Conferences

San Apollinaris in Classe, Ravenna
(Photograph: Andrew Stephenson)

Liturgy, Literature and History: Oswald of Northumbria and the Cult of Saints in the High Middle Ages

Online conference hosted by The British Academy, Peterborough Cathedral and UCL, 5-6 August 2021.

The centrality of the cult of saints to medieval Christianity is reflected in surviving liturgical, historical, literary and administrative texts, material culture and architecture. Too often, however, disciplinary boundaries mean these sources are studied in isolation from one another. A multi-disciplinary approach is needed if we are to properly understand both the mechanisms by which saints’ cults spread and also the manner in which veneration of the saints drove other forms of political, cultural and social expression. This conference, focused on the cult of Oswald of Northumbria in the high Middle Ages, brings together historians, literary scholars, musicologists and art historians to explore the cult of saints through texts, objects, space, sound and the senses and particularly interrogates the influence of the liturgy on society. The conference was intended to include a performance of Oswald’s feast-day liturgy drawn from Peterborough manuscripts and enacted in the space for which it was originally envisioned, we hope this recreation will be possible on Oswald’s feast day in 2022.

This two-day conference will take place on Zoom Webinar. Video presentations of the papers will be available to view from two weeks before the conference and the live element on 5 and 6 August will consist of discussion sessions. Delegates will be sent a link to access the video presentations and details of how to join the webinar nearer the time. There will also be an optional informal social/discussion session on Thursday evening – details about how to join this will be shared during the webinar.

If you are interested in the conference but do not reside in a time zone that makes attendance at the live element plausible then you are still welcome to register for the conference. By registering you will be able to access the pre-recorded videos at times to suit you, to submit questions to speakers in advance of the live sessions and, by emailing history.oswald@ucl.ac.uk after the conference with ‘transcript’ as the subject heading, to be sent a written transcript of the discussions. For more information, see the event page.

Classical Reformations: Beyond Christian Humanism

Online conference hosted by the Warburg Institute, 2-3 September 2021.

Christian humanism has dominated the story of classical reception in Reformation Europe, as the first Erasmian generation of reformers retooled classical texts to Christian ends. Yet the utility of the classical tradition to later generations of reformers has been largely overlooked by modern scholarship. We propose that as the Reformation evolved, the influence of classical learning was as likely to flow in the other direction: that the literature and ideas of the ancient world had a formative influence on Christian politics and theology. Major Reformation figures—from Melanchthon, Sturm, Ascham, and Beza, to many of their Catholic opponents, such as Pole and Bellarmine—were scholars by day, as comfortable with Catullus as Corinthians. Their classical learning actively empowered and shaped the formulation of Christian faith during the sixteenth and seventeenth centuries.

Classical Reformations: Beyond Christian Humanism explores how the literature and ideas of the classical world calibrated early modern Christianity—its interpretation, ordinances, moral instruction, politics, theology, cultural expression, and polarizing impulses of confessionalisation. How did classical learning fill the gaps in the Lutheran rejection of Catholic doctrine? How did classical poetry and drama shape the Roman Church’s popular outreach after the Council of Trent? How did classical history and rhetoric inflect the turbulent politics of the Reformation? Looking beyond the Christian absorption of pagan material and Erasmian humanism redux, this conference focuses instead on a classical Christianity, even a Greco-Roman monotheism, in the generations after Erasmus. Where recent scholarship has replaced confessionalism at the heart of early modern philology, we aim to replace classicism at the heart of theology and religious politics. The classical tradition was too ubiquitous and authoritative a presence in early modern intellectual life to have left theology untouched.

The event is free via Zoom with advance registration. For further information please see the website.

The Middle Ages in the Americas

Online conference hosted by the CARMEN Worldwide Medieval Network, 2-4 September 2021.

