmes, court cases on the definition of rape, archival work on sex workers and violence, laws on forced concubinage between religious traditions, analysis of hagiographic tropes of forced marriage, etc.
Organizer: Jessica Boon. Send abstracts, Participant Information Form, and other inquiries to email@example.com.
6. Nasty Women: Villains, Witches, Rebels in the Middle Ages (co-sponsored by the Society for the Study of Homosexuality in the Middle Ages (SSHMA))
Recent debates in modern discourse have centered around appropriate boundaries of feminine behavior. “Nastiness” has become a by-word for a specific type of womanhood, one that pushes the boundaries of acceptable sexual agency, political power, and social hierarchies. This panel will explore the various ways in “nastiness” existed in the Middle Ages, with a particular focus on gender and sexuality. How did contemporary authors, philosophers, or courts depict or deal with subversive women? How did women conceive of their own power in terms of sexual acts, gender expression, and other forms of socially-rebellious behavior? The papers in this session will address these issues through several lenses, providing new insight in the critical discourses of queer and feminist medieval scholarship.
Send abstracts, Participant Information Form, and other inquiries to Graham Drake (firstname.lastname@example.org).
WOUNDS VISIBLE AND INVISIBLE IN LATE MEDIEVAL CHRISTIANITY AT ICMS KALAMAZOO
This session at the International Congress on Medieval Studies 9-12 May 2019 examines the many valences of wounds in late medieval Christianity, focusing on themes surrounding wounds and wounding both visible (corporeal and/or material) and invisible (rhetorical and allegorical). The image of the wounded body held a central place in late medieval Christian practice and material culture; the wounds of the crucified Christ were tangible reminders of his Passion and served as foci of veneration, while stigmatic saints and maimed martyrs were marked as holy by means of bodily trauma. Papers may also consider the Christian response to physical injury, in the form of saintly intervention through healing miracles and medical intervention through the establishment of hospitals and provision of care by religious orders.
Moving beyond the ample possibilities for discussion stemming from the theme of “visible” wounds in medieval Christianity, this session also encourages a broad examination of “invisible” wounds within the late medieval Christian context. Examples might range from the accusations of metaphorical violence levied against the mendicant orders by antifraternal critics, to the conceptualization of the Western Schism as a wound to the Church. By exploring wounds both “visible” and “invisible,” this session elicits the perspectives of scholars of history, art history, literature, and theology and seeks to expand conceptions of wounds and injury within a late medieval Christian framework.
Please send a brief proposal (300 words max) and a participant information form (currently available at https://wmich.edu/medievalcongress/submissions) to Hannah Wood at Hannah.email@example.com and Johanna Pollick at firstname.lastname@example.org by 15 September 2018.
As per ICMS rules, any abstracts not accepted for our session will be forwarded for consideration for General Sessions.
MATERIAL COLLECTIVE ROUNDTABLE AT ICMS KALAMAZOO
The Material Collective is sponsoring a roundtable at the International Congress on Medieval Studies, Kalamazoo 2019 (Western Michigan University, 9-12 May 2019) on 'The Middle Ages: What Does it Have to Do with Me?'
What does medieval art, culture and history have to do with my life; what is the point of knowing this stuff? Immersed in the study of the Middle Ages as we are, we may lose sight of the fact that for many people the material to which we are passionately devoted holds little to no interest. It is our hope that this roundtable discussion can produce some strategies for countering this disengagement.
As we consider how to expand access to and engagement with the field, we invite consideration of the roles identity can play in both academic and popular engagement with Medieval Studies. From its antiquarian origins to today, the field has been shaped by nationalist identities, impulses, and agendas. In more recent decades, scholarly attention to gender, racial, ethnic, religious, and sexual identities has expanded and re-shaped the field and created opportunities for multiple identifications with the past. We also wish to question this paradigm: must engagement be structured by identity?
We welcome contributions treating all aspects of fostering access to and engagement with Medieval Studies both in the classroom and beyond. This includes consideration of the way we as scholars talk about Medieval Studies—where our voices are heard and what we can be heard to say. With humanities fields under constant threat, we may also wish to consider the various publics with whom we might profitably engage. Beyond undergraduate students are the parents, administrators, and legislators whose voices sway what does and does not get taught at colleges and universities; there are also the primary and secondary school students who may enter our classrooms someday in the future.
A discussion of public engagement is also an opportunity to reconsider the way we conceive of our field. Ongoing efforts to decolonize Medieval Studies are essential to the mission of making the field accessible to a more diverse public. This includes engaging colleagues to recognize the need for change as well as the need to support medievalists marginalized by race, LGBTQ identity, or employment status.
Topics for consideration may include but not be limited to:
- Engaging students
- Engaging the public beyond the classroom
- Medieval Studies and modern identities
- Medieval Studies in the neoliberal academy
- Promoting access to Medieval Studies
- Role of public scholarship within the academy
DE RE MILITARI SESSIONS AT ICMS KALAMAZOO
De Re Militari: The Society for Medieval Military History is seeking proposals for five sessions at the International Congress on Medieval Studies, Kalamazoo 2019 (Western Michigan University, 9-12 May 2019).
