Contemporary notions of critique, creativity, Literature, Nature, citizenship, human rights, democracy, scientific enquiry, and even the Human were forged by Enlightenment and Romantic thought. Yet this inheritance now seems threatened, paradoxically, by developments that it has helped engineer and with which it is still entwined: the digital revolution, globalisation, transnationalism, the environment crisis, and the emergence of artificial intelligence and autonomous technologies. Through innovative research, conferences, and public lectures, this research unit aims to re-envision the transition from Enlightenment to Romanticism and its legacies in the present. We believe it is important to ask, without nostalgia, what can we make of 'Enlightenment - Romanticism' now?
Banner image: Joseph Mallord William Turner. Waves Breaking against the Wind (detail) c.1840 Turner Collection, © Tate Photo © Tate CC-BY-NC-ND 3.0 (Unported)
The contrast between Enlightenment and Romanticism is commonly used to define the beginning and end, respectively, of the cultural shift that takes us from traditional to modern cultural forms. Our themes flag the complexity of this shift; the ways in which it was influenced, adopted, or challenged by non-European cultures; and its legacies in the present, including in Australia, which has been described variously as an Enlightenment and a Romantic project. Perhaps the most unexpected of these legacies is Climate Change (the Anthropocene), which is an outcome of cultural, technological, and imperial transformations that begin in the eighteenth and early-nineteenth centuries. As this suggests, our themes are designed to sketch the chief contours of the field within which we are working - but they are also a manifesto, intended to flag the multi-faceted social and cultural environment from which the modern world has emerged.
The images lead to a summary of the relevant theme (alongside a list of related projects). Because our themes describe the field within which we are working, individual projects are likely to be listed against more than one theme. An alphabetical list of projects can be found under Projects.
Here you will find a list of research projects associated with the themes of the Enlightenment Romanticism Contemporary Culture research unit.
Architectures of Imagination: Bodies, Buildings, Fictions, and Worlds
British Romanticism and colonial modernity in India, 1780-1840
Climate Science Denialism and its populist Analogs
Critique, Creativity, Innovation
Gothic Fictions: Emotion, Contagion, and the Transformation of Experience in Modernity
Human Kind: transforming identity in Australian and British portraits 1700-1900
Kenzaburo Ōe and William Blake: Modernity, Romanticism, Japan
Literary Romanticism and the Media of Romantic Love
Observation and Analogy in Enlightenment and Romantic Natural History
Planters, Plantations and the State in the British Caribbean, 1713-1834
Reconstructing museum specimen data through the pathways of global commerce
Regency Flash: Britain, Ireland and Australia, 1788-1848
Slave Narratives in British and French America, 1740-1840
Slavery, Empire, and the Great Divergence (1690-1756)
Slavery in British Guiana in the Age of Revolution, 1804-1834
The Butterfly Men of Kuranda: natural history dealers in the 'deep north'
The Imperial History of the American Revolution
The Past and Present of Sugar
The Pasts and Futures of Virtual Reality
Theorising the online anti-public sphere
Transatlantic Gardens and Enlightenment Ideas in American Art
William Blake and the History of Imagination: Poetry, Prophecy, and Secularization
World Literatures, Theatres and Cultures research network
This entirely virtual conference will take place between 3-14 August 2020. Call for papers and registration open!CONFERENCE
Miriam Ross delivers the 6th installment of our webinar series, Seeing Double: The Multiple Worlds of Virtual Reality, presented in partnership with the Digital Studio on 1 July 2020. REGISTRATIONS CLOSED.ZOOM WEBINAR
Keir Winesmith delivers the 5th installment of our webinar series, Seeing Double: The Multiple Worlds of Virtual Reality, presented on 24 June 2020 in partnership with the Digital Studio. REGISTRATIONS CLOSED.ZOOM WEBINAR
Elias Greig delivers the 4th installment of our webinar series, Seeing Double: The Multiple Worlds of Virtual Reality, presented in partnership with the Digital Studio on 17 June 2020. REGISTRATIONS CLOSED.ZOOM WEBINAR
Caitlin Vincent delivers the 3rd installment of our webinar series, Seeing Double: The Multiple Worlds of Virtual Reality, presented on 10 June 2020 in partnership with the Digital Studio. REGISTRATIONS CLOSED.ZOOM WEBINAR