The annual CARMEN open meeting brings together scholars and professionals from across the world in participatory and interactive formats, including talks by leading scholars, paper sessions, project development workshops, and our annual ‘Forum’ showcasing projects, institutions and research centers. This year’s meeting will take place on 2-4 September 2021, co-sponsored by the Medieval Academy of America and Harvard University’s Committee on Medieval Studies. The theme for this year’s CARMEN meeting, “The Middle Ages in the Americas”, highlights our North American venue, and is meant to encourage scholarly conversation on the rich history of Medieval Studies in the Western hemisphere, as well as the myriad ways in which “the medieval” has been portrayed and appropriated within the art, architecture, literature, and popular culture of the Americas.

We welcome proposals for papers, panels, or roundtables on any aspect of the theme “The Middle Ages in the Americas”. Proposals should include (1) the name, affiliation, and email address of each presenter or panelist; (2) the paper, panel, or roundtable title; and (3) a brief (c. 150 word) abstract of the proposed paper, panel, or roundtable. Complete proposals should be submitted via email to Sean Gilsdorf (gilsdorf@fas.harvard.edu) by Friday, 23 July 2021; please be sure to indicate “CARMEN meeting proposal” in the email subject line. For more information, see the call for papers.

Adaptation in the Humanities: Reimagining the Past, Present and Future

Limina/Perth Medieval and Renaissance Group/UWA Medieval and Early Modern Studies Annual Conference, 9-10 September 2021.

Our knowledge of the world – imagined, experiences, or learned – is constantly in flux. As humans, we change, adapt, and mould the environments around us, the knowledge systems we use, and the items we create. Adaptation can be forced through presentation of an obstacle, or it can occur symbiotically within a group. This conference will be a forum for the presentation of the myriad of ‘adaptations’ worlds, individuals, languages, ideas, and peoples, real or otherwise, experience.

This conference has adopted a hybrid of virtual and in-person presentations to allow an international audience in light of recent world events. All conference presentations will be uploaded and available to registered audience members two weeks before the conference commences, allowing individuals to familiarise themselves with the material beforehand. At the conference, authors will present a 5-minute synopsis of their presentations before transitioning into an extended discussion session with the audience. All panels and the keynote will be streamed live via Zoom and participants are welcome to move between sessions at their leisure. If possible, participants are also welcome to attend the conference in person on the UWA campus at the EZONE Central Giumelli Learning Studios 2.09 and 2.10.

More information including abstracts can be found on our website.

Mary Jaharis Center Sponsored Panel, 6th Forum Medieval Art

The Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 6th Forum Medieval Art, Kunstgeschichtlichen Instituts, Goethe-Universität Frankfurt, September 29–October 2, 2021. The biannual colloquium is organized by the Deutsche Verein für Kunstwissenschaft e.V.

The theme for the 6th Forum Medieval Art is Senses. The arts and the senses have always been reciprocally related to one another. In the Middle Ages, sensual encounters with art and architecture offered a variety of ways to perceive, comprehend and structure the world. Pledging to relics enclosed in precious reliquaries, incorporating color from Byzantine icons, distinguishing the holy space by swinging golden polished censers, wearing inwardly decorated jewelry on the body or ringing the church bells to make audible the presence of God – such actions leave no doubts about the significance of the senses in the Middle Ages, and furthermore bring to light the role of art within such operations.

Although the senses and their interplay are well defined in theoretical treatises, theories are of limited use when it comes to understanding the sensual perception of images, objects, and spaces. While, for instance, the knowledge of God is described as a dematerialized act, the senses were nevertheless used to obtain and mediate spiritual insight. Since antiquity, seeing has been the dominant sense, as the works of authors such as Aristotle, Plato, Augustine and Isidore of Seville suggest. This privileged position was further ascribed by cultural and art historical research over a long period of time. Nevertheless, in recent years, studies on materiality have argued that the dominance of this one singular sense misrepresents the multisensory nature of medieval art. The ‘close-up’ senses such as tasting and touching are as essential for the understanding of artefacts as the ‘distant’ senses of seeing, hearing and smelling. In particular, liturgical and courtly ceremonies offer convincing evidence that processes of production and reception are related to multisensory experiences. The role of the senses in the architecture and decoration of sacred space has been revaluated not only within Latin Europe and the Byzantine Empire, but also within Islamic dominated regions. Furthermore, in order to comprehend the codex, one of the leading media throughout the Middle Ages, questions of sensual perception through tasting and sometimes kissing of its different elements such as parchment and paper, as well as textiles, leather, metal and ivory have also proved to be essential.

