Early Modern Circle
(Photograph: Andrew Stephenson)
Early Modern Studies Research Hub at the University of Melbourne
The Early Modern Circle is an interdisciplinary seminar open to interested students, academics and researchers. The Circle meets on the third Monday of the month, during semester, at 6:15. Until further notice, meetings will be conducted via a zoom link circulated by the Chair a week before the relevant seminar.
Convenors
Catherine Kovesi
c.kovesi@unimelb.edu.au
Una McIlvenna
una.mcilvenna@unimelb.edu.au
Jenny Spinks
jspinks@unimelb.edu.au
To be added to the mailing list, please email Andrew Stephenson.
Programme for 2021
15 March
Dr Charlotte Millar, The University of Queensland
Urban Ghosts: Space and Spectral Narratives in Early Modern London
In 1732 the historian Thomas Salmon proclaimed that ‘the people of London are not so superstitious as those in the country; we seldom hear of Apparitions, Witches or Haunted Houses about town.’ Salmon’s statement draws on a long tradition of depicting a divide between the superstitious rural regions and the “enlightened” towns. Despite this, supernatural tales proliferated in early modern London, reaching the populace through word of mouth and cheap printed pamphlets and ballads. This talk uses printed tales of ghost sightings in seventeenth-century London to demonstrate not only that supernatural beliefs were a key part of the early modern urban landscape but, also, that ghostly tales were integral to understandings of space and place. It highlights the importance of particular places in eliciting affective responses to supernatural phenomena; how close-knit communities conceptualised urban space; and how supernatural beliefs remained a key part of how urban dwellers understood their world.
Dr Charlotte-Rose Millar is a cultural historian specialising in supernatural beliefs and popular print in early modern England. She has previously held a research fellowship at the University of Queensland (2016-2020) and a visiting fellowship at the University of Cambridge (2018). She is the author of Witchcraft, the Devil and Emotions in Early Modern England (Routledge, 2017) and is currently working on a new, book-length project on ghosts in early modern England, as well as editing volume three of Bloomsbury’s six volume series A Cultural History of Magic. She holds an honorary position at the University of Queensland.
To register and for the Zoom Link, contact Jenny Spinks: jspinks@unimelb.edu.au.
19 April
Carl Villis, National Gallery of Victoria
Deciphering Lucrezia’s Portrait
Since 1966, the National Gallery of Victoria has been home to a highly unusual Northern Italian oval portrait, believed to have been painted around 1525. For well over a century there has been debate and uncertainty about some of the most fundamental aspects of the painting, including its origins, authorship and especially the gender of the sitter portrayed. It was not until a detailed technical examination of the painting in 2006 that it became possible to confidently determine the Ferrarese origins of the portrait, which in turn led to a major reassessment of the painting’s motifs and meaning. This presentation will outline some of the critical steps in the process of discovery which resulted in the identification of the sitter as Lucrezia Borgia, Duchess of Ferrara.
Carl Villis is the Senior Conservator of Paintings at the National Gallery of Victoria. He has specialised in the conservation of Old Master paintings for nearly thirty years at the NGV and art museums in Italy and the United States. He has conducted major conservation treatments and technical research on paintings by many artists in the collection, including Correggio, Titian, Tintoretto, Veronese, Rubens and Giambattista Tiepolo. He combines his technical analysis of paintings with art historical research and has published studies on works by Poussin, Van Dyck and Bernardo Bellotto, among others. In 2013-14 he was a Craig Hugh Smyth Visiting Fellow at Harvard University’s Centre for Renaissance Studies at the Villa I Tatti in Florence to complete research for his forthcoming book on his identification of the Gallery’s early sixteenth-century portrait of Lucrezia Borgia.
To register and for the Zoom Link, contact Catherine Kovesi: c.kovesi@unimelb.edu.au
17 May
Jennifer McFarland, The University of Melbourne
Honour and Profit: Pizzochere and Women's Work in Early Modern Venice
Pizzochere, or lay religious women, lived within a dual social status as neither nuns nor straightforwardly laity. Their vocation focused on active service in the world, exemplified by saintly figures such as the Franciscan Elizabeth of Hungary, who founded hospitals and tended the sick, or the Dominican Catherine of Siena, who likewise tended the sick and offered spiritual guidance to her community. In Renaissance Venice, pizzochere’s activities were sometimes described as utili or referred to collectively as utilità, by the women themselves and by other Venetians. This talk focuses on this language of benefit, profit, utility, or advantage to explore the position of pizzochere as working women. Through analysing pizzochere's activities, and Venetians' perceptions of that work, the paper suggests the contemporary significance of women's work in early modern Venetian understandings of an ideal city.
Jennifer McFarland is a graduate of the University of Melbourne. Her research focuses on the social and cultural history of early modern Venice, particularly on pizzochere, or lay religious women, and networks of poor relief. She has published on the Venetian relic cult of Saint Catherine of Siena, and was a 2019 ACIS-Save Venice Research Fellow. Her forthcoming article analyses how social and spatial relationships established the legitimacy of Venetian pizzochere’s social status. Beginning from October 2021, her doctoral project will investigate how working and artisan Venetians negotiated ageing in the early modern period.
