Directors and Lead researchers
Professor Peter Otto
Professor Deirdre Coleman
Professor Jennifer Milam
Professor Clara Tuite
Associate Professor Mark Davis
Professor Vedi Hadiz
Dr Anita Archer
Professor Trevor Burnard
Associate Professor Justin Clemens
Dr Thomas H. Ford
Dr Sean Gaston
Professor Charles Green
Professor of Contemporary Art, School of Culture and Communication, The University of Melbourne
Charles Green is an authority in contemporary international and Australian art, on biennials and exhibition histories, and on artist collaborations. His books include Biennials, Triennials and Documenta: The Exhibitions that Created Contemporary Art (2016, co-authored with Anthony Gardner), The Third Hand: Artist Collaborations from Conceptualism to Postmodernism (2001), and Peripheral Vision: Contemporary Australian Art 1970-94 (1995). He has been awarded several ARC grants and was Adjunct Senior Curator of Contemporary Art at the National Gallery of Victoria (2001-2006), leading large curatorial teams who produced major exhibitions, including the inaugural, museum-wide installation of modern and contemporary Australian art at NGVA Federation Square (Fieldwork, 2001) as an outcome of an ARC Large Grant. He is also an artist, having worked in collaboration with Lyndell Brown as one artist since 1989; their works are in most Australian art museum collections and they were Australia’s Official War Artists in Iraq and Afghanistan in 2007.
Dr Elias Greig
Dr Steven Hampton
Dr Alexandra Hankinson
Dr Jodi Heap
Dr James Jiang
Dr Claire Knowles
Professor Ian McLean
Dr Marc Mierowsky
Associate Professor John Rundell
Dr Miranda Stanyon
Dr Phil Habil Jennifer Wawrzinek
Early career researchers
Tutor, Master of Art Curatorship, and PhD Candidate (Art History), School of Culture and Communication, The University of Melbourne
Louise is an educator, arts historian, and curator. Her current research is focussed on the acquisition, assembly, and categorisation of prints collected by Elizabeth Seymour Percy, 1st Duchess of Northumberland (1716-1776). Her other research interests include English eighteenth-century furniture; the collection and display of prints; the material culture of the English country house; the commerce of collecting; and the history of the book. In 2018, Louise was the Harold Wright and Sarah and William Holmes Scholar at the Department of Prints and Drawings at the British Museum, London. She has also been awarded a Paul Mellon Research Support Grant and a Francis Haskell Memorial Fund Scholarship to undertake research in collections and archives in the UK, Europe and the USA. Louise’s recent publications include: “Marks and Meanings: Revealing the Hand of the Collector and “the Moment of Making” in two 18th-Century Print Albums”, Journal18, Fall, 2018; and a book chapter in Kerrianne Stone (ed.) Horizon Lines, Marking 50 Years of Print Scholarship, Melbourne, 2019. Louise’s research on English print rooms will be published in Eighteenth-Century Life (forthcoming, 2021).
PhD candidate in Screen and Cultural Studies, School of Culture and Communication, The University of Melbourne
Corey Cribb specialises in film theory and the continental philosophy of film. Focusing on the film-philosophies of Gilles Deleuze and Jean-Luc Nancy, his research considers the potential of modern cinema to perpetuate the non-mediated transformation of the world and occasion the ontological renewal of thought, bodies and ways of being-in-the-world. In part, this involves a consideration of the palpable influence of Maurice Blanchot’s literary ontology upon these thinkers, and the subsequent question of why Deleuze and Nancy maintain that the marked passivity (or worklessness) of modern cinema harbours unprecedented potential for ontological change and the restoration of belief in a world from which we are said to be absent. Beyond the notion of worklessness as “the most essential – the most romantic and the most modern – gesture in romanticism” (Watt, 2017, pp. 18), Corey’s research connects with the concerns of the ERCC by seeking to show how some of the most ground breaking developments in film theory today bear the influence of debates which can be traced back to German Idealism.
PhD candidate in English Literature, Flinders University, Adelaide
Todd Dearing’s work focuses on Romantic ideas of the human and conceptions of imagination, creativity, and genius. He explores how these ideas impact upon contemporary literary criticism and contemporary ideas of the human. He is currently completing his doctorate thesis on the trope of the daimon in William Blake’s magnum opus, Jerusalem: The Emanation of the Giant Albion, read as an allegory for literary practice. His broader research interests include English and German Romantic literature, art, and philosophy, (post)humanism, contemporary literary criticism, poetry, mythopoeia, and the links between psychology and literature. Todd is interested in the ERCC themes ‘Creativity, Critique, Comparison’ and ‘Actual, Mixed, and Virtual Realities’, and the ERCC research projects ‘Critique, Creativity, Innovation’, ‘William Blake and the History of Imagination’, and ‘Gothic Fictions’.