De Re Militari is interested in papers on all aspects of warfare, broadly defined. Papers from the Kalamazoo sessions may be considered for publication in the Journal of Medieval Military History.
The five sessions are:
- Annual Journal of Medieval Military History Lecture
- War and Chivalry
- Early and High Medieval Military History
- Late Medieval Military History
- Medieval Military Technology
Proposal deadline is 15 September 2018. Proposals should be sent to Dr Valerie Eads, Department of Humanities and Sciences, School of Visual Arts, New York: email@example.com.
ENCOUNTERING MEDIEVAL ICONOGRAPHY IN THE TWENTY-FIRST CENTURY (ICMS KALAMAZOO, 2019)
Proposals are invited for a roundtable on ‘Encountering Medieval Iconography in the Twenty-First Century: Scholarship, Social Media, and Digital Methods’, to be convened at the International Congress on Medieval Studies, Kalamazoo, MI, 9-12 May, 2019.
Organizers: M. Alessia Rossi and Jessica Savage (Index of Medieval Art, Princeton University)
Sponsored by the Index of Medieval Art, Princeton University
Stemming from the launch of the new database and enhancements of search technology and social media at the Index of Medieval Art, this roundtable addresses the many ways we encounter medieval iconography in the twenty-first century. We invite proposals from emerging scholars and a variety of professionals who are teaching with, blogging about, and cataloguing medieval iconography. This discussion will touch on the different ways we consume and create information with our research, shed light on original approaches, and discover common goals.
Participants in this roundtable will give short introductions (5-7 minutes) on issues relevant to their area of specialization and participate in a discussion on how they use online resources, such as image databases, to incorporate the study of medieval iconography into their teaching, research, and public outreach. Possible questions include: What makes an online collection “teaching-friendly” and accessible for student discovery? How does social media, including Twitter, Facebook, and blogging, make medieval image collections more visible? How do these platforms broaden interest in iconography and connect users to works of art? What are the aims and impact of organizations such as, the Index, the Getty, the INHA, the Warburg, and ICONCLASS, who are working with large stores of medieval art and architecture information? How can we envisage a wider network and discussion of professional practice within this specialized area?
Please send a 250-word abstract outlining your contribution to this roundtable and a completed Participant Information Form (available via the Congress Submissions website) by 15 September 2018 to M. Alessia Rossi (firstname.lastname@example.org) and Jessica Savage (email@example.com).
Abstracts are invited for a panel on Vices and Virtues: Gender, Subversion and Moralizing Discourses at the International Congress on Medieval Studies (ICMS) Western Michigan University, Kalamazoo, Michigan, 9-12 May, 2019.
Organizers: Jacob Doss, University of Texas at Austin; and Matthew Vanderpoel, University of Chicago.
Significant watersheds in medieval Christianity have often entailed the reconceptualization of notions of vice and virtue and of gender. From the twelfth-century “renaissance” and “reformation,” amid the thirteenth-century “pastoral revolution,” and after the rediscovery of Aristotle, these two conceptual categories formed a mutually influential discourse. However, much of the scholarship on the development of discourses of vice and virtue has not incorporated gender as a central category of analysis, outside of specific case studies, if at all. Where gender has been addressed it has often been treated primarily as an egalitarian, gender-neutral discourse. Certainly, on one level, one’s susceptibility to vice or the development of virtue was not the domain of one or another gender, but this did not stop medieval people from creatively deploying them in gendered terms. Despite this seemingly ambivalent relationship to gender, medieval Christians wielded virtue and vice to organize social hierarchies, construct theoretical and practical anthropologies, and, as in telling cases such as Prudentius’ Psychomachia, to subvert gender binaries.
This panel will aim both to interrogate and theorize, broadly, the extent to which moralizing discourses concerning the vices and virtues incorporated notions of gender and vice versa. How does the gendering of specific personifications of vices and virtues reinforce and subvert medieval discourses about gender? How do normative commitments to gender roles and performances structure programmatic and didactic accounts of vice and virtue? To what extent does the intersection of vice and virtue with gendered language change between different religious or non-religious contexts, for example between monasteries, the universities, and popularizing works for the laity, or in the politics of the nobility? How may recent gender- and queer- theoretical thought equip us to interpret medieval writings on vice and virtue? Given these variegated questions, we seek an interdisciplinary panel and welcome proposals from scholars of religion, philosophy, literature, art history, and history.
Please send abstracts of no more than 250 words including your name title, and affiliation along with a completed Participant Information Form (available on the ICMS conference website) to the session organizers, Jacob Doss (firstname.lastname@example.org ) or Matthew Vanderpoel (email@example.com) by 15 September, 2018.
Abstracts not accepted will be forwarded to the Congress Committee to be considered for general sessions.
CANADIAN SOCIETY OF MEDIEVALISTS ANNUAL MEETING
The 2019 Congress of the Canadian Society of Medievalists will be convened 3-5 June 2019 in Vancouver, B.C. The special theme for this year’s Congress is “Circles of Conversation,” but papers for the CSM Annual Meeting can address any topic on medieval studies. Proposals for sessions of three papers are also invited. Presentations may be in either English or French. Bilingual sessions are particularly welcome.
