The British Archaeological Association Post-Graduate Conference
Online conference, Saturday 27 November 2021.
The British Archaeological Association invites proposals by postgraduates and early career researchers in the field of medieval history of art, architecture, and archaeology. Papers can be on any aspect of the medieval period, from antiquity to the later Middle Ages, across all geographical regions.
The BAA postgraduate conference offers an opportunity for postgraduate students and early career researchers at all levels from universities across the UK and abroad to present and discuss their research, and exchange ideas. Proposals of around 250 words for a 20-minute paper, along with a CV, should be sent by 31 July 2021 to email@example.com.
Northern Early Modern Network Conference
We are pleased to announce that the second annual Northern Early Modern Network Conference will take place at Newcastle University on the 20-21 January 2022.
Following the outbreak of the pandemic, the move to online platforms instead of in-person events provided access to events that would have been inaccessible to PGRs for both geographical and financial reasons. In light of this, the convenors have decided that the conference will be a hybrid form, meaning that the panels will include in-person and online presentations. The two-day event will also be streamed via an online platform.
We are inviting postgraduate research students from anywhere in the world studying the early modern period to present a 20-minute paper on their research. The paper could be an overview of the project or one aspect of the research. Alternatively, papers on innovative research methodology in the field of early modern studies are also welcome.
Papers from any discipline are welcome.
We are delighted to confirm our two keynote speakers are Professor Sara Barker (Leeds University) and Professor Alec Ryrie (Durham University).
Please email a 250-word abstract, a brief biography (max 100 words) and indicate whether you would prefer to present in person or online, by the 31 October 2021, to firstname.lastname@example.org. Also please feel free to email Leanne if you have any queries.
The conference will be convened by Leanne Smith, Alex Collinson, Harriet Palin & Alex Plane.
Women and Warfare in the Medieval World
Online Workshop, February 2022.
The medieval period has long been regarded as inherently violent, an epoch of multiple wars and conflicts, shifting borders, and political transformations. Traditional interpretations of warfare and its outcomes have focused on these political implications, the development of military institutions, and the male actors within the military sphere. However, warfare was not exclusively the concern of the men who directed and participated in military conflict, and warfare and its outcomes had widespread consequences that impacted upon the lives of warriors and noncombatants alike, regardless of gender. Despite this, the contributions of women within the military sphere have been overlooked in favour of their male counterparts, or constructed as ‘exceptional’ despite the numerous examples across the medieval period. Moreover, warfare’s influence on the lives of women is all too frequently neglected, giving the impression that war and violent conflict did not have wider reaching consequences amongst the populations that practiced them.
This workshop aims to bring together a series of papers to broaden this perspective by considering women and their relationship to the military sphere across the medieval world, c. 500-1500 CE. Interdisciplinary approaches are most welcome from the fields of history, archaeology, literary studies, art history, etc.
Proposals for 20-minute papers should include the title, abstract (c. 250 words) and contact details. Please send proposals and enquiries to email@example.com by 31 October.
After the Book of Kells: Insular Art in Scotland and Ireland, c. 900 to 1900
Online Conference, 6 February, 6 March and 24 April 2022.
Examinations of Insular art typically focus upon the eighth and early ninth centuries; and yet, the Insular artistic tradition in Scotland and Ireland continued to flourish and develop into the early modern era. The reliquaries, monuments, and manuscripts made in the earlier period had long lives, with additions and transformations occurring across many generations and even into the twenty-first century. This material is less familiar to the general public, possibly due to antiquarian perception of it as a waning and degenerate manifestation of the art of the earlier period. As are composite objects, an assemblage of parts and repairs that span centuries, they have challenged traditional ways of categorizing, conserving and valuing artworks and monuments.
This conference shifts the emphasis to the later phases of Insular art, exploring the continuity and transformations of shared traditions evident from the medieval to modern day. Please send a 250-word abstract by 15 September 2021 to firstname.lastname@example.org or visit the CFP.