21 June
Dr Kristie Flannery, Australian Catholic University
Fighting Pirates, Forging Empire in the Spanish Pacific World
The Philippines was forged in a sea of piracy. Kristie Flannery's research explores how Spanish colonial officials and militant missionaries brokered alliances with indigenous Filipinos and Chinese mestizos to fight against three waves of sea-robbers: the Chinese ‘piratical empires’ of the seventeenth century, the slave-raiding ‘moro’ pirates from the Islamic southern Philippines who grew powerful in the early eighteenth century, and the British ‘pirates’ that invaded Manila in 1762. Catholic anti-piracy politics made Spain’s Asian empire resilient to external shocks. Piracy also impacted the dynamics of social inclusion and exclusion in this colony as shifting piracy threats came to define which communities were integrated into the empire as vassals, and which groups were subject to segregation, expulsion, and even mass executions.
This paper offers a critical reinterpretation of the entirety of colonial Filipino history by challenging the notion that the Spanish ruled the islands for centuries with brute force alone. It also deepens our understanding of how maritime violence shaped the trajectories of globalization and of European imperial expansion in this world region.
Bio:
Dr Kristie Flannery completed her PhD in History at the University of Texas at Austin. She is a Research Fellow at the Institute for Humanities and Social Sciences at the Australian Catholic University. Kristie has researched and published widely on the history of colonialism and its legacies in the global Spanish empire and the Pacific world.
16 August
Professor Paul Salzman, La Trobe University
Treasures from the Emmerson Collection in the State Library of Victoria
In 2017, the SLV acquired over five and a half thousand early modern books and manuscripts that had been collected by John Emmerson. This bequest constitutes the largest such collection that has passed from private to public hands in the southern hemisphere. This talk discusses the nature of the collection, explores some of its prize volumes, and outlines a current Linkage Project, ‘Transforming the Early Modern Archive’, which is engaging with the collection in order to explore issues of preservation and access, especially in what we might now call the Covid Age.
Paul Salzman FAHA is Emeritus Professor at La Trobe University and Conjoint Professor at The University of Newcastle. He has published widely on early modern topics, especially literary history, women’s writing, prose fiction, and the theory and practice of editing. Recent publications include Editors Construct the Renaissance Canon 1825-1915 (Palgrave) and with Sarah C. E. Ross, Editing Early Modern Women (CUP). Current projects include a book on the history of facsimiles, and an edition of Frances Boothby’s Marcelia (1670).
20 September (non-teaching week)
Associate Professor Catherine Kovesi, The University of Melbourne
Hunting for Marco Polo’s Unicorn
Perhaps no individual is more associated with legends of Venice’s early trading supremacy than Marco Polo. It is records of Polo’s tales of his encounters with unicorns, rather than with trade and travel, however, that is the focus of this paper. Variously referred to as an alicorno, liocorno, or monocerote, Polo’s unicorn was, undoubtedly, a rhinoceros. His bewilderment at its lack of resemblance to the beautiful animal which laid its head in the lap of virgins had, it will be argued, curious implications for representations of both unicorns and rhinoceroses throughout the city of Venice. Beliefs in the powerful healing powers of unicorns’ horns, and their confusion with Polo’s rhinoceros, will be argued, further, as playing a little-known role in the spiritual, festal, and economic life of Venice.
Catherine Kovesi is an historian at the University of Melbourne. She has published on sumptuary law and luxury discourses in early modern Italy, and is co-General Editor of Bloomsbury’s forthcoming six-volume A Cultural History of Luxury. Increasingly engaged with current issues of untrammelled luxury consumption, in 2018 she curated the exhibition Rhinoceros: Luxury’s Fragile Frontier in the city of Venice, and recently edited a special issue of the journal Luxury: History, Culture, Consumption on the same topic. In 2020 she co-authored an article in Fashion Theory on wildlife within sustainable fashion discourse. She is Chair of the Australasian Centre for Italian Studies and a consultant for the Australia Council for the Arts Venice Biennale cultural programme.
18 October
Associate Professor Andrea Rizzi, The University of Melbourne
Face Value: Translators and Interpreters’ Portraits in Early Modern Europe
In this paper I examine a selection of early modern manuscript and printed images in which translators and interpreters are represented through portraits. In particular, I explore how these images might have been read and understood by early modern readers and patrons in the context of authorial self-presentation and self-awareness. I argue that in fifteenth- and sixteenth-century Europe translators, interpreters and printers used portraits to alert readers and patrons to their self-aware role as trustworthy cultural agents for their audiences. Asserting visibility was also a key strategy in the complex economy of dedication in early modern Europe’s production of manuscript and printed texts.
Andrea Rizzi is Cassamarca Associate Professor of Italian Studies and Associate Dean Research in the Faculty of Arts at the University of Melbourne. A literary and translation historian, he has published widely on the cultural and political role of literary translators, and on trust and communication in early modern Italy. His most recent book is What is Translation History? A Trust-based Approach (Palgrave 2019), with co-authors Anthony Pym and Birgit Lang. He was an Australian Research Council Future Fellow (2015-2019) and Villa I Tatti Harvard Center for Italian Renaissance Studies Fellow (2010-2011).