Proposals should include a one-page abstract and a one-page curriculum vitae. Papers should be no more than 20 minutes’ reading time. Proposals for complete sessions should include this information in addition to a title and a brief explanation of the session and its format. Please indicate if the proposed session would be suitable as a joint session with another learned society.
Please submit proposals for individual papers by 15 December 2018 and proposals for sessions by 15 January 2019 by email to Kathy Cawsey (firstname.lastname@example.org) or via our website https://www.canadianmedievalists.org/. You must be a member of the CSM by the time of your presentation.
HISTORIES, THEORIES AND USES OF WASTE PAPER IN EARLY MODERN ENGLAND
Balliol College, University of Oxford, 15 June 2019
This one-day multidisciplinary conference will explore the manifold afterlives of waste paper in early modern England. Manuscript and printed sheets were frequently reused to wrap later volumes, to stiffen spines and cover the inside of bindings, to line boxes, to serve as notepaper, or (in the words of the poet Henry Fitzgeffrey) ‘to wrap Drugg’s’, ‘dry Tobacco in’, and package ‘Pippin-pyes.’ While this cycle of use has long been understood as destructive, it also speaks to a distinctly pre-modern sense of how texts might endure beyond their initial form and function. The archive of waste can help us think about the shifting fate of books across time and within distinct institutional settings, exposing a partially hidden record of the past. How should literary and textual histories incorporate these materials that were cast aside in their own moment?
We seek 15-minute papers that consider the origins, functions, and legacies of waste paper, as well as related practices of textual use, destruction, and care. Multidisciplinary approaches are particularly welcome, as are both archival and theoretical presentations.
Possible topics might include:
- the archival discovery of waste paper;
- the thick and multitemporal histories of waste objects;
- the juxtaposition of waste and host texts;
- ways in which waste unsettles linear narratives of periodization and national boundaries;
- best practices for cataloguing and conserving fragmentary texts;
- waste paper and the literary imagination.
With plenary papers from Kate Bennett (University of Oxford) and Whitney Trettien (University of Pennsylvania).
This conference is being organized by Megan Heffernan (DePaul University), Anna Reynolds (University of York), and Adam Smyth (University of Oxford).
Please send an abstract (with title) of approximately 200 words and a brief CV to email@example.com, by 1 October 2018. Papers will be 15 minutes.
SPEAKING INTERNATIONALLY: WOMEN’S LITERARY CULTURE AND THE CANON IN THE GLOBAL MIDDLE AGES
Paper proposals are invited for this international conference to be held at Bangor University, North Wales, 26-28 June 2019. This conference is the latest event in association with the International Research Network, Women’s Literary Culture and the Medieval Canon.
Jonathan Hsy, The George Washington University
Shazia Jagot, The University of Surrey
Elaine Treharne, Stanford University
Our last conference, held at Bergen in 2017, encouraged lively conversations that focused predominantly on European texts and authors. At Bangor we aim to extend this dialogue by speaking internationally, and examining how our understanding of medieval European women writers and the canon might be enhanced by taking a more global perspective. What new light is shed by adopting a global perspective on medieval women’s literary modes and practices? What evidence exists for social and intellectual connectivity between European women’s textual culture and that of women living in the lands that border the Mediterranean and beyond? How do medieval women represent the global in their works and to what purposes?
The conference will be full of conversation: a series of ‘In conversation with’ network members, poster presentations, panel discussions, and twenty-minute papers. We welcome individual and collaborative papers that speak internationally on topics that might include the following:
- Women as authors
- Women as patrons
- Book ownership and use in the household
- Genre and gender
- Literary reception
- Women as translators
- Women readers
- Book ownership in women’s religious communities
- Manuscript production
- Literary influence
- Textual transmission
- Women, Literature and Location: place, travel, pilgrimage
- Women, Literature and Life-course
- Literature and Trade
Paper abstracts of no more than 250 words, plus a short biography, should be sent to Dr Sue Niebrzydowski at firstname.lastname@example.org and Professor Liz Herbert McAvoy at email@example.com no later than 31 October 2018. Successful speakers will be notified shortly thereafter, and online registration will open in late November 2018.
INTERNATIONAL MEDIEVAL CONGRESS 2019
The twenty-sixth International Medieval Congress will take place in Leeds from 1-4 July 2019.
THE BODY AND THE TEXT AT IMC LEEDS
Proposals are invited for sessions on The Body and the Text: Medical Humanities and Medieval Literature, c. 1150 – 1550, to be convened at the Leeds International Medieval Congress, 1-4 July 2019.
Recent years have witnessed a surge in scholarship in the field of the Medical Humanities. In considering medicine in its cultural and social contexts, the Medical Humanities has symbolised a ‘paradigm shift away from what might be called medical reductionism to medical holism, where patients are not reduced to diseases and bodies but rather are seen as whole persons in contexts and in relations’ (Cole et al, 2015:8). In seeking to merge disciplines and foster interactive dialogues, this area of research is inherently inclusive, dynamic, and elastic. Furthermore, since the topics of science, medicine, physiology, religion, astrology, and magic were often discussed within the same medieval texts and contexts, the multidisciplinarity of the Medical Humanities is particularly apt for Medieval Studies.