Angela Ndalianis delivers the 2nd installment of our webinar series, Seeing Double: The Multiple Worlds of Virtual Reality, presented on 3 June 2020 in partnership with the Digital Studio. REGISTRATIONS CLOSED.ZOOM WEBINAR
Peter Otto delivers the 1st installment of our webinar series, Seeing Double: The Multiple Worlds of Virtual Reality, presented in partnership with the Digital Studio on 27 May 2020. REGISTRATIONS CLOSED.ZOOM WEBINAR
Directors and Lead researchers
Professor Peter Otto
Professor Deirdre Coleman
Professor Clara Tuite
Associate Professor Mark Davis
Professor Vedi Hadiz
Dr Anita Archer
Professor Trevor Burnard
Associate Professor Justin Clemens
Dr Thomas H. Ford
Dr Sean Gaston
Professor Charles Green
Professor of Contemporary Art, School of Culture and Communication, The University of Melbourne
Charles Green is an authority in contemporary international and Australian art, on biennials and exhibition histories, and on artist collaborations. His books include Biennials, Triennials and Documenta: The Exhibitions that Created Contemporary Art (2016, co-authored with Anthony Gardner), The Third Hand: Artist Collaborations from Conceptualism to Postmodernism (2001), and Peripheral Vision: Contemporary Australian Art 1970-94 (1995). He has been awarded several ARC grants and was Adjunct Senior Curator of Contemporary Art at the National Gallery of Victoria (2001-2006), leading large curatorial teams who produced major exhibitions, including the inaugural, museum-wide installation of modern and contemporary Australian art at NGVA Federation Square (Fieldwork, 2001) as an outcome of an ARC Large Grant. He is also an artist, having worked in collaboration with Lyndell Brown as one artist since 1989; their works are in most Australian art museum collections and they were Australia’s Official War Artists in Iraq and Afghanistan in 2007.
Dr Elias Greig
Dr Steven Hampton
Dr Alexandra Hankinson
Dr Jodi Heap
Dr James Jiang
Dr Claire Knowles
Professor Ian McLean
Dr Marc Mierowsky
Professor Jennifer Milam
Associate Professor John Rundell
Dr Miranda Stanyon
Dr Phil Habil Jennifer Wawrzinek
Early career researchers
Tutor, Master of Art Curatorship, and PhD Candidate (Art History), School of Culture and Communication, The University of Melbourne
Louise is an educator, arts historian, and curator. Her current research is focussed on the acquisition, assembly, and categorisation of prints collected by Elizabeth Seymour Percy, 1st Duchess of Northumberland (1716-1776). Her other research interests include English eighteenth-century furniture; the collection and display of prints; the material culture of the English country house; the commerce of collecting; and the history of the book. In 2018, Louise was the Harold Wright and Sarah and William Holmes Scholar at the Department of Prints and Drawings at the British Museum, London. She has also been awarded a Paul Mellon Research Support Grant and a Francis Haskell Memorial Fund Scholarship to undertake research in collections and archives in the UK, Europe and the USA. Louise’s recent publications include: “Marks and Meanings: Revealing the Hand of the Collector and “the Moment of Making” in two 18th-Century Print Albums”, Journal18, Fall, 2018; and a book chapter in Kerrianne Stone (ed.) Horizon Lines, Marking 50 Years of Print Scholarship, Melbourne, 2019. Louise’s research on English print rooms will be published in Eighteenth-Century Life (forthcoming, 2021).
PhD candidate in Screen and Cultural Studies, School of Culture and Communication, The University of Melbourne
Corey Cribb specialises in film theory and the continental philosophy of film. Focusing on the film-philosophies of Gilles Deleuze and Jean-Luc Nancy, his research considers the potential of modern cinema to perpetuate the non-mediated transformation of the world and occasion the ontological renewal of thought, bodies and ways of being-in-the-world. In part, this involves a consideration of the palpable influence of Maurice Blanchot’s literary ontology upon these thinkers, and the subsequent question of why Deleuze and Nancy maintain that the marked passivity (or worklessness) of modern cinema harbours unprecedented potential for ontological change and the restoration of belief in a world from which we are said to be absent. Beyond the notion of worklessness as “the most essential – the most romantic and the most modern – gesture in romanticism” (Watt, 2017, pp. 18), Corey’s research connects with the concerns of the ERCC by seeking to show how some of the most ground breaking developments in film theory today bear the influence of debates which can be traced back to German Idealism.
