Contemporary Australian Cultural Practices

Cultural practices provide one key site for Australians to engage with issues that are significant to the nation and to national identity. Understanding the contribution of the cultural sector to new ways of being, identifying and representing Australia, both to itself and internationally, is vitally important to the vision of the nation.

This field of research will bring together current and new work across the following areas: literary studies, creative writing, theatre and performance studies, cinema, television, visual art, dance, publishing, new media, and social media. The aim is to develop and disseminate a sophisticated sense of contemporary cultural forms and practices in Australia, informing Australians' sense of their relationship to the nation and the world.

Rachel Fensham, Linda Barwick, Jakelin Troy, Lyndon Ormond-Parker, Tiriki Onus et al., Reclaiming indigenous performance in southeast Australia, 1935-75.

This ARC Discovery Project (2018-2020) aims to reframe a period of Australian history, the Assimilation era (1935-1975), to demonstrate Aboriginal and Torres Strait Islanders' active intervention in public affairs through performances of music and dance. The project will collaborate with present-day communities aiming to construct an alternative history of cultural resilience and agency. Outcomes directed at academic, community and public audiences aim to better inform current debates on Australian identity, support the work of contemporary practitioners, build international networks and validate histories hitherto hidden at the heart of Australian nationhood.

Anthony White, Charles Green, Grace McQuilten, Outsider artists and the reformulation of Australian art.

This ARC Discovery Project (2018-2020) aims to produce an understanding of outsider artists, their lives, their histories, and the socio-historic context in which they made their work. “Outsider artists” includes artists experiencing incarceration, disability, mental illness and other forms of marginalisation. Integration of their work will lead to a deeper understanding of mainstream art in Australia to paint a richer, more complex picture of the history of Australian art. The project will alter the perspective of arts policy and agencies, and of Australian artists themselves.