We therefore seek to put together a session or sessions on Medieval Literature and the Medical Humanities. Our focus is global and will include proposals from two complementary directions: how are medicine, health and wellbeing represented in medieval and early modern literature? How may literary texts from this period contribute to training and practice in the Medical Humanities?
- Representations of health and sickness in literary texts;
- Depictions of medical knowledge, practice and practitioners in literary texts;
- Representations of the senses and / or emotions;
- The relationship between medicine and religion in the Middle Ages;
- Engagement with texts (reading and listening) as a therapeutic practice in the Middle Ages;
- A consideration of how medieval literature might contribute to training and practice in the Medical Humanities;
- Defining the Medical Humanities in a medieval context.
Abstracts of no more than 300 words should be submitted to the session organisers DrAlison Williams (firstname.lastname@example.org) and Dr Laura Kalas Williams (email@example.com) by 31 August 2018.
MATERIALITIES OF ANTIPODAL MEDIEVALISM: DISPLACED MATERIALITY AND CULTURAL CONSUMPTION OF THE NORTHERN MIDDLE AGES FOR THE PERIPHERAL MEDIEVALIST
Australian Early Medieval Association (AEMA) panel at IMC Leeds, 1-4 July 2019.
Antipodes are periphery to the European core, and recent developments in decolonization and the Global Middle Ages have contributed to understanding the inherent nature ofthe core/periphery dialectic that subsists in medieval studies. Access for antipodal scholars (however defined) to the materialities (the products, the evidence) of medieval cultures of the northern hemisphere is heavily mediated, through hegemonic and competing mechanisms of scholarship (such as the academy) as well as through non-formal means, including popular and social media.
This panel will explore the challenges arising from the study of medieval cultures and societies when the scholar is peripherally located (academically, physically, culturally, theoretically, psychologically), what this might mean for the old hegemonies of medieval studies in Northern Europe and how we even define and do ‘medieval’ into the future. Papers will consider the varied materialities that impinge on antipodal/peripheral scholars, from any relevant discipline, looking at theoretical implications and/or exemplar case studies/analyses of relevant texts/objects/institutions.
Submissions may address one or more of the following sub-themes:
(i) the nature and impact of skewed or constrained access to the materials of medieval studies due to peripheral/antipodal location.
(ii) regimes of circulation and consumption and the links, networks, and systems that underpin or undermine material access for the antipodal/peripheral scholar.
(iii) power, hegemony and post-colonial perspectives on global scholarship.
(iv) the impact of materialities on memory, and how selective, skewed or constrained access to these shape/skew an antipodal/peripheral view of the past.
(v) the impact of antipodal/peripheral displacement on textual scholarship, considered in itself or in comparison with other types of medieval materialities.
Please send submissions to Roderick McDonald firstname.lastname@example.org by Monday 10 September 2018.
SHAKESPEARE AND EUROPEAN GEOGRAPHIES: CENTRALITIES AND ELSEWHERES
9-12 July 2019, Roma Tre University
Convenors: Professor Maria Del Sapio Garbero and Professor Maddalena Pennacchia
ESRA 2019 will have a special focus on processes of remapping, with consequences for early modern discourses on borders, nations, territories, the world. It will prompt discussions of the place held by such processes in the culture of the period, but it will also foreground the various ways in which they are relevant for current preoccupations and concerns.
As we know, early modern European geography was shattered by a series of disruptive events which resulted not just in a remapping of borders, nations, and world, but had a bearing in problematizing the very notion of space and the place human beings held in a changing order of the universe. Discoveries of new lands and new perimeters, originating from a thirst for knowledge, political ambition, wars, not to mention wars of religion and the reshuffled and transversal geographies designed by faith in post-Reformation Europe, were such as to redefine the sense of belonging, physically as well as mentally, and spiritually.
Questions related to this topic are at the core of Shakespeare’s figurations of multifaceted physical and mental landscapes. And the geographical turn of the past few decades has made us aware of the wide range of thematic, ideological, and theoretical issues related to it.
Our European contemporary geography, constantly redefined by new walls as well as the trespassing movement of massive flows of migrant human beings, invites us to interrogate anew the heuristic and ethical potential of that turn; it also encourages us to bring to the fore and reassess the pervasiveness and problematics of the experience of exile, displacement and dispossession in Shakespearean drama. Thus the topic should be found engaging and compelling by the ESRA community, now that our geopolitics and sense of belonging are being challenged and readjusted, daily, by the crises of human mobility.
All in all the chosen topic should provide ample scope for epistemological approaches as well as for discovering new proximities with the Souths of the world and between Northern and Mediterranean seas, daily crossed and redesigned by thousands of stories of outcasts and shipwrecks.
The topic should also be useful for discovering new contiguities between past and present. Ancient Rome, with its expanded geography, looms large on Shakespeare’s imagination. Rome was a world-wide stage on which to projectthe performances of the Elizabethans’ growing imperial ambitions, in a logic oftranslatio imperii, or of “cultural mobility” in the terms it is being re-conceptualized nowadays.But Rome was also a global stage on which to address issues as crucial as centre, periphery, edges, borders, landmarks, elsewheres, otherness, hybridity, cross-cultural encounters and dynamics.