PhD candidate in English Literature, Flinders University, Adelaide
Todd Dearing’s work focuses on Romantic ideas of the human and conceptions of imagination, creativity, and genius. He explores how these ideas impact upon contemporary literary criticism and contemporary ideas of the human. He is currently completing his doctorate thesis on the trope of the daimon in William Blake’s magnum opus, Jerusalem: The Emanation of the Giant Albion, read as an allegory for literary practice. His broader research interests include English and German Romantic literature, art, and philosophy, (post)humanism, contemporary literary criticism, poetry, mythopoeia, and the links between psychology and literature. Todd is interested in the ERCC themes ‘Creativity, Critique, Comparison’ and ‘Actual, Mixed, and Virtual Realities’, and the ERCC research projects ‘Critique, Creativity, Innovation’, ‘William Blake and the History of Imagination’, and ‘Gothic Fictions’.
PhD Candidate in Art Theory and History, School of Media, Arts and Social Inquiry, Curtin University
Marguerite Gibson focuses on nineteenth century Australian colonial art, particularly in relation to the themes of aesthetics, landscape and the emotional traditions of the sublime. Currently, her research project is investigating the utilization of the sublime through motifs, nuances and Australian landscape depiction within art, representing the emotional experiences of the historical period of the Gold Rush era, 1850-1900. Through the primary texts of Edmund Burke and Immanuel Kant, along with the contemporary concept of the colonial sublime, she explores the relationship between these ideas, termed the Australian colonial sublime within the research. She currently has a book chapter forthcoming within Song of Death in Paradise: Death and Garden Narratives in Literature, Art and Film, edited by Feryal Cubukcu and Sabine Planka (Lexington Books), entitled “Wilderness Garden: Death, Landscape and the Australian Colonial Sublime”. Her research and interests relate to several ERCC themes, particularly Critique, Creativity, Comparison and Worldliness, Cosmopolitanism, Globalisation.
PhD candidate in English and Theatre Studies, School of Culture and Communication, The University of Melbourne
Francesca Kavanagh specialises in eighteenth and nineteenth-century women’s reading and writing practices with a focus on material culture. She is also interested in the gothic and cultures of celebrity and fandom from Romanticism to the present. Her current project examines practices of letter-writing, annotation, and commonplacing from a range of women writers throughout the long eighteenth century and pairs this archival material with fictional accounts of these practices by Samuel Richardson and Jane Austen to elucidate the ways in which women in the long eighteenth-century used these textual practices in the production of textual and virtual spaces of intimacy. She currently has a journal article forthcoming in The Australasian Journal of Victorian Studies entitled “‘Marianne Knight | Godmersham Park’: Inscription as Community Interface in the Books of Jane Austen’s Niece”. She is interested in a number of the ERCC’s current themes, including Actual Mixed and Virtual Realities and Worldliness, Cosmopolitanism, Globalisation, as well as opportunities for future collaborations.
PhD candidate in Arabic, Asia Institute, The University of Melbourne
Tarek researches the content and context of traditions of philology with a particular emphasis on the Arabic tradition. Philology here is used in the traditional sense of studying texts and thus encompasses a broad array of activities including grammar, codicology, hermeneutics (in its broad meaning), literary criticism, and history. Tarek reads these philological works embedded in their socio-intellectual context, often revealing counter-intuitive results. His current project investigates the flow of Arabic philological learning from Islamic Spain to Egypt and the Levant in the 13th and 14th centuries. While maintaining his interest in the breadth of the ERCC’s themes and activities, Tarek is focused on two themes: ‘Non-European Enlightenments and Romanticisms’ and ‘Worldliness, Cosmopolitanism, Globalisation’. He is also currently working with ERCC researchers to put together a seminar series on Islamic Enlightenments.
