Published: 22 Mar 2019 under INTERVIEW
Everyone loves Trove
Radio National Late Night Live interview from Wednesday 20 March 2019
The Digital Studio supports international knowledge exchange across the digital humanities, arts and social sciences, by hosting a range of fellows and visiting researchers.
If you are interested in undertaking a Digital Studio fellowship or in being hosted by the Studio as a visiting research please email email@example.com
The Digital Studio hosted Dr Liz Stainforth from June to October 2018, as part of the Australian Endeavour Fellowship Scheme.
Elizabeth Stainforth completed her doctoral studies in 2016 and has since worked as a Postdoctoral Fellow at the Institute for Advanced Studies in the Humanities (University of Edinburgh) and as a Lecturer at the University of Leeds. Her research explores digital heritage and memory cultures, and she is currently working on a collaborative book-length project about digital archiving practices (provisional title: All and Each: Dialogues in the Digital Archive). She has been an Associate Editor for parallax journal and published articles in journals including Museum and Society and Digital Humanities Quarterly.
Elizabeth's Endeavour Research Fellowship explored digital heritage culture in Australia, and the ways in which digital cultures inform wider social transformations. The study focuses on Trove, a digital heritage aggregator hosted by the National Library of Australia, which provides online access to a range of Australian cultural heritage resources. Trove is one among a number of aggregators, including Europeana, Digital NZ and the Digital Public Library of America, that point towards the reimagining of library and museum spaces online. This development raises important questions about the negotiation of public space, collections preservation and cultural engagement in the digital environment.
The project has two distinct but related aims: first, to investigate the development of Trove, alongside comparable initiatives, in order to promote new understandings of their infrastructures; second, to look at the social context for digital heritage, with an emphasis on the collections of Australian public heritage institutions.