Thus the topic suits productively the variety of Shakespeare’s geographies as well as the chosen Roman venue.
Potential topics to be addressed may include (but are not limited to):
- Geographies of exclusion: centre and peripheries
- Narratives of migration and exile
- Cartographies of gender and race
- Vagrancy and hospitality
- Walls and border-crossings
- Europe and global Souths
- Wilderness, exoticism and liminal places
- Translation as geography
- Translating and re-translating Shakespeare
- Shakespearean migrations across media
- Displacing performance
- Conflicting geographies of the soul
- Geographies of the sacred
- Explorations and geographies of the self
- Wars of religions and reconfigured geographies
- Digital remappings of Shakespeare
- Mobile Shakespeare across genres
- Circulating books and translation
- Universal libraries and local libraries
- Translatio Imperii and Cultural Mobility
- World and National Shakespeares
- Sea-routes and cultural encounters
- Shipwrecked identities
- Local Shakespeare in performance in the digital space
Members of ESRA are invited to propose a panel and/or a seminar that they would be interested in convening. Proposals of 350-400 words (stating topic, relevance and approach) should be submitted by a panel convenor with the names of the participants (no more than four speakers); as for the seminars, we expect proposals of 250-300 words by 2 or 3 potential convenors from different countries for each seminar.
Please submit proposals by 31 May 2018 via the dedicated platform on the website of the Conference. Address available from the first week of February.
The conference organisers and the Board of ESRA will confirm their final choice of panels and seminars by the first week of July 2018. All convenors will be personally informed of the choices made and the list of seminars will be made available on the ESRA and the Conference websites.
Organising and advisory committee, ESRA 2019
Professor Maria Del Sapio Garbero (convenor) (Roma Tre University)
Professor Maddalena Pennacchia (convenor) (Roma Tre University)
Professor Maurizio Calbi (University of Palermo)
Dr Lisanna Calvi (conference secretary) (University of Verona)
ROMAN MEMORY: PACIFIC RIM ROMAN LITERATURE SEMINAR 33
The thirty-third meeting of the PacRim Roman Literature Seminar will be held at the University of Newcastle from 10 to 12 July 2019. The theme for the 2019 conference will be Roman Memory.
We are inviting papers on Roman literature on the subject of memory. This might include: representations of Roman history in subsequent periods, the ways in which Latin authors rewrite earlier Roman literature, the use of the Muses as repositories of cultural memory, commemorations of the dead, the methods by which Roman writers position themselves in the literary tradition, the reception of Latin literature in both antiquity and later eras, the loss and recovery of historical memory, the processes of collective memory, the art of forgetting, and resistance to official efforts to erase memory through damnatio memoriae.
The theme may be interpreted broadly and papers on other topics will also be considered.
Papers should be 30 minutes in length (with fifteen minutes of discussion time). The Pacific Rim Seminar does not run parallel sessions; participants may attend any or all papers. Abstract proposals of 200-300 words should be sent to Marguerite Johnson (email@example.com) and/or Peter Davis (firstname.lastname@example.org). Submissions from graduate students and early-career researchers are welcome. Please submit abstracts by 28 February 2019. Earlier submissions are of course welcome.
We expect that conference will be held in a venue in the city of Newcastle. A conference website will be built in due course.
DISSIDENCE AND PERSECUTION IN BYZANTIUM
The 20th Australasian Association for Byzantine Studies Conference, Macquarie University, Sydney, July 19-21 2019
Professor David Olster (University of Kentucky)
Title: The Idolatry of the Jews and the Anti-Judaizing Roots of Seventh- and Early Eighth-Century Iconoclasm
Associate Professor Jitse Dijkstra (University of Ottawa)
Call for Papers
The Byzantine empire was rarely a stable and harmonious state during its long and eventful history. It was often in strife with those outside its borders and with those within them, and with so much power invested in its political and ecclesiastical structures it was ready to implode at times. This could result in persecution and the silencing of dissident voices from various quarters of society. The mechanisms by which the authorities controlled civil disorder and dissent, as well as discouraging criticism of imperial policies, could be brutal at times. In what sense was it possible, if at all, to enjoy freedom of speech and action in Byzantium? Was the law upheld or ignored when vested interests were at stake? How vulnerable did minorities feel and how conformist was religious belief at the end of the day? The theme of the conference aims to encourage discussion on a number fronts relating to the use and abuse of power within the history of Byzantium. Individual papers of 20 mins or panels (3 papers) will be accepted on the following or related themes:
- The rhetoric of persecution in hagiography and historiography
- Monastic dissidence and dissidents
- The persecution of minorities
- Dissension in the military
- Imperial usurpation and sedition
- Discourses of violence and tyranny in literature
- Popular uprisings and civil disobedience
- Satire and literary subversion
- Laws relating to prosecution and capital punishment
- Depictions of persecution in Byzantine art
- Slavery and manumission
- The forced baptism of Jews and others
- Heresy and the imposition of religious orthodoxy
- The suppression and oppression of women
- Persecution of philosophers and other intellectuals
- Anti-pagan policies
- Forced migrations and resettlements – Manichaeans and Paulicians
- The liturgical celebration of martyrdom
Abstracts of 500 words should be emailed to the President of AABS, Dr Ken Parry: email@example.com by the due date of 7 January 2019.