PhD Candidate in Art History, School of Culture and Communication, The University of Melbourne
Belinda Scerri’s research explores French Rococo interior ornament, patronage and the ascendancy of ornémaniste artists in early eighteenth-century Paris. Her broader research interests include: the South Sea Bubble, Système Law and economic collapse of 1720 through an art historical lens; early modern collecting and commissioning cultures; mercantilism and the establishment of Royal manufactories; exoticism and cosmopolitanism in French Régence art and architecture. She is a founding member of the Centre of Visual Art (CoVA) doctoral academy and a 2019/2020 research fellow at the UCLA Center for Seventeenth and Eighteenth-Century Studies. She is currently writing a book chapter entitled ‘“Instructing herself by fad or fancy”: Depictions and Fictions of Female Connoisseurs in Eighteenth-century Paris’ which will appear in Portraits & Poses: Representations of Female Intellectual Authority, Agency and Authorship in Early Modern and Enlightenment Europe (Leuven and Cornell UP, 2020).
PhD candidate and Teaching Associate, School of Historical and Philosophical Studies, The University of Melbourne
Samuel Watts researches and writes about the experiences of African Americans in the Deep South during Reconstruction. His focus is on how formerly enslaved people interpreted ideas of freedom and citizenship in violently contested urban spaces, while working to construct and maintain lasting communities and networks. Additionally, Samuel is broadly interested in the historical legacies of racial discourse in the US, Australia and beyond. He currently has a book chapter in peer-review, entitled: “Reconstruction Justice: African American Police Officers in Charleston and New Orleans,” in Freedom’s Gained and Lost: Reinterpreting Reconstruction in the Atlantic World, eds. Simon Lewis and Adam Domby (New York: Fordham University Press, 2019 – forthcoming). He is interested in a number of ERCC projects, most notably those focused on slavery, and has an ongoing interest in the legacies of Enlightenment thought in debates about race, citizenship and revolution.
Modell Romantik Research Training Group, Friedrich-Schiller University Jena
Burnard, Trevor. Britain in the Wider World, 1603-1800. Routledge, 2019.
Britain in the Wider World traces the remarkable transformation of Britain between 1603 and 1800 as it developed into a world power. At the accession of James VI and I to the throne of England in 1603, the kingdoms of England / Wales, Scotland and Ireland were united only by having a monarch in common. They had little presence in the world and were fraught with violence. Two centuries later, the consolidated state of the United Kingdom, established in 1801, was an economic powerhouse and increasingly geopolitically important, with an empire that stretched from the Americas, to Asia and to the Pacific. The book offers a fresh approach to assessing Britain's evolution, situating Britain within both imperial and Atlantic history, and examining how Britain came together politically and socially throughout the eighteenth century.
Gaston, Sean. Jacques Derrida and the Challenge of History. Rowman and Littlefield, 2019.
This important new book argues that Jacques Derrida's work can be treated as the basis for a distinctive historiography. The possibility of seeing Derrida not as a philosopher of language but as a philosopher of history has become more apparent with the recent publication of Derrida's 1964-1965 seminar Heidegger: The Question of Being and History. We now know that the problem of history was at the heart of Derrida's writing in the mid-1960s, prior to the publication of his best-known work, Of Grammatology (1967).
Arguing that Derrida's scholarship in the 1960s and early 1970s on historicism, historicity and the problem of history can be treated as the basis for a philosophy of history, Sean Gaston focuses on Derrida's work from the mid-1970s to the mid-1990s and his relentless questioning of context, memory and narrative as the delineation of a deconstructive historiography.
Coleman, Deirdre. Henry Smeathman, the Flycatcher: Natural History, Slavery, and Empire in the Late Eighteenth Century. Liverpool University Press, 2018.
In 1771 Joseph Banks and other wealthy collectors sent a talented, self-taught naturalist to Sierra Leone to collect all things rare and curious, from moths to monkeys. Henry Smeathman's expedition to the West African coast, which coincided with a steep rise in British slave trading in this area, lasted four years during which time he built a house on the Banana Islands, married into the coast's ruling dynasties, and managed to negotiate the tricky life of a 'stranger' bound to his landlord and local customs. In this book, which draws on a rich and little-known archive of journals and letters, Coleman retraces Smeathman's life as he shuttled between his home on the Bananas and two key Liverpool trading forts - Bunce Island and the Isles de Los.