Macbeth in European Culture
International Symposium, University of Murcia (Spain), 22-24 March 2022
Despite its Scottish-Anglo setting and its close relationship to the politics of the Stuart regency, Macbeth has proven one of Shakespeare’s most suggestive plays for practitioners and artists working far beyond its original Anglophone context. The play’s potential for violence, its exploration of hierarchy and power, its conflicting gender dynamics and its supernatural dimensions are just some of the elements that have been appropriated on stages around Europe. They have also prompted the transformation of the play into different shapes, formats and media, and so this symposium intends to inspect the multiple afterlives of Macbeth beyond its initial historical and cultural resonances. We are looking for innovative work that approaches the play from regional, national, continental and intercontinental angles as we try to chart Macbeth’s reception in or in relation to Europe from the seventeenth century to the present. Among other possibilities, we invite discussions concerning the relocation of the play’s ideological, gender/sexuality, regional/ethnic/racial/religious boundaries within specific historical and theoretical contexts. Contributions on any of the following are welcome:
— Macbeth in European theatrical, operatic, cinematic, televisual or online performance;
— Different European versions (adaptations, rewritings, appropriations, updates) of Macbeth;
— Translations of Macbeth into non-Anglophone European languages: the importance and impact of those translations in their target cultures and in intercultural contexts;
— Reception of Anglophone Macbeth in non-Anglophone contexts, or the reception of non-Anglophone Macbeth in Anglophone contexts;
— Traveling Macbeth: international tours of the play, intercultural performances of the play;
— Macbeth in European visual cultures: from illustration to audiovisual art;
— Macbeth in European digital cultures;
— Theoretical reflections on Macbeth as a case study of ‘European Shakespeare’ and or versus ‘global Shakespeare’.
We particularly favor contributions which relate interventions (artistic or otherwise) to broader regional, national, transnational, continental or intercontintental concerns and to the history of Shakespeare’s reception in these contexts. A 250-300 word abstract and a brief bio should be sent to Juan F. Cerdá (email@example.com) and Paul Prescott (firstname.lastname@example.org) by December 3 2021.
The symposium will be held at the La Merced Campus of the University of Murcia (Spain), yet online participation will be available for those facing traveling restrictions.
The Renaissance Society of America 68th Annual Meeting
Dublin, 30 March–2 April 2022.
In 2022 the RSA will return to Europe to hold our 68th Annual Meeting in Dublin, Ireland on Wednesday, 30 March through Saturday, 2 April. The Convention Centre Dublin will be our headquarters, hosting registration, exhibits, plenaries, and many of the break-out sessions. Additional break-outs will be held at cultural institutions in the city centre.
The RSA invites proposals from all RSA members for panels (consisting of three or four papers), roundtables (five to eight discussants), and individual paper presentations (to be grouped into four-paper panels by the Program Committee). The RSA welcomes presentations in any language; the title and abstract for the paper or panel should be in the language that will be used by the presenter.
See the RSA page for more information. Submissions close 10 August.
Dante and the Science of the Human: Medicine, Physics and Soul - Renaissance Society of America Annual Meeting
March 30–2 April 2022
In October 2021, the Center for the Study of Medicine and the Body in the Renaissance will join the worldwide celebrations for the 700th anniversary of Dante Alighieri’s death (1321–2021) with an international online symposium dedicated to Dante’s poetry and science. Gathering scholars who approach his work and times from interdisciplinary perspectives, the webinar will address how Dante shaped an understanding of the human body and mind, and his relationship with medical and scientific thought in his philosophical and literary production. Building on this interdisciplinary event, and sponsored by the Dante Society of America, this panel intends to continue the conversation on Dante’s legacy in the early modern era.
The RSA panel will address how Dante shaped an understanding of the human body and mind, and how his solutions had an influence in early modern times. By analyzing Dante’s early modern legacy within medical and scientific thought, this panel aims to reassess the multifaceted reuses of Dante’s philosophical and literary oeuvre. We invite papers and ongoing research projects on different disciplinary and methodological perspectives from scholars and researchers from various fields and career stages. Selected papers will be published with "Palgrave Studies in Medieval and Early Modern Medicine (PSMEMM).” Please send your proposals to Dr. Matteo Pace at email@example.com by June 15th, and in your submission please include: paper title (15-word maximum); abstract (150-word maximum); curriculum vitae; PhD or other terminal degree completion date (past or expected).
Eleonora di Toledo at 500: Panels at the Renaissance Society of America Annual Meeting
30 March–2 April 2022
2022 marks the five hundredth anniversary of the presumed birth of Eleonora di Toledo. The past thirty years have witnessed the publication of numerous studies that have fundamentally changed our image of the duchess of Florence from a passive object of her husband’s will to an active collaborator in the construction of an autocratic state. These panels seek new contributions about Eleonora di Toledo from all disciplines. Some themes that might be explored are “The Literary Eleonora;” “The Posthumous Eleonora;” “Eleonora in the 1550s.” Comparative approaches to the political and economic activities and the artistic, literary, musical and religious patronage of other contemporary ruling women are especially welcome.
Proposals should be sent by 2nd August to Bruce Edelstein at firstname.lastname@example.org or Natalie Tomas at email@example.com. Please include a title (15 words max), an abstract (150 words max), and a short CV (300 words max).