For the 6th Forum Kunst des Mittelalters, the organizers anticipate discussions on the role of sensual perception and the interplay of senses in medieval image and object cultures as well as in architecture, including topics from interreligious and cross-cultural perspectives. Studies on individual senses and the ways in which they played, guided, deceived and disturbed sensual perception are welcome, as well as proposals which privilege a multisensory and synesthetic approach. Proposals that discuss the methodological challenges that arise from these perspectives are encouraged. Furthermore, which possibilities do digital methods offer for understanding historical contexts of perception, e.g. through virtual reality or the reconstruction of auditive and oratorical spaces? This includes studies on the increasing popularity of multimedia concepts in exhibitions that question how the historicity of sensual approaches could be represented and, beyond that, how it could help to reveal new interpretative frameworks.

The Mary Jaharis Center invites session proposals that fit within the Senses theme and are relevant to Byzantine studies.  Additional information about the Forum Medieval Art.

Session proposals must be submitted through the Mary Jaharis Center website. The deadline for submission is May 10, 2020. Proposals should include:

**Title
**Session abstract (500 words)
**Proposed list of session participants (presenters and session chair)
**CV

Applicants will be notified of the status of their proposal by May 22, 2020. The organizer of the selected session is responsible for submitting the session proposal to the Forum by June 1, 2020.

If the proposed session is approved, the Mary Jaharis Center will reimburse will reimburse a maximum of 5 session participants (presenters and session chair) up to $300 maximum for residents of Germany, up to $600 maximum for EU residents, and up to $1200 maximum for those coming from outside Europe. Funding is through reimbursement only; advance funding cannot be provided. Eligible expenses include conference registration, transportation, and food and lodging. Receipts are required for reimbursement.

Please contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture with any questions.

Eruption/Disruption/Interruption

Australian Early Medieval Association Conference, 1-2 October 2021.

The conference committee invites papers on the theme of Eruption/Disruption/Interruption. As we continue to process the impact of COVID-19 on global and local societies, the jury is still out on whether the eruption of a global pandemic, and the subsequent disruptions and interruptions to contemporary routines, are a 'game-changer' or an inconvenience.

At the heart of our theme is the concept of a rupture. This can refer to something that has broken, burst, or been destroyed. It can imply that either outside forces are too great for the structure in question and have destroyed it functionally, or that something within that which has ruptured was too volatile or incompatible to remain contained, controlled, or unified. Over the past 18 months, we have been witness to both of these types of rupture, as outside forces have challenged the very foundations of our society, while at the same time, internal tensions have broken forth and resulted in historic movements for democracy, equality, environmental awareness, and corporate accountability and transparency.

Global society is at a turning point of multiple ruptured points, and the 2021 AEMA conference aims to reflect on this tension in an early medieval context.

  • Eruptions can be understood in many different ways, as they can describe both natural phenomena and human activity, including the sudden appearance of new movements, of groups of people, or of ideas.
  • Were eruptions revolutionary? Or were they merely a disruption to the longue durée?
  • Does hindsight make it easier to identify ruptures as epoch-altering events and ideas? Or does the passage of time, and attendant loss of witnesses, memories, and evidence muddy the waters too much?
  • Why and in what ways did eruptions change things? And why and in what ways did they merely disrupt.
  • When and how does an interruption become a disruption?
  • What did the idea of a ‘new normal’ mean in the early medieval world? How quickly do societies adapt to internal and external pressures?
  • And when societies change as a result of these pressures, are they still the same society?