Ford, Thomas H. Wordsworth and the Poetics of Air. Cambridge University Press, 2018.
Before the ideas we now define as Romanticism took hold the word 'atmosphere' meant only the physical stuff of air; afterwards, it could mean almost anything, from a historical mood or spirit to the character or style of an artwork. Thomas H. Ford traces this shift of meaning, which he sees as first occurring in the poetry of William Wordsworth. Gradually 'air' and 'atmosphere' took on the new status of metaphor as Wordsworth and other poets re-imagined poetry as a textual area of aerial communication - conveying the breath of a transitory moment to other times and places via the printed page. Reading Romantic poetry through this ecological and ecocritical lens Ford goes on to ask what the poems of the Romantic period mean for us in a new age of climate change, when the relationship between physical climates and cultural, political and literary atmospheres is once again being transformed.
Chu, Petra and Milam, Jennifer (eds.). Beyond Chinoiserie: Artistic Exchange Between China and the West During the Late Qing Dynasty (1796-1911). East and West series, Vol. 4. Brill, 2019.
The complex interweaving of different Western visions of China had a profound impact on artistic exchange between China and the West during the nineteenth century. Beyond Chinoiserie addresses the complexity of this exchange. While the playful Western "vision of Cathay" formed in the previous century continued to thrive, a more realistic vision of China was increasingly formed through travel accounts, paintings, watercolours, prints, book illustrations, and photographs.
Simultaneously, the new discipline of sinology led to a deepening of the understanding of Chinese cultural history. Leading and emerging scholars in the fields of art history, literary studies and material culture, have authored the ten essays in this book, which deal with artistic relations between China and the West at a time when Western powers’ attempts to extend a sphere of influence in China led to increasingly hostile political interactions.
Tuite, Clara (ed.). Byron in Context. Cambridge University Press, 2019.
George Gordon, the sixth Lord Byron (1788-1824), was one of the most celebrated poets of the Romantic period, as well as a peer, politician and global celebrity, famed not only for his verse, but for his controversial lifestyle and involvement in the Greek War of Independence. In thirty-seven concise, accessible essays, by leading international scholars, this volume explores the social and intertextual relationships that informed Byron's writing; the geopolitical contexts in which he travelled, lived and worked; the cultural and philosophical movements that influenced changing outlooks on religion, science, modern society and sexuality; the dramatic landscape of war, conflict and upheaval that shaped Napoleonic and post-Napoleonic Europe and Regency Britain; and the diverse cultures of reception that mark the ongoing Byron phenomenon as a living ecology in the twenty-first century. This volume illuminates how we might think of Byron in context, but also as a context in his own right.
Clemens, Justin and Bartlett, A. (eds.). Badiou and His Interlocutors. Bloomsbury Academic, 2018.
This is a unique collection presenting work by Alain Badiou and commentaries on his philosophical theories. It includes three lectures by Badiou, on contemporary politics, the infinite, cinema and theatre and two extensive interviews with Badiou - one concerning the state of the contemporary situation and one wide ranging interview on all facets of his work and engagements. It also includes six interventions on aspects of Badiou's work by established scholars in the field, addressing his concept of history, Lacan, Cinema, poetry, and feminism; and four original essays by young and established scholars in Australia and New Zealand addressing the key concerns of Badiou's 2015 visit to the Antipodal region and the work he presented there.
With new material by Badiou previously unpublished in English this volume is a valuable overview of his recent thinking. Critical responses by distinguished and gifted Badiou scholars writing outside of the European context make this text essential reading for anyone interested in the development and contemporary reception of Badiou's thought.
Otto, Peter (ed.). William Blake: Selected Works. Oxford University Press, 2018.
This volume in the 21st Century Oxford Authors series offers students and readers a comprehensive selection of the work of William Blake (1757-1827). Accompanied by full scholarly apparatus, this authoritative edition enables students to explore Blake's poetry, illuminated poetry, and prose alongside selections from his letters, manuscripts, notebook, advertising pamphlets, marginalia, and works he printed in conventional letterpress.