PhD Candidate in Art Theory and History, School of Media, Arts and Social Inquiry, Curtin University
Marguerite Gibson focuses on nineteenth century Australian colonial art, particularly in relation to the themes of aesthetics, landscape and the emotional traditions of the sublime. Currently, her research project is investigating the utilization of the sublime through motifs, nuances and Australian landscape depiction within art, representing the emotional experiences of the historical period of the Gold Rush era, 1850-1900. Through the primary texts of Edmund Burke and Immanuel Kant, along with the contemporary concept of the colonial sublime, she explores the relationship between these ideas, termed the Australian colonial sublime within the research. She currently has a book chapter forthcoming within Song of Death in Paradise: Death and Garden Narratives in Literature, Art and Film, edited by Feryal Cubukcu and Sabine Planka (Lexington Books), entitled “Wilderness Garden: Death, Landscape and the Australian Colonial Sublime”. Her research and interests relate to several ERCC themes, particularly Critique, Creativity, Comparison and Worldliness, Cosmopolitanism, Globalisation.
PhD candidate in English and Theatre Studies, School of Culture and Communication, The University of Melbourne
Francesca Kavanagh specialises in eighteenth and nineteenth-century women’s reading and writing practices with a focus on material culture. She is also interested in the gothic and cultures of celebrity and fandom from Romanticism to the present. Her current project examines practices of letter-writing, annotation, and commonplacing from a range of women writers throughout the long eighteenth century and pairs this archival material with fictional accounts of these practices by Samuel Richardson and Jane Austen to elucidate the ways in which women in the long eighteenth-century used these textual practices in the production of textual and virtual spaces of intimacy. She currently has a journal article forthcoming in The Australasian Journal of Victorian Studies entitled “‘Marianne Knight | Godmersham Park’: Inscription as Community Interface in the Books of Jane Austen’s Niece”. She is interested in a number of the ERCC’s current themes, including Actual Mixed and Virtual Realities and Worldliness, Cosmopolitanism, Globalisation, as well as opportunities for future collaborations.
PhD candidate in Arabic, Asia Institute, The University of Melbourne
Tarek researches the content and context of traditions of philology with a particular emphasis on the Arabic tradition. Philology here is used in the traditional sense of studying texts and thus encompasses a broad array of activities including grammar, codicology, hermeneutics (in its broad meaning), literary criticism, and history. Tarek reads these philological works embedded in their socio-intellectual context, often revealing counter-intuitive results. His current project investigates the flow of Arabic philological learning from Islamic Spain to Egypt and the Levant in the 13th and 14th centuries. While maintaining his interest in the breadth of the ERCC’s themes and activities, Tarek is focused on two themes: ‘Non-European Enlightenments and Romanticisms’ and ‘Worldliness, Cosmopolitanism, Globalisation’. He is also currently working with ERCC researchers to put together a seminar series on Islamic Enlightenments.
PhD Candidate in Art History, School of Culture and Communication, The University of Melbourne
Belinda Scerri’s research explores French Rococo interior ornament, patronage and the ascendancy of ornémaniste artists in early eighteenth-century Paris. Her broader research interests include: the South Sea Bubble, Système Law and economic collapse of 1720 through an art historical lens; early modern collecting and commissioning cultures; mercantilism and the establishment of Royal manufactories; exoticism and cosmopolitanism in French Régence art and architecture. She is a founding member of the Centre of Visual Art (CoVA) doctoral academy and a 2019/2020 research fellow at the UCLA Center for Seventeenth and Eighteenth-Century Studies. She is currently writing a book chapter entitled ‘“Instructing herself by fad or fancy”: Depictions and Fictions of Female Connoisseurs in Eighteenth-century Paris’ which will appear in Portraits & Poses: Representations of Female Intellectual Authority, Agency and Authorship in Early Modern and Enlightenment Europe (Leuven and Cornell UP, 2020).
PhD candidate and Teaching Associate, School of Historical and Philosophical Studies, The University of Melbourne
Samuel Watts researches and writes about the experiences of African Americans in the Deep South during Reconstruction. His focus is on how formerly enslaved people interpreted ideas of freedom and citizenship in violently contested urban spaces, while working to construct and maintain lasting communities and networks. Additionally, Samuel is broadly interested in the historical legacies of racial discourse in the US, Australia and beyond. He currently has a book chapter in peer-review, entitled: “Reconstruction Justice: African American Police Officers in Charleston and New Orleans,” in Freedom’s Gained and Lost: Reinterpreting Reconstruction in the Atlantic World, eds. Simon Lewis and Adam Domby (New York: Fordham University Press, 2019 – forthcoming). He is interested in a number of ERCC projects, most notably those focused on slavery, and has an ongoing interest in the legacies of Enlightenment thought in debates about race, citizenship and revolution.
Modell Romantik Research Training Group, Friedrich-Schiller University Jena