This conference calls for papers that relate to this theme. Or, in the spirit of the theme, those that do not.


In 2021, AEMA intends to hold a hybrid conference, with both a physical location (or locations) as well as an online option. At this stage, the main physical location is likely to be in Victoria, with the potential for additional ‘hubs’ to be held in other Australian and/or International locations, depending on interest and availability.

Submissions may be in the form of individual papers of 20 minutes duration, themed panels of three 20-minute papers, or Round Tables of up to six shorter papers (total of one hour).

All sessions will include time for questions and general discussion. Please send proposals (150–200 words per paper), along with author’s name, paper/panel/RT title, and academic affiliation (if any) to conference@aema.net.au by 31 July 2021. Please also direct all other enquiries about the conference to this address, as well as any nominations for potentially hosting an in-person hub.

The British Archaeological Association Post-Graduate Conference

Online conference, Saturday 27 November 2021.

The British Archaeological Association invites proposals by postgraduates and early career researchers in the field of medieval history of art, architecture, and archaeology. Papers can be on any aspect of the medieval period, from antiquity to the later Middle Ages, across all geographical regions.

The BAA postgraduate conference offers an opportunity for postgraduate students and early career researchers at all levels from universities across the UK and abroad to present and discuss their research, and exchange ideas. Proposals of around 250 words for a 20-minute paper, along with a CV, should be sent by 31 July 2021 to postgradconf@thebaa.org.

After the Book of Kells: Insular Art in Scotland and Ireland, c. 900 to 1900

Online Conference, 6 February, 6 March and24  April 2022.

Examinations of Insular art typically focus upon the eighth and early ninth centuries; and yet, the Insular artistic tradition in Scotland and Ireland continued to flourish and develop into the early modern era. The reliquaries, monuments, and manuscripts made in the earlier period had long lives, with additions and transformations occurring across many generations and even into the twenty-first century. This material is less familiar to the general public, possibly due to antiquarian perception of it as a waning and degenerate manifestation of the art of the earlier period. As are composite objects, an assemblage of parts and repairs that span centuries, they have challenged traditional ways of categorizing, conserving and valuing artworks and monuments.

This conference shifts the emphasis to the later phases of Insular art, exploring the continuity and transformations of shared traditions evident from the medieval to modern day. Please send a 250-word abstract by 15 September 2021 to conference2022@afterkells.com or visit the CFP.

The Renaissance Society of America 68th Annual Meeting

Dublin, 30 March–2 April 2022.

In 2022 the RSA will return to Europe to hold our 68th Annual Meeting in Dublin, Ireland on Wednesday, 30 March through Saturday, 2 April. The Convention Centre Dublin will be our headquarters, hosting registration, exhibits, plenaries, and many of the break-out sessions. Additional break-outs will be held at cultural institutions in the city centre.

The RSA invites proposals from all RSA members for panels (consisting of three or four papers), roundtables (five to eight discussants), and individual paper presentations (to be grouped into four-paper panels by the Program Committee). The RSA welcomes presentations in any language; the title and abstract for the paper or panel should be in the language that will be used by the presenter.

See the RSA page for more information. Submissions close 10 August.

Dante and the Science of the Human: Medicine, Physics and Soul - Renaissance Society of America Annual Meeting

March 30–2 April 2022

In October 2021, the Center for the Study of Medicine and the Body in the Renaissance will join the worldwide celebrations for the 700th anniversary of Dante Alighieri’s death (1321–2021) with an international online symposium dedicated to Dante’s poetry and science. Gathering scholars who approach his work and times from interdisciplinary perspectives, the webinar will address how Dante shaped an understanding of the human body and mind, and his relationship with medical and scientific thought in his philosophical and literary production. Building on this interdisciplinary event, and sponsored by the Dante Society of America, this panel intends to continue the conversation on Dante’s legacy in the early modern era.