The edition arranges Blake's works in chronological order, according to the date when they were first printed or, in the case of unpublished works, the years in which they were composed. With the help of editorial headnotes and annotations, this arrangement brings to the foreground Blake's material and intellectual labours as a poet, painter, prophet, and non-academic philosopher; the networks of acquaintances, friends, patrons, and enemies who helped support or provoke this work; and the tumultuous historical events he responded to, which included the beginning of modern feminism, the agricultural and industrial revolutions, the American and French Revolutions, William Pitt's so-called 'Reign of Terror' in Britain, an attempted revolution in Ireland (1798), a successful slave rebellion in Haiti (1791-1804), and the French revolutionary and Napoleonic wars. Some editions attempt to sanitise Blake, by hiding from view the most startling elements of his thought; but in this edition Blake's sexual, political, religious, and poetic heterodoxy comes into full view.
- Clemens, Justin. "Agamben and Poetry," in Ghosh, Ranjan (ed.,). Philosophy and Poetry: Continental Perspectives. Columbia University Press, 2019
- Clemens, Justin and Bartlett, A.J. "Happiness is Revolting," in Badiou, Alain. Happiness (trans. A. J. Bartlett, Justin Clemens). Bloomsbury Academic, 2019
- Clemens, Justin. "Irremediability: On the Very Concept of Digital Ontology," in Amanda, Lagerkvist (ed.,). Digital Existence: Ontology, Ethics and Transcendence in Digital Culture. Taylor & Francis, 2019
- Clemens, Justin. "The Question Concerning Technology: Badiou versus Heidegger," in Völker, Jan (ed.,). Badiou and the German Tradition of Philosophy. Bloomsbury Academic, 2019
- Davis, Mark. "Unsettled Objects: Books, Cultural Politics, and the Case of Reading the Country," in Morrissey, Philip and Healy, Chris (eds.). Reading the Country: 30 Years On. University of Technology Sydney EPress, 2019
- Ford, Thomas H. "Orlando's Romantic Climate Change," in Collett, Anne and Murphy, Olivia (eds.,). Romantic Climates: Literature and Science in an Age of Catastrophe. Palgrave Macmillan, 2019
- Ford, Thomas H. "Natural Philosophy," in Tuite, Clara (ed.,). Byron in Context. Cambridge University Press, 2019
- Ford, Thomas H. "Max Frisch's Man in the Holocene: Geological Cli-Fi," in Goodbody, Axel and Johns-Putra, Adeline (eds.,). Cli-Fi: A Companion. Peter Lang, 2019
- Ford, Thomas H. "George Turner's Sea and Summer (1987): Urban Dystopian Cli-Fi," in Goodbody, Axel and Johns-Putra, Adeline (eds.). Cli-Fi: A Companion. Peter Lang, 2019
- Ford, Thomas H. "Adorno: Poetry After Poetry," in Ghosh, Rangan (ed.,). Philosophy and Poetry: Continental Perspectives. Columbia University Press, 2019
- Greig, Elias. "Wordsworth in the Tropics of Cumbria," in Collett, Anne and Murphy, Olivia (eds.,). Romantic Climates: Literature and Science in an Age of Catastrophe. Palgrave Macmillan, 2019
- Hampton, Steven. "Utopia or Dystopia? The Romantics in Switzerland, 1816," in Collett, Anne and Murphy, Olivia (eds.,). Romantic Climates: Literature and Science in an Age of Catastrophe. Palgrave Macmillan, 2019
- Mierowsky, Marc and Aarons, Debra. "Obscenity, Dirtiness and Licence in Jewish Comedy," in Wilkie, Ian (ed.,). The Routledge Comedy Studies Reader. Routledge, 2019
- Milam, Jennifer. "Greuze Girls and the Painterly Embodiment of Sexual Pleasure," in Dixon, L. and Weisberg, G.P. (eds.,). Making Waves: Crosscurrents in the Study of 19th-Century Art. Brepols Publishers, 2019