57th International Congress on Medieval Studies
The 57th International Congress on Medieval Studies takes place online 9-14 May 2022 at Western Michigan University, Kalamazoo.
Hosted by the Medieval Institute at Western Michigan University, the International Congress on Medieval Studies is an annual gathering of thousands of scholars interested in medieval studies. The Congress embraces the study of all aspects of Middle Ages, extending to into late antiquity and the early modern periods, including — but not limited to —h istory, language, literature, linguistics, art, archaeology, religion, science, medicine, music, drama, philosophy, gender, sexuality mysticism, and technology, as well as medievalism.
The 57th International Congress on Medieval Studies will take place online from Monday, May 9, through to Saturday, May 14, 2022. See the event page for the CFP and full list of panels. The deadline for proposals of papers and contributions to roundtables and panel discussions is 15th September.
Mary Jaharis Center Sponsored Panel, 57th International Congress on Medieval Studies
To encourage the integration of Byzantine studies within the scholarly community and medieval studies in particular, the Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 57th International Congress on Medieval Studies, Western Michigan University, Kalamazoo, May 9–14 2022. We invite session proposals on any topic relevant to Byzantine studies.
PLEASE NOTE: The 57th International Congress on Medieval Studies will be virtual.
Session proposals must be submitted through the Mary Jaharis Center website. The deadline for submission is May 18, 2021. Proposals should include:
**Session abstract (300 words)
**A description of the importance and/or timeliness of the proposed session (100 words)
**Proposed list of session participants (presenters and session presider)
Applicants will be contacted by May 25, 2021, regarding the status of their proposal. The Mary Jaharis Center will submit the session proposal to the Congress and will keep the organizer informed about the status of the proposal.
If the proposed session is approved, the Mary Jaharis Center will reimburse up to 5 session participants (presenters and presider) for the cost of conference registration. Funding is through reimbursement only; advance funding cannot be provided. Receipts are required for reimbursement.
Please contact Brandie Ratliff (firstname.lastname@example.org), Director, Mary Jaharis Center for Byzantine Art and Culture with any questions.
The Australian and New Zealand Association for Medieval and Early Modern Studies conference committee seeks proposals for its 2021 conference on the theme ‘Reception and Emotion’, to be held in Perth, Australia at The University of Western Australia on 27 June-1 July 2022.
The committee welcomes all approaches to topics related to ‘reception and emotion’ broadly conceived (and conceived either together or separately: i.e., on reception and emotion, or on either reception or emotion), including but not limited to: trans-cultural, trans-temporal, trans-disciplinary, translation, global studies, creative misreadings, theatrical and literary revivals, forgeries, homages, cultural counter-strikes, regimes of periodisation, etc. We welcome proposals considering the usefulness or otherwise of reception history as a methodology: is ‘transformation’ more helpful than ‘reception’, for example, for appreciating the active role of the audience of a text, play, or idea?
Work on emotions can be similarly broad, covering, e.g., what’s evidenced from the ‘receivers’ and from the ‘received’ (thinking of work, for example, on how Indigenous people have received missionaries and their doctrines; how medievalists have reacted and acted in relation to the worrying associations of their discipline; even how humanities scholars feel about their reception in contemporary political circles; Jan Plamper’s suggestion that historians should keep ‘field diaries’ about their personal response to work in the archives; are there ‘objective’ studies?). What’s been the value and downside of the ‘emotional turn’ in humanities studies? How do we as scholars of the past deal with presentist notions of ‘relevance’, and need we consider past scholarship as ‘outdated? How can we marry approaches from humanities and life sciences in ‘emotions history’?
The conference committee invites proposals for 20-minute papers, 90-minute themed panels (of no more than 4 speakers) or workshops. Paper topics may include, but are not limited to:
- The reception of ideas about emotion in medieval/early modern texts;
- Reception and transformation of ideologies across time and space;
- The emotions of an audience in the reception of a play or sermon;
- The emotional impact of a text on a reader;
- Rituals and practices of receiving guests and dignitaries (and their emotional effects?);
- The reception of the past: medievalism and early-modernism;
- The reception of bodies / emotions and bodies / embodiment;
- Reception / emotion and sexuality;
- Reception / emotion and race;
- Reception / emotion and gender;
- Reception / emotion and music / art.
Submitting a Proposal
Proposals for 20-minute conference papers should consist of:
- A title;
- An abstract (max. 200 words);
- A short biography (max. 50 words).
The conference committee welcomes themed panel or workshop session proposals for the conference. Proposals should consist of:
- Panel/Workshop Title;
- Proposed Chair (if available);
- Details of each presenter and paper as described above.