The RSA panel will address how Dante shaped an understanding of the human body and mind, and how his solutions had an influence in early modern times. By analyzing Dante’s early modern legacy within medical and scientific thought, this panel aims to reassess the multifaceted reuses of Dante’s philosophical and literary oeuvre. We invite papers and ongoing research projects on different disciplinary and methodological perspectives from scholars and researchers from various fields and career stages. Selected papers will be published with "Palgrave Studies in Medieval and Early Modern Medicine (PSMEMM).” Please send your proposals to Dr. Matteo Pace at mpace1@conncoll.edu by June 15th, and in your submission please include: paper title (15-word maximum); abstract (150-word maximum); curriculum vitae; PhD or other terminal degree completion date (past or expected).

Eleonora di Toledo at 500: Panels at the Renaissance Society of America Annual Meeting

30 March–2 April 2022

2022 marks the five hundredth anniversary of the presumed birth of Eleonora di Toledo. The past thirty years have witnessed the publication of numerous studies that have fundamentally changed our image of the duchess of Florence from a passive object of her husband’s will to an active collaborator in the construction of an autocratic state. These panels seek new contributions about Eleonora di Toledo from all disciplines. Some themes that might be explored are “The Literary Eleonora;” “The Posthumous Eleonora;” “Eleonora in the 1550s.” Comparative approaches to the political and economic activities and the artistic, literary, musical and religious patronage of other contemporary ruling women are especially welcome.

Proposals should be sent by 2nd August to Bruce Edelstein at edelstein@nyu.edu or Natalie Tomas at natalie.tomas@monash.edu. Please include a title (15 words max), an abstract (150 words max), and a short CV (300 words max).

57th International Congress on Medieval Studies

The 57th International Congress on Medieval Studies takes place online 9-14 May 2022 at Western Michigan University, Kalamazoo.

Hosted by the Medieval Institute at Western Michigan University, the International Congress on Medieval Studies is an annual gathering of thousands of scholars interested in medieval studies. The Congress embraces the study of all aspects of Middle Ages, extending to into late antiquity and the early modern periods, including — but not limited to —h istory, language, literature, linguistics, art, archaeology, religion, science, medicine, music, drama, philosophy, gender, sexuality mysticism, and technology, as well as medievalism.

The 57th International Congress on Medieval Studies will take place online from Monday, May 9, through to Saturday, May 14, 2022. See the event page for the CFP and full list of panels. The deadline for proposals of papers and contributions to roundtables and panel discussions is 15th September.

Mary Jaharis Center Sponsored Panel, 57th International Congress on Medieval Studies

To encourage the integration of Byzantine studies within the scholarly community and medieval studies in particular, the Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 57th International Congress on Medieval Studies, Western Michigan University, Kalamazoo, May 9–14 2022. We invite session proposals on any topic relevant to Byzantine studies.

PLEASE NOTE: The 57th International Congress on Medieval Studies will be virtual.

Session proposals must be submitted through the Mary Jaharis Center website. The deadline for submission is May 18, 2021. Proposals should include:

**Title
**Session abstract (300 words)
**A description of the importance and/or timeliness of the proposed session (100 words)
**Proposed list of session participants (presenters and session presider)
**CV

Applicants will be contacted by May 25, 2021, regarding the status of their proposal. The Mary Jaharis Center will submit the session proposal to the Congress and will keep the organizer informed about the status of the proposal.

If the proposed session is approved, the Mary Jaharis Center will reimburse up to 5 session participants (presenters and presider) for the cost of conference registration. Funding is through reimbursement only; advance funding cannot be provided. Receipts are required for reimbursement.

Please contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture with any questions.

Further information about the International Congress on Medieval Studies.

ANZAMEMS 2022

The Australian and New Zealand Association for Medieval and Early Modern Studies conference committee seeks proposals for its 2021 conference on the theme ‘Reception and Emotion’, to be held in Perth, Australia at The University of Western Australia on 27 June-1 July 2022.