- Milam, Jennifer. "Representations of Peace," in Armitage, D. and Ghervaism, S. (eds.,). A Cultural History of Peace in the Age of Enlightenment (1648-1815). London: Bloomsbury Academic, 2019
- Otto, Peter. "'Rouse Up O Young Men of the New Age!': Ōe Kenzaburō and William Blake on Bodies, Biopolitics, and the Imagination," in Watson, Alex and Williams, Laurence (eds.,). British Romanticism in Asia: The Reception, Translation, and Transformation of Romantic Literature in India and East Asia. Palgrave Macmillan, 2019
- Otto, Peter. "The Ends of Illustration: Explanation, Critique, and the Political Imagination in Blake's Title-pages for Genesis," in Haywood, Ian; Matthews, Susan and Shannon, Mary (eds.,). Romanticism and Illustration. Cambridge University Press, 2019
- Otto, Peter. "William Blake, the Secularization of Religious Categories, and the History of Imagination," in King, Joshua and Werner, Winter (eds.,). Constructing Nineteenth-Century Religion: Literary, Historical, and Religious Studies in Dialogue. Ohio State University Press, 2019
- Otto, Peter. "William Blake, the Ancient Gnostics, and the Birth of Modern Gnosticism," in Trompf, Garry; Mikkelsen, Gunner and Johnston, Jay (eds.,). The Gnostic World. Routledge, 2019
- Tuite, Clara. "When the Earth Moves," in Collett, Anne and Murphy, Olivia (eds.,). Romantic Climates: Literature and Science in an Age of Catastrophe. Palgrave Macmillan, 2019
- Clemens, Justin. "Drug is the Love: Literature, Psychopharmacology, Psychoanalysis," in Goldbach, J. and Godley, J.A. (eds.,). Inheritance in Psychoanalysis. State University of New York Press, 2018
- Clemens, Justin. "If Law Speaks, It Speaks of Enjoyment: Psychoanalysis and Desire," in Zartaloudis, Thomas (ed.,). Law and Philosophical Theory: Critical Intersections. Rowman & Littlefield International, 2018
- Clemens, Justin and Bartlett, A. "Introduction: The World Turned Upside Down," in Clemens, J. and Bartlett, A. (eds.,). Badiou and His Interlocutors. Bloomsbury Academic, 2018
- Clemens, Justin. "The Last Horizon the Gaze Obscures," in Haylock, B. (ed.,). Continuous Moment: Damiano Bertoli. Surpllus, 2018
- Clemens, Justin. "The Paradox of Dissemination," in Blamey, D. and Haylock, B. (eds.,). Distributed. Open Editions, 2018
- Clemens, Justin. "'Their Jarring Spheres Confound': John Milton's Paradise Lost as a Counter-Baroque War Machine," in Ndalianis, Angela and Beaven, Lisa (eds.,). Emotion and the Seduction of the Senses, Baroque to Neo-Baroque. Medieval Institute Publications, 2018
- Hadiz, Vedi R. "Islamic Populism and the Politics of Neoliberal Inequalities," in Routledge Handbook of Global Populism. Routledge, 2018
- Hadiz, Vedi R. "Islamic Populism in Indonesia: Emergence and Limitations," in Hefner, Robert W. (ed.,). Routledge Handbook of Contemporary Indonesia. Routledge, 2018
- Otto, Peter. "The Horrors of Creation: Globes, Englobing Powers, and Blake's Archaeologies of the Present," in Bundock, Chris and Effinger, Elizabeth (eds.,). William Blake’s Gothic Imagination: Bodies of Horror. Manchester University Press, 2018
- Stanyon, Miranda. "'A Possession for Eternity': Thomas De Quincey's Feeling for War," in Downes, Stephanie; Lynch, Andrew and O'Loughlin, Katrina (eds.,). Writing War in Britain and France, 1370-1854: A History of Emotions. Routledge, 2018
- Wawrzinek, Jennifer, "Postcolonial Dandies and the Death of the Flâneur," in Bystrom, Kerry; Harris, Ashleigh and Webber, Andrew J. (eds.,). South and North: Contemporary Urban Orientations. Routledge India, 2018
