Dr Anita Archer
Research Coordinator, Enlightenment, Romanticism, and Contemporary Culture Research Unit, Faculty of Arts, the University of Melbourne
Anita Archer is an art historian whose research focus is contemporary art markets, with interest in the changing dynamics of primary and secondary markets, the evolving domination of multinational auction houses and the networked activities of art world intermediaries in the translocation of art globally. Anita's PhD thesis examined the emerging market for Chinese Contemporary Art in the West and her recent focus is the role of Singapore as an art market hub for Southeast Asia. Anita's research interest stems from her extensive work experience in the global art field as an international auctioneer and independent art consultant specialising in Asian contemporary art.
Associate Professor Justin Clemens
Academic, School of Culture and Communication, the University of Melbourne
Justin Clemen's work focuses primarily on the relationships between poetry, psychology and philosophy in Romantic and post-Romantic writing. He has written extensively on figures such as Sigmund Freud, Jacques Lacan, and Alain Badiou, as well as on themes of slavery and technology. His recent books include What is Education? (Edinburgh UP 2017), edited with A.J. Bartlett and The Afterlives of Georges Perec (Edinburgh UP 2017), edited with Rowan Wilken.
Photo credit: Nicholas Walton-Healey
Dr Sean Gaston
Visiting Scholar, Wolfson College Oxford (2017-2018), Emeritus Reader in English, Brunel University, London, and Honorary Research Fellow, the University of Melbourne
I am exploring 'the eighteenth century origins of modernity'. I have focused on concepts of disinterest, sympathy and pity, as well as fictions of imprudence and the invention of the literary character. I am now working on concepts of world in British Romanticism, Revolutionary America and the 'Atlantic World'.
Dr Steven Hampton
Sessional Lecturer in English and Theatre Studies, School of Culture and Communication, the University of Melbourne
Steven Hampton's research centres on the multilingual and transnational nature of cultural and literary production during the eighteenth and nineteenth centuries, in particular the interrelations between literatures in English, French and German. His current focus is the national epic as it was reconstructed, rediscovered or invented during the Age of Revolutions in Europe.
Dr Alexandra Hankinson
Research Assistant, Enlightenment, Romanticism, and Contemporary Culture Research Unit, Faculty of Arts, the University of Melbourne
Alexandra Hankinson’s research focuses on the literary and cultural history of biological thought and phenomena from the Enlightenment to the present. Her doctoral thesis explored the cross-section between figurative and scientific thought in the botany and zoology of the long eighteenth century, with emphasis given to the way in which observation and analogy came together in this period to uncover and explain the affinities of living objects. She has published on the poetic and scientific history of insect pollination in Romanticism (2019) and is currently working on an online exhibition for the Romantic Circles Gallery of Visual Culture on hybrid and interspecific relationships. Her present research interests include the co-functioning of art and science in the discovery and description of camouflage and mimicry; histories of biodiversity and ecology in Australia; field notes; imaginative and scientific responses to avian migration; and seasonality and harvest in Romantic art and literature.
Dr James Jiang
School of Culture and Communication, the University of Melbourne
James Jiang's research traces the residues of Romantic thought in modern and contemporary British and American writing. His recent articles on William James and Marianne Moore draw out the implications for literary modernism and philosophical pragmatism of concepts such as style and character - concepts which assume their modern shape in the late eighteenth and early nineteenth century. James is currently at work on a project entitled Sage Modernism that explores the intersection between pragmatist poetics and therapeutic culture.
Dr Claire Knowles
Senior Lecturer in English Literature, La Trobe University, Melbourne
Claire Knowles has published numerous articles on eighteenth- and nineteenth-century women writers. Her book, Sensibility and Female Poetic Tradition, 1780-1860: The Legacy of Charlotte Smith, was published by Ashgate in 2009 and she also recently edited, with Ingrid Horrocks, Charlotte Smith: Major Poetic Works (Broadview, 2017.) She is currently working on a project on newspaper poetry and popular literary culture in the Romantic period titled, "Romanticism, Newspapers, and the Democratization of Poetry, 1785-1810."
Dr Marc Mierowsky
McKenzie Postdoctoral Fellow, School of Culture and Communication, the University of Melbourne
Marc Mierowsky's research ranges broadly across period and genre, but is unified by the drive to investigate questions of collective identity and uncover the cultural dimensions of citizenship. He is one of the editors of Daniel Defoe's Correspondence (along with Nicholas Seager and Andreas Mueller) forthcoming with Cambridge University Press, and editor (along with Nicholas Seager) of Defoe's Roxana, forthcoming with Oxford World's Classics. His interest in Enlightenment thought and literature coheres around questions of sovereignty, naturalisation and constitutionality, the emergence of common-sense philosophy and theories of intersubjectivity. He is currently working on two discrete but overlapping projects: a narrative history of the group of spies whose work helped bring Scotland into an incorporated Union with England in 1707 and a cultural history of naturalisation in Britain and the Australian colonies. In recent work he has focused on the enlightenments of Eastern Europe, with particular emphasis on the Haskalah (or Jewish Enlightenment) and its influence on contemporary literature, ethics and stand-up comedy.
Associate Professor John Rundell
Principal Fellow, School of Culture and Communication, the University of Melbourne and Adjunct Professor in Philosophy, La Trobe University, Melbourne
John Rundell's research focuses on the problems of the imagination, creativity and modernity. As ERCC Research Fellow he is especially interested in the themes of 'Critique, Creativity, Comparison' and 'Worldiness, Cosmopolitanism, Globalisation'. His publications include Origins of Modernity; Imaginaries of Modernity; Aesthetics and Modernity Essays by Agnes Heller; Rethinking Imagination (with Gillian Robinson); Blurred Boundaries (with Rainer Bauboeck), and ‘Creating Social Theory: Enlightenment, Romanticism, Revolution’ in The Handbook for Social Theory edited by George Ritzer and Barry Smart. He is currently completing a book on the work of Immanuel Kant entitled Kant and Critical Theories before turning to another entitled The Creative Imagination: From Kant to Castoriadis and Beyond.
Dr Miranda Stanyon
Lecturer in Comparative Literature, King's College London
Miranda Stanyon's research focuses on enlightenment and Romantic era literature in Britain and Germany and takes a comparative approach to aesthetics, as a key field in constructing the post-enlightenment human subject and configuring its relationships with nature. She has published on the sublime, music and sound, emotions history, and visual culture.
Dr Phil Habil Jennifer Wawrzinek
English Institute, University of Potsdam
Jennifer Wawrzinek’s research focuses on the intersections between the political and the ethical in literature and culture of the Romantic and post-Romantic eras. She recently completed a monograph entitled Beyond Identity: Romanticism and Decreation, which investigates modes of decreation in British Romanticism as a response to the political and ethical crises of the late-eighteenth and early-nineteenth centuries. Jennifer is currently editing, together with Lisa O’Connell (UQ), a special issue of the journal Postcolonial Studies which will investigate the ways in which global movements and colonial contact in the long eighteenth century can be seen to have transformed or reinvented European literature and culture of the period. She is currently developing a new research project which aims to investigate Romantic models of relationality in which (human) being is conceived as embedded within a world that is not only biological, but techno-ecological as well. This project is particularly interested in the human-animal-machine formations of William Blake.