NB: Workshops will be allotted 90 minutes, 30 of which should be reserved for general discussion. We suggest a maximum of 6 speakers.
Submissions should be emailed (as a Word document attachment) by 12 November 2021 to: email@example.com.
NB: Should you require early acceptance of your proposal please highlight this in your email and the committee will do our best to accommodate your request.
The conference will be preceded by an ANZAMEMS seminar. An invitation for expressions of interest will follow in a separate email.
For more information please see the conference website.
ANZAMEMS Seminar: ‘Vectors of Emotion’
The committee of ANZAMEMS 2021 is delighted to Call for Expressions of Interest in the ANZAMEMS Seminar ‘Vectors of Emotion’, which will precede the conference in June 2022 from 11am–4pm (lunch and afternoon tea will be included).
Seminar Leader: Assoc. Prof Kathryn Prince (The University of Western Australia)
About the Seminar
Drama relies on the palpable circulation of emotions onstage and in the audience, which is one reason for its reliable function as a vector of emotion between the moment of its creation and of its performance. Working with medieval and early modern scripts, participants in this Seminar will apply various History of Emotions approaches to the performance of selected scenes in order to develop an understanding of the emotional practices within plays of various genres, styles, and periods from the medieval to the early modern. No performance skills are required or expected, and the workshop is designed to engage anyone with an interest not only in theatre but also in cultural and intellectual history, scholarly editing, music, art, and literature. Participants will gain an understanding of the relationship between theories of emotions and their practice, both in performance and more broadly. Because this Seminar will involve various kinds of active participation, applicants should advise the organiser of any accessibility requirements, which will be quietly and cheerfully accommodated.
How to Apply
Expressions of Interest should consist of:
- Your name, institutional affiliation, and year of HDR candidacy (MA, MRes, PhD) or ECR status (with priority to those who have not yet found permanent employment);
- Your field/s of research;
- A 250-word statement explaining your interest in participating in the Seminar and how you believe participation will assist your research and/or career development;
- Any accessibility requirements.
Please email Expressions of Interest for the ANZAMEMS Seminar (as a Word document attachment) to: firstname.lastname@example.org (with the email title 'Vectors of Emotions Seminar Application').
Reception, Emotion and the Royal Body: Panel at ANZAMEMS 2022
This panel will convene at the Thirteenth Biennial Conference of the Australia and New Zealand Association of Medieval and Early Modern Studies (#anza21), to be held at The University of Western Australia, Perth, Australia, June 2022.
The idea of the ‘king’s two bodies’, a duality predicated on the idea that a monarch possessed two bodies, a body natural and a body politic – the former mortal, the latter an embodiment of both the nation and the authority of sovereignty – has long been of interest to scholars of medieval and early modern monarchies.
The body of a monarch remains a contest site, with the life, health, fertility, and sexuality of kings or queens continuing to be an important part of politics. Royal scandal graces the covers of newspapers and magazines and trends on social media, and royal weddings, births, and deaths continue to capture the public’s imagination and interest.
We seek papers that examine the significance of the royal body, in particular, the reception of the royal body across time periods, cultures, and media and how royal bodies both convey and elicit emotions:
Topics may include, but are not limited to:
* Iconography and representation
* Drama and literature
* Political theory
* Divine bodies
* Rituals and ceremony
* Effigies and monuments
* Age, health and pregnancy
* Fertility, chastity, virility
* Royal births and deaths
* Christenings, coronations, weddings and funerals
* Royal touch
* Deformity and disability
* Royal Dress
* Sex and Scandal
* Medievalism and early-modernism
* Popular culture
* Film and television
* Comics and graphic novels
Proposals for 20-minute conference papers should consist of:
1. A title
2. An abstract (max. 200 words)
3. A short biography (max. 50 words)
Submissions should be emailed (as a Word document attachment) to:
Aesthetics in Early Modern Poetry
We invite scholarly proposals for papers on aesthetics in medieval and early modern poetry (c. 400 to 1800), as part of a panel or panels being established at ANZAMEMS 2022.