- Burnard, Trevor. "A New Look at the Zong Case of 1783," in XVII-XVIII 76, 2019
- Burnard, Trevor. "Beyond Salutary Neglect: A Reflection on 'Thinking the Empire Whole'," in History Australia 16 No. 4, 2019, pp. 642-645
- Champion, Matthew S. and Stanyon, Miranda. "Musicalising History," in Transactions of the Royal Historical Society 29 No. 4, 2019, pp. 79-103
- Clemens, Justin. "First Fruits of a Barron Field," in Critical Quarterly 61 No. 1, 2019, pp. 18-36
- Coleman, Deirdre. "Anti-Slavery, African Colonization, and the Natural History of Ballooning," in Romanticism 25 No. 1, 2019, pp. 32-44
- Davis, Mark. "A new, online culture war? The communication world of Breitbart.com," in Communication Research and Practice 5 No. 3, 2019, pp. 241-254
- De Wildt, Lars, Apperley, Thomas H., Clemens, Justin, Fordyce, Robbie and Mukherjee, Souvik. "(Re-)Orienting the Video Game Avatar," in Games and Culture, 2019
- Diprose, R., McRae, Dave and Hadiz, Vedi R. "Two Decades of Reformasi in Indonesia: Its Illiberal Turn," in Journal of Contemporary Asia 49 No. 5, 2019, pp. 691-712
- Ford, Thomas H. and Clemens, Justin. "Barron Field's Terra Nullius Operation," in Australian Humanities Review 65, 2019, pp. 1-19
- Ford, Thomas H. "Frankenscription, a natural history of poetry," in Nineteenth-Century Contexts 41 No. 3, 2019, pp. 271-285
- Hadiz, Vedi R. "The 'Floating' Ummah in the Fall of 'Ahok' in Indonesia," inTRaNS: Trans -Regional and -National Studies of Southeast Asia 7 No. 2, 2019, pp. 271-290
- Hankinson,Alexandra. "Flora's Go-betweens: Nectar, Insects, and Flowers in the Romantic Natural History of Pollination," in Romanticism 25 No. 1, 2019, pp. 3-21
- Jiang, James. "Curious Self-Evidence: Graphology and Gusto in Marianne Moore's Critical Prose," in Modernism/modernity 26 No. 2, 2019, pp. 375-398
- Mierowsky, Marc. "John West. Dryden and Enthusiasm: Literature, Religion, and Politics in Restoration England," in The Review of English Studies 70 No. 294, 2019, pp. 368-370
- Rundell, John. "David Roberts: Images of Aesthetic Modernity," in Thesis Eleven 152 No. 1, 2019, pp. 76-86
- Rundell, John. "Joel S. Kahn (1947-2017) - Perennial Anthropologist," in Thesis Eleven 151 No. 1, 2019, pp. 117-124
- Stanyon, Miranda. "The Passion of Edmund Burke: 'To Dr H_____n' Revisited," in Huntington Library Quarterly 82 No. 2, 2019, pp. 249-276
- Weber, M. and Davis, Mark. "Feminism in the Troll Space: Clementine Ford's Fight Like a Girl, Social Media, and the Networked Book," in Feminist Media Studies, 2019
- Archer, Anita. "Genesis of an Auction Sale Category: Sotheby's Inaugural Auction of 'Contemporary Chinese Art'," in Journal for Art Market Studies 2 No. 3, 2018
- Burnard, Trevor. "A Voice for Slaves: The Office of the Fiscal in Berbice and the Beginning of Protection in the British Empire, 1819-1834.," in Pacific Historical Review 87 No. 1, 2018, pp. 30-53
- Burnard, Trevor and Candlin, Kit. "Sir John Gladstone and the Debate over the Amelioration of Slavery in the British West Indies in the 1820s," in Journal of British Studies 57 No. 4, 2018, pp. 760-782
- Clemens, Justin. "Barron Field and the Myth of Terra Nullius," in Journal and Proceedings of the Royal Society of New South Wales 151 No. 2, 2018, pp. 135-141
- Clemens, Justin. "Of Avatars and Apotheoses: David Fallon's Blake," in Filozofski Vestnik 39 No. 2, 2018, pp. 41-57
- Clemens, Justin. "As Fire Burns: Philosophy, Slavery, Technology," in Crisis and Critique 5 No. 1, 2018, pp. 130-145
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