Creativity, Critique and the Problem of Situated Knowledge
Free Public Lecture
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Donna Haraway’s famous notion of ‘situated knowledge’ was lobbed into the field of science studies as a feminist intervention upsetting the certainties of traditional masculinist science. She did it in style. Had she not written the way she did – with great originality, range and iconoclastic power – would her article have been as well-cited as it is today?
Was it her creativity that gave her critique wings and paradoxically took it out of its immediate situation to achieve broader, more universal, relevance?
This same problem exists in Aboriginal Australia, where local knowledges are usually circumscribed by scientific and social scientific disciplines. But objectivity, reliability and relevance are never universal attributes, and are ‘composed’ out of ‘fragile, revisable and diverse material’ (Latour). Critical and creative writing techniques come into play in the networking of such knowledges that all begin provincially. What kinds of material and technical inventions can assist their progress towards greater relevance?
Presented by the Enlightenment, Romanticism, Contemporary Culture Research Unit.
Image: Network Metal Lattice. Photo by Alina Grubnyak on Unsplash.
Professor Stephen Muecke, Jury Chair of English Language and Literature, School of Humanities
Professor Stephen Muecke
Jury Chair of English Language and Literature, School of Humanities
The University of Adelaide
**Stephen Muecke** is Jury Chair of English Language and Literature in the School of Humanities at the University of Adelaide, South Australia, and is a Fellow of the Australian Academy of the Humanities. He is a writer specialising in crossgeneric work; a recent publication is *The Mother’s Day Protest and Other Fictocritical Essays* (Rowman and Littlefield International, 2016). He also works on cultural theory, with a special edition of *New Literary History* (“Recomposing the Humanities—with Bruno Latour”), 2016. He has a long record of work with Indigenous people (a new edition of *Paddy Roe’s Gularabulu: Stories from the West Kimberley* appeared with UWA Publishing in 2016), and current research involves ethnographic documentation of Goolarabooloo country north of Broome, Western Australia, using a ‘multirealist’ approach. He has recently translated Isabelle Stengers’ *Another Science is Possible: A Manifesto for Slow Science*, 2018; Stengers with Tobie Nathan, *Doctors and Healers*, 2018; and Tobie Nathan, *Wandering Souls*, 2019.