The committee welcomes all approaches to topics related to ‘reception and emotion’ broadly conceived (and conceived either together or separately: i.e., on reception and emotion, or on either reception or emotion), including but not limited to: trans-cultural, trans-temporal, trans-disciplinary, translation, global studies, creative misreadings, theatrical and literary revivals, forgeries, homages, cultural counter-strikes, regimes of periodisation, etc. We welcome proposals considering the usefulness or otherwise of reception history as a methodology: is ‘transformation’ more helpful than ‘reception’, for example, for appreciating the active role of the audience of a text, play, or idea?

Work on emotions can be similarly broad, covering, e.g., what’s evidenced from the ‘receivers’ and from the ‘received’ (thinking of work, for example, on how Indigenous people have received missionaries and their doctrines; how medievalists have reacted and acted in relation to the worrying associations of their discipline; even how humanities scholars feel about their reception in contemporary political circles; Jan Plamper’s suggestion that historians should keep ‘field diaries’ about their personal response to work in the archives; are there ‘objective’ studies?). What’s been the value and downside of the ‘emotional turn’ in humanities studies? How do we as scholars of the past deal with presentist notions of ‘relevance’, and need we consider past scholarship as ‘outdated? How can we marry approaches from humanities and life sciences in ‘emotions history’?

The conference committee invites proposals for 20-minute papers, 90-minute themed panels (of no more than 4 speakers) or workshops. Paper topics may include, but are not limited to:

  • The reception of ideas about emotion in medieval/early modern texts;
  • Reception and transformation of ideologies across time and space;
  • The emotions of an audience in the reception of a play or sermon;
  • The emotional impact of a text on a reader;
  • Rituals and practices of receiving guests and dignitaries (and their emotional effects?);
  • The reception of the past: medievalism and early-modernism;
  • The reception of bodies / emotions and bodies / embodiment;
  • Reception / emotion and sexuality;
  • Reception / emotion and race;
  • Reception / emotion and gender;
  • Reception / emotion and music / art.

Submitting a Proposal

Proposals for 20-minute conference papers should consist of:

  1. A title;
  2. An abstract (max. 200 words);
  3. A short biography (max. 50 words).

The conference committee welcomes themed panel or workshop session proposals for the conference. Proposals should consist of:

  1. Panel/Workshop Title;
  2. Proposed Chair (if available);
  3. Details of each presenter and paper as described above.

NB: Workshops will be allotted 90 minutes, 30 of which should be reserved for general discussion. We suggest a maximum of 6 speakers.

Submissions should be emailed (as a Word document attachment) by 12 November 2021 to: anzamems2021@gmail.com.

NB: Should you require early acceptance of your proposal please highlight this in your email and the committee will do our best to accommodate your request.

The conference will be preceded by an ANZAMEMS seminar. An invitation for expressions of interest will follow in a separate email.

For more information please see the conference website.

ANZAMEMS Seminar: ‘Vectors of Emotion’

The committee of ANZAMEMS 2021 is delighted to Call for Expressions of Interest in the ANZAMEMS Seminar ‘Vectors of Emotion’, which will precede the conference in June 2022 from 11am–4pm (lunch and afternoon tea will be included).

Seminar Leader: Assoc. Prof Kathryn Prince (The University of Western Australia)

About the Seminar 

Drama relies on the palpable circulation of emotions onstage and in the audience, which is one reason for its reliable function as a vector of emotion between the moment of its creation and of its performance. Working with medieval and early modern scripts, participants in this Seminar will apply various History of Emotions approaches to the performance of selected scenes in order to develop an understanding of the emotional practices within plays of various genres, styles, and periods from the medieval to the early modern. No performance skills are required or expected, and the workshop is designed to engage anyone with an interest not only in theatre but also in cultural and intellectual history, scholarly editing, music, art, and literature. Participants will gain an understanding of the relationship between theories of emotions and their practice, both in performance and more broadly. Because this Seminar will involve various kinds of active participation, applicants should advise the organiser of any accessibility requirements, which will be quietly and cheerfully accommodated.