The panel(s) will examine the influence of aesthetic styles, movements, rhetorical and aesthetic techniques and theories on the development of poetry, or the work of specified poet(s) at any time during the relevant periods in Europe and Britain. Papers should be set within the broader topic of the overall conference, and deal with questions of reception and/or emotion. Papers might consider:
* The role of emotions in medieval or early modern aesthetic theories;
* Models of embodiment in aesthetic theories during the period;
* Theories of affect, ‘affectus’ and/or feelings;
* The impact of theological and biblical sources (for example, by Augustine and Aquinas);
* The impact of philosophy of mind, body, morality and ethics (such as Platonic and Aristotelian);
* Formal theories of poetics and rhetoric, including the role of style in poetic and rhetorical figures and tropes;
* The impact of artistic movements (such as Neoplatonist, Neoclassical, Baroque) and the reciprocal influence of visual arts on poetry (eg ut pictura poesis);
* Public and private models of ‘taste’, audience and reception;
* The role of pleasure, the imagination and sensuous and vivid imagery;
* Techniques for the aestheticization of the sacred (such as the poetics of enigma);
* Theories of the sublime and the beautiful;
* Participatory versus objectivist aesthetics;
* Materialist, or transcendental and idealist models;
* Poststructural or psychoanalytic approaches; or
* The role and value of historicist and/or modern theory.
We invite submissions for 20 minute presentations, followed by 5 minutes of Q&A. If you are interested in presenting your work, please send the title, a 200 word abstract and a 50 word biography, at the first instance to Dr Jane Vaughan at email@example.com.
The panel(s) will be held as part of the biennial conference of the Australian and New Zealand Association for Medieval and Early Modern Studies, at the School of Humanities, The University of Western Australia, Perth, June 2022.
If you have any questions, please contact Dr Jane Vaughan at firstname.lastname@example.org.
Reception, Emotion and the Crusades
Panels at ANZAMEMS Conference, 27 June–1 July 2022.
The theme for the 2022 ANZAMEMS (Australian and New Zealand Association for Medieval and Early Modern Studies) conference is ‘Reception and Emotion’. Professor Megan Cassidy-Welch (Australian Catholic University) and Dr Beth Spacey (University of Queensland) are inviting proposals for 20-minute papers to be part of a strand of themed panels examining aspects of reception and/or emotion, broadly conceived, in a crusading context. Please send your 200-word abstracts and paper title, along with a short bio (max. 50 words), to Beth (email@example.com) by 30 September 2021.
The thirteenth biennial ANZAMEMS Conference will be held on 27 June to 1 July 2022 in Perth at the University of Western Australia. More information, including details regarding travel bursaries, is available here.
Leeds International Medieval Conference
University of Leeds, 4-7 July 2022
The IMC provides an interdisciplinary forum for the discussion of all aspects of Medieval Studies. Proposals on any topic related to the Middle Ages are welcome, while every year the IMC also chooses a special thematic focus. In 2022 this is ‘Borders’.
Medieval borders have preoccupied scholars for several decades in various guises. The term ‘border’ designates a wide variety of phenomena: physical geographical limits, that can be signalled by border markers or natural features, points where toll has to be paid, political boundaries, that vary from points in space to linear and fortified military fronts, ways of controlling space, frontier zones, borderlands, porous zones of encounters and contact, ways of limiting community and identity, ideological and metaphorical delimitation including discourse and representation, bordering practices, the process of creating and performing borders, and borderscapes to capture fluidity and change over time.
Paper proposal deadline: 31 August 2021
Session proposal deadline: 30 September 2021
Mary Jaharis Center Sponsored Panel, 2022 International Medieval Congress
To encourage the integration of Byzantine studies within the scholarly community and medieval studies in particular, the Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 2022 International Medieval Congress, University of Leeds, 4-7 July 2022. We invite session proposals on any topic relevant to Byzantine studies.
The thematic strand for the 2022 IMC is “Borders.” See the IMC Call for Papers for additional information about the theme and suggested areas of discussion.
Session proposals must be submitted through the Mary Jaharis Center website. The deadline for submission is 3 September 2021. Proposals should include:
*100-word session abstract
*Session moderator and academic affiliation
*Information about the three papers to be presented in the session. For each paper: name of presenter and academic affiliation, proposed paper title, and 100-word abstract
Applicants will be contacted by mid-September about the status of their proposal.
The session organizer may act as the moderator or present a paper. Participants may only present papers in one session.
If the proposed session is approved, the Mary Jaharis Center will reimburse a maximum of 4 session participants (presenters and moderator) up to $600 maximum for European residents and up to $1200 maximum for those coming from outside Europe. Funding is through reimbursement only; advance funding cannot be provided. Eligible expenses include conference registration, transportation, and food and lodging. Receipts are required for reimbursement.
Please note that all listed speakers and the moderator should be prepared to participate remotely should health conditions necessitate a virtual conference or should local conditions make travel inadvisable for a participant. In the case of remote participation, the Mary Jaharis Center will reimburse participants for conference registration.
Please contact Brandie Ratliff (firstname.lastname@example.org), Director, Mary Jaharis Center for Byzantine Art and Culture with any questions.