Panel convenors should outline briefly their theme (100 words), and (a) add all three abstracts to their application, or (b) list the three speakers on their panel with their own abstract, plus (c) nominate a chairperson. Panelists should indicate clearly the title of their proposed panel if submitting their abstracts individually.
Acceptances will be despatched by 25 January 2019.
DURHAM EARLY MODERN STUDIES CONFERENCE
The Durham Early Modern Studies Conference 2019 will be held at Durham University, Institute of Medieval and Early Modern Studies on 22-24 July 2019.
An interdisciplinary conference on the early modern period is well established at Durham, first as a biennial conference on The Seventeenth-Century, and more recently as a broader Early Modern event. The 2019 Durham Early Modern Studies Conference aims to build on this tradition, establishing an annual conference which will offer a broad and inclusive interdisciplinary forum for the discussion of the period c.1450 to c.1800.
We welcome proposals for panels, strands and seminars from scholars interested in any aspect of the early modern period.
Deadline for submissions: 30 September 2018.
PROPOSAL CRITERIA/FURTHER INFORMATION
Call for Panel Proposals:
We welcome proposals both for Panels comprising three or four 20-minute papers.
Panel proposals should comprise:
- A cover sheet, detailing the title of the panel, a short summary of its scope and purpose (no more than 200 words), the names of the participants, and the name and e-mail address of the panel organizer (who will be the contact with the conference committee)
- A 200 word synopsis of each of the three/four papers
- Short cvs (one page) of the 3/4 presenters, the panel chair and the commentator (the chair and commentator may be the same person)
The conference committee encourages panels which include papers from participants at a range of career stages. We are open to the submission of panel proposals including papers not in English, but encourage organisers to contact the Conference Committee first. Panel discussions will be in English.
Call for Strand Proposals:
The Conference Committee encourages the submission of proposals of ‘strands’ of between three and six panels, which would then be scheduled to run through the conference.
Strand proposals should include a short rationale for the ‘strand’ and the name and contact details of the organiser, together with the panel proposals as detailed above.
Call for ‘Seminar’ Proposals:
Seminars will be two-hour sessions, including anything from six to twelve ‘participants’. Each ‘participant’ will write a paper (3,000–3,500 words, excluding references), which will be circulated in advance. ‘Participants’ will be expected to read all the papers in advance. The first 1–1.5 hours of the seminar will then consist of a moderated discussion by the ‘participants’. The seminars will also be open to ‘auditors’ from the conference delegates, who will be able to ask questions and join in the discussion for the latter part of the seminar.
Outline Seminar proposals should comprise:
- The names and brief cvs (one page) of the seminar organisers. There may be up to three organisers, one of whom should be identified as the point of contact for correspondence
- The rationale for the seminar (maximum 300 words)
- Titles, 200-word synopses and brief author cvs for a minimum of three papers to be presented at the seminar (conference organisers may present papers, but do not have to do so)
The chair and details of further papers/participants (a minimum of six and a maximum of twelve) can by supplied following notification of the acceptance of the seminar for the Conference Programme. The deadline for the submission of the full list of papers and participants will be 30 November. Between 30 September and 30 November details of all seminars accepted for the Conference will be posted on the Conference website, with an invitation to submit proposals for papers to the seminar organiser(s).
Proposals for panels, strands and seminars should be submitted by 30 September 2018 to firstname.lastname@example.org.
Replies to all submissions will be circulated by the middle of October 2018. Details of the process for the submission of full seminar proposals will be circulated at the same time.
Visit the dedicated conference page.
Academic enquiries to: email@example.com/
2019 MLA INTERNATIONAL SYMPOSIUM
Lisbon, 23-25 July 2019
The (re)emergence of populism(s), the increase in hate speech, and the resurgence of ethnic and religious violence and xenophobia—in what Pankaj Mishra has called “the age of anger”—all evince a complex web of relations and gestures toward the Other, which call the project of modernity into question.
In the face of this resurgent social, political, and religious instability, as well as the impending threat of ecological catastrophes, it seems urgent to recuperate the “lost voices” of humanity. These lost voices belong to two different groups: those that have been buried or forgotten throughout time and those that have been marginalized or othered on the grounds of their perceived foreignness. All these voices contribute to a culture of debate and dissension against and within emerging paradigms centered on intolerance and conformity, oftentimes propelled by technological developments that elide difference and naturalize absolutist ideas about the uses and misuses of power.
Re-membering (in both senses of recalling and assembling) lost voices is a way of acknowledging and bringing them to the forefront of cultural discussions as an act of resistance and as a creative impulse. In the words of the poet Tolentino Mendonça, it entails the opportunity to be filled with awe.
Inspired by Proust’s search in À la recherche du temps perdu, and with the goal of re-membering marginal voices, the 2019 MLA International Symposium calls for paper and session proposals that place the humanities at the center of world affairs and encourage debate about the circumstances and potentialities of being in awe of the other that inhabits the self and others. This “being in awe” may produce new forms of conviviality in a world devastated by hatred, poverty, bigotry, and environmental dead ends.