How to Apply 

Expressions of Interest should consist of:

  1. Your name, institutional affiliation, and year of HDR candidacy (MA, MRes, PhD) or ECR status (with priority to those who have not yet found permanent employment);
  2. Your field/s of research;
  3. A 250-word statement explaining your interest in participating in the Seminar and how you believe participation will assist your research and/or career development;
  4. Any accessibility requirements.

Please email Expressions of Interest for the ANZAMEMS Seminar (as a Word document attachment) to: anzamems2021@gmail.com (with the email title 'Vectors of Emotions Seminar Application').

Reception, Emotion and the Royal Body: Panel at ANZAMEMS 2022

This panel will convene at the Thirteenth Biennial Conference of the Australia and New Zealand Association of Medieval and Early Modern Studies (#anza21), to be held at The University of Western Australia, Perth, Australia, June 2022.

The idea of the ‘king’s two bodies’, a duality predicated on the idea that a monarch possessed two bodies, a body natural and a body politic – the former mortal, the latter an embodiment of both the nation and the authority of sovereignty – has long been of interest to scholars of medieval and early modern monarchies.

The body of a monarch remains a contest site, with the life, health, fertility, and sexuality of kings or queens continuing to be an important part of politics. Royal scandal graces the covers of newspapers and magazines and trends on social media, and royal weddings, births, and deaths continue to capture the public’s imagination and interest.

We seek papers that examine the significance of the royal body, in particular, the reception of the royal body across time periods, cultures, and media and how royal bodies both convey and elicit emotions:

Topics may include, but are not limited to:
* Historiography
* Iconography and representation
* Drama and literature
* Political theory
* Divine bodies
* Rituals and ceremony
* Effigies and monuments
* Age, health and pregnancy
* Fertility, chastity, virility
* Royal births and deaths
* Christenings, coronations, weddings and funerals
* Regicide
* Royal touch
* Deformity and disability
* Royal Dress
* Sex and Scandal
* Gender
* Sexuality
* Race
* Medievalism and early-modernism
* Performance
* Audiences
* Popular culture
* Film and television
* Comics and graphic novels
* Fandom
* Celebrity

Proposals for 20-minute conference papers should consist of:
1. A title
2. An abstract (max. 200 words)
3. A short biography (max. 50 words)

Submissions should be emailed (as a Word document attachment) to:
mgerzic@gmail.com.

Aesthetics in Early Modern Poetry

We invite scholarly proposals for papers on aesthetics in medieval and early modern poetry (c. 400 to 1800), as part of a panel or panels being established at ANZAMEMS 2022.

The panel(s) will examine the influence of aesthetic styles, movements, rhetorical and aesthetic techniques and theories on the development of poetry, or the work of specified poet(s) at any time during the relevant periods in Europe and Britain. Papers should be set within the broader topic of the overall conference, and deal with questions of reception and/or emotion. Papers might consider:

* The role of emotions in medieval or early modern aesthetic theories;
* Models of embodiment in aesthetic theories during the period;
* Theories of affect, ‘affectus’ and/or feelings;
* The impact of theological and biblical sources (for example, by Augustine and Aquinas);
* The impact of philosophy of mind, body, morality and ethics (such as Platonic and Aristotelian);
* Formal theories of poetics and rhetoric, including the role of style in poetic and rhetorical figures and tropes;
* The impact of artistic movements (such as Neoplatonist, Neoclassical, Baroque) and the reciprocal influence of visual arts on poetry (eg ut pictura poesis);
* Public and private models of ‘taste’, audience and reception;
* The role of pleasure, the imagination and sensuous and vivid imagery;
* Techniques for the aestheticization of the sacred (such as the poetics of enigma);
* Theories of the sublime and the beautiful;
* Participatory versus objectivist aesthetics;
* Materialist, or transcendental and idealist models;
* Poststructural or psychoanalytic approaches; or
* The role and value of historicist and/or modern theory.

We invite submissions for 20 minute presentations, followed by 5 minutes of Q&A. If you are interested in presenting your work, please send the title, a 200 word abstract and a 50 word biography, at the first instance to Dr Jane Vaughan at jane.vaughan@uwa.edu.au.

The panel(s) will be held as part of the biennial conference of the Australian and New Zealand Association for Medieval and Early Modern Studies, at the School of Humanities, The University of Western Australia, Perth, June 2022.

If you have any questions, please contact Dr Jane Vaughan at jane.vaughan@uwa.edu.au.

Reception, Emotion and the Crusades

Panels at ANZAMEMS Conference, 27 June–1 July 2022.

The theme for the 2022 ANZAMEMS (Australian and New Zealand Association for Medieval and Early Modern Studies) conference is ‘Reception and Emotion’. Professor Megan Cassidy-Welch (Australian Catholic University) and Dr Beth Spacey (University of Queensland) are inviting proposals for 20-minute papers to be part of a strand of themed panels examining aspects of reception and/or emotion, broadly conceived, in a crusading context. Please send your 200-word abstracts and paper title, along with a short bio (max. 50 words), to Beth (b.spacey@uq.edu.au) by 30 September 2021.

The thirteenth biennial ANZAMEMS Conference will be held on 27 June to 1 July 2022 in Perth at the University of Western Australia. More information, including details regarding travel bursaries, is available here.

Leeds International Medieval Conference

University of Leeds, 4-7 July 2022

Conference website.

The IMC provides an interdisciplinary forum for the discussion of all aspects of Medieval Studies. Proposals on any topic related to the Middle Ages are welcome, while every year the IMC also chooses a special thematic focus. In 2022 this is ‘Borders’.

Medieval borders have preoccupied scholars for several decades in various guises. The term ‘border’ designates a wide variety of phenomena: physical geographical limits, that can be signalled by border markers or natural features, points where toll has to be paid, political boundaries, that vary from points in space to linear and fortified military fronts, ways of controlling space, frontier zones, borderlands, porous zones of encounters and contact, ways of limiting community and identity, ideological and metaphorical delimitation including discourse and representation, bordering practices, the process of creating and performing borders, and borderscapes to capture fluidity and change over time.

Paper proposal deadline: 31 August 2021

Session proposal deadline: 30 September 2021

Mary Jaharis Center Sponsored Panel, 2022 International Medieval Congress

To encourage the integration of Byzantine studies within the scholarly community and medieval studies in particular, the Mary Jaharis Center for Byzantine Art and Culture seeks proposals for a Mary Jaharis Center sponsored session at the 2022 International Medieval Congress, University of Leeds, 4-7 July 2022. We invite session proposals on any topic relevant to Byzantine studies.

The thematic strand for the 2022 IMC is “Borders.” See the IMC Call for Papers for additional information about the theme and suggested areas of discussion.

Session proposals must be submitted through the Mary Jaharis Center website. The deadline for submission is 3 September 2021. Proposals should include:

*Title
*100-word session abstract
*Session moderator and academic affiliation
*Information about the three papers to be presented in the session. For each paper: name of presenter and academic affiliation, proposed paper title, and 100-word abstract
*CV

Applicants will be contacted by mid-September about the status of their proposal.

The session organizer may act as the moderator or present a paper. Participants may only present papers in one session.

If the proposed session is approved, the Mary Jaharis Center will reimburse a maximum of 4 session participants (presenters and moderator) up to $600 maximum for European residents and up to $1200 maximum for those coming from outside Europe. Funding is through reimbursement only; advance funding cannot be provided. Eligible expenses include conference registration, transportation, and food and lodging. Receipts are required for reimbursement.

Please note that all listed speakers and the moderator should be prepared to participate remotely should health conditions necessitate a virtual conference or should local conditions make travel inadvisable for a participant. In the case of remote participation, the Mary Jaharis Center will reimburse participants for conference registration.

Please contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture with any questions.