Thus, in the hope that a new version of George Steiner’s “humane literacy” can come into existence, we invite humanities scholars to search for “lost voices.”
Proposals may address diverse historical periods, disciplines, texts, and practices that represent, interact with, and interrogate a wide range of models of thought.
The conference will feature the following formats:
- panel sessions and discussions
- paper sessions composed of 3–5 individual papers
- roundtable conversations including 3–6 participants
We invite proposals for any of the above formats. Sessions will be ninety minutes long, including time for discussion. The conference languages will be English, Portuguese, French, and Spanish.
Paper proposals should include the paper title, a brief abstract, and the speaker’s institutional affiliation (if any).
Proposals for panels and roundtables should contain the above items as well as a session chair, abstract, and title.
Please use the MLA International Symposium’s submissions portal to submit your paper, session, or roundtable proposal(s). All submissions must be received by 21 September 2018, and participants will be notified of the outcome of the selection process by 3 December 2018.
MALORY AT 550: OLD AND NEW
Acadia University, Wolfville, NS, Canada, 8-10 August 2019
Depending on precisely when in that infamous ninth year of Edward’s reign Sir Thomas Malory completed his work, 2019 marks perhaps the 550th anniversary of Le Morte Darthur. Accordingly, we mark the occasion with a special conference, and are pleased to invite proposals on any aspect of Sir Thomas Malory’s Morte Darthur: text(s), contexts, old or new critical approaches.
Proposals are due no later than 3 January 2019.
MARY JAHARIS CENTER SPONSORED PANEL, 5TH FORUM MEDIEVAL ART
The Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 5th Forum Medieval Art, Bern, September 18–21, 2019. The biannual colloquium is organized by the Deutsche Verein für Kunstwissenschaft e.V.
The theme for the 5th Forum Medieval Art is 'Peaks, Ponti & Passages'. Bern—looking out to peaks Eiger, Mönch, and Jungfrau, situated at the border to the Romandy, and having a long-standing tradition in bridge-building—embodies certain notions of translations, entanglements, and interactions. The conference will highlight such themes, focusing on forms and means of exchange, infrastructure, political and religious relationships, and the concrete reflections of these connections through objects. Methodological challenges will also be paramount, such as questioning how to write a history of encounters between artists, artworks, materials, and traditions.
Many mountain regions, and especially the Alps, have a long history as sites of transfers and interferences. Today, mountains and glaciers are the locations revealing most rapidly the consequences of climate change. They raise our awareness of similar changes in the past. Mountain regions were and are traversed by several ecological networks, connecting cities, regions, and countries, as well as different cultures, languages, and artistic traditions. Mountains, with their difficult passages and bridges, structured the ways through which materials and people were in touch. Bridges were strategic targets in conduct of war, evidence of applied knowledge, expression of civic representation, and custom points—both blockades and gates to the world.
Peaks in the historiography of Art History mark moments of radical change within artistic developments, the pinnacles of artistic careers, and high moments in the encounters of different traditions. Since the unfinished project of Walter Benjamin, who obtained his PhD in Bern, the passage has also been introduced as a figure of thought in historiography. The passage describes historical layers as spatial constellations, in which works of art, everyday culture, religious ideas, definitions of periods and theories of history encounter.
We invite session proposals that fit within the Peaks, Ponti & Passages theme and are relevant to Byzantine studies. Additional information about the Forum Medieval Art.
Session proposals must be submitted through the Mary Jaharis Center website. The deadline for submission is May 30, 2018. Proposals should include:
Session abstract (500 words)
Proposed list of session participants (presenters and session chair)
Applicants will be notified of the status of their proposal by June 1, 2018. The organizer of the selected session is responsible for submitting the session proposal to the Forum by June 8, 2018.
If the proposed session is approved, the Mary Jaharis Center will reimburse will reimburse a maximum of 5 session participants (presenters and session chair) up to $300 maximum for residents of Switzerland, up to $600 maximum for EU residents, and up to $1200 maximum for those coming from outside Europe. In order to receive funding, session organizers and co-organizers must participate in the panel as either a participant or the session chair. Funding is through reimbursement only; advance funding cannot be provided. Eligible expenses include conference registration, transportation, and food and lodging. Receipts are required for reimbursement.
Please contact Brandie Ratliff (firstname.lastname@example.org), Director, Mary Jaharis Center for Byzantine Art and Culture with any questions.
BATHS AND SPA WATERS IN THE CULTURE AND LITERATURE OF EARLY MODERN ENGLAND
Université Clermont Auvergne (UCA), France, 11-13 October 2019
Organizers: Professor Sophie Chiari and Dr Samuel Cuisinier-Delorme
Under the aegis of the French Shakespeare Society
- Dr. Richard Kerridge (Bath Spa University)
- Dr. Amanda Herbert (Folger Institute and Amherst College)
- Pr. Tiffany Stern (Shakespeare Institute, University of Birmingham)
- Dr. Tiffany J. Werth (UC Davis, University of California)
Water has been used for recreational or therapeutic purposes, shaping landscapes, cleansing bodies and spirits alike throughout the centuries. Cities such as Bath in England, Spa in Belgium, and Vichy in France, have prospered because of their spa activities. While balneology has frequently been studied in connection with classical Antiquity or with more recent times (in particular the nineteenth century, often seen as the Golden Age of spa activities), much work remains to be done regarding its significance in the early modern period. This conference will highlight the various uses of water in sixteenth-, seventeenth-, and eighteenth-century England, while exploring the tensions between those people who praised the curative virtues of waters and those who rejected them for their supposedly harmful effects.
During the Middle Ages, steam baths, whose purpose was more recreational than regenerative, flourished in many Christian cities. Yet the bad reputation of stews (dry or moist heated baths) was early established: over time they were increasingly regarded as places that facilitated prostitution and promiscuity. No wonder that, in Shakespeare’s Measure for Measure, Vincentio describes how corruption will ‘boil and bubble / Till it o’er-run the stew’. After his ascension to the throne, Henry VIII came to regard public baths as places of debauchery in which infections and contaminations easily spread. When he developed syphilis, he ordered that the baths be closed down. As a result, in the Tudor era, they became synonymous with forbidden practices. Turkish baths, famed for their exoticism, were seen as privileged places for female eroticism, as is suggested in Thomas Washington’s translation of The Navigations, Peregrinations, and Travels Made in Turkey (1585). In the seventeenth century, many people feared that hot water could infuse their bodies with dangerous humours; they turned, domestically, to waterless grooming achieved by rubbing or wiping the skin. The habit of bathing became general relatively late, when public baths reopened in London at the end of the century, and only in the mid-1750s did bathing come back into fashion as a medical resource. Cold water was favoured since it was thought to be invigorating and to regulate blood circulation.
The early modern period marked a parallel shift in spa activities. What healing waters were thought to be differed according to faith: Catholics understood them ritualistically and superstitiously, Protestants pragmatically. The medical treatises of the period, meanwhile, no longer systematically described water as a sacred or sacramental element, examining instead its curative properties. Dr William Turner, a pioneer of spa medicine in England, drafted the first English-language treatise on hot springs called A Book of the Natures and Properties of the Baths in England and other baths in Germany and Italy. Published in 1562, the volume recorded the healing properties of spa waters for nearly a hundred diseases, compared Bath with spa towns on the continent, and pleaded for improvements to be undertaken in the English city. A few decades later, in 1626, Elizabeth Farrow discovered a spring in Scarborough. The publication in 1660 of Scarborough Spaw or A description of the Nature and Virtues of the Spaw at Scarbrough in Yorkshire by Dr Robert Wittie made Scarborough one of the most important spa resorts of the time. Wittie’s observations were extended in the second edition of the book (1667) in which he provides a description of the benefits of water on nerves and lungs as well as on mental health. According to him, water could even cure ‘hypochondriack melancholly and windiness’. While Bath, Bristol, and Harrogate were recognized as established spa towns, Scarborough’s reputation soared when spa treatments developed there and when sea water baths were introduced in addition to spring water ones.
Beyond their medical dimension, the social and cultural life of spa towns, frequently described in the literary productions of the early modern period, need examination. For example, at the beginning of the eighteenth century, Bath became a fashionable holiday destination for the English aristocracy and the upper middle classes. Queen Anne’s visit in 1702 and the arrival there of Richard ‘Beau’ Nash in 1704 turned Bath into the most elegant resort in Georgian England. Not only did people go to Bath for spa treatments, but also for entertainment: concerts, dances, card games and gambling thrived in this ‘curative’ city. The international ‘Baths and Spa Waters’ conference will be held in Vichy which, along with Bath and nine other European spa towns, has submitted a joint nomination for inclusion in a UNESCO World Heritage List of ‘Great Spas of Europe’. The symposium will take stock of current research on the connections between literature, culture, baths, and hydrotherapy in early modern England. We welcome a diversity of approaches and a wide variety of sources, such as pamphlets, poems and plays extolling, condemning or deriding baths, travel narratives that depict baths, and scientific treatises that either praise or criticize the curative use of water. Contributors are also invited to examine sources of information such as travel guides and conduct manuals that became popular in the eighteenth century, as well as newspapers and gazettes describing the activities and daily life in spa towns.
Please send your 500-word abstract along with a short biographical note to Sophie Chiari (email@example.com) and Samuel Cuisinier-Delorme (firstname.lastname@example.org) by 15 September 2018.
Participants will be notified in November 2018.
HOMES & HOMECOMINGS
33rd Biennial Conference of the Classical Association of South Africa, Stellenbosch 7-10 November 2019.
The Classical Association of South Africa (CASA) invites proposals for papers for its 33rd Biennial Conference, to be hosted by the Department of Ancient Studies at the University of Stellenbosch.
We invite submissions that focus on the conference theme “Homes & Homecomings” as well as individual proposals on other aspects of the classical world and its reception. Panels are strongly encouraged and should consist of 3 to 8 related papers put together by the panel chair. We also welcome postgraduate students currently busy with Master’s or Doctoral programmes to submit papers for a “work-in-progress” parallel session.
Please submit a paper title, an abstract (approximately 300 words), and author affiliation to Annemarie de Villiers at email@example.com. The deadline for proposals is 31 May 2019.
Further information on conference fees and accommodation to follow in due course.