Book chapters

2020

Clemens, Justin and Bartlett, A. J. “Minus Something Indefinable,” in Badiou, Alain. The Pornographic Age. Bloomsbury, 2020
Ford, Thomas H. and Hughes, Joe. “Rhetoric,” in The Oxford Research Encyclopaedia of Literature. Oxford University Press, 2020
Knowles, Claire. “‘Far from my native fields removed’: Gentility, Displacement, and the Idea of Home in the Life and Poetry of Charlotte Smith,” in Labbe, Jacqueline and Dolan, Elizabeth A. (eds.,). Placing Charlotte Smith. Lehigh University Press, 2020
McLean, Ian. “Indigenising the Australian Artworld: National Culture and State Sovereignty,” in Bennett, Tony; Stevenson, Deborah; Myers, Fred and Winikoff, Tamara (eds.,). The Australian Art Field: Practices, Policies, Institutions. Routledge, 2020
Otto, Peter. “Light, moonlight, darkness and the world,” in Maidment, Simon (ed.,). NGV Triennial 2020. National Gallery of Victoria, 2020
Otto, Peter. ““Second birth” and Gothic fictions in Matthew Lewis’s The Monk, Catherine Blake’s “Agnes”, and William Blake’s Vala or The Four Zoas,” in Rajan, Tilottama and Faflak, Joel (eds.,). William Blake: Modernity and Disaster. Toronto University Press, 2020

2019

Clemens, Justin. “Agamben and Poetry,” in Ghosh, Ranjan (ed.,). Philosophy and Poetry: Continental Perspectives. Columbia University Press, 2019
Clemens, Justin and Bartlett, A.J. “Happiness is Revolting,” in Badiou, Alain. Happiness (trans. A. J. Bartlett, Justin Clemens). Bloomsbury Academic, 2019
Clemens, Justin. “Irremediability: On the Very Concept of Digital Ontology,” in Amanda, Lagerkvist (ed.,). Digital Existence: Ontology, Ethics and Transcendence in Digital Culture. Taylor & Francis, 2019
Clemens, Justin. “The Question Concerning Technology: Badiou versus Heidegger,” in Völker, Jan (ed.,). Badiou and the German Tradition of Philosophy. Bloomsbury Academic, 2019
Davis, Mark. “Unsettled Objects: Books, Cultural Politics, and the Case of Reading the Country,” in Morrissey, Philip and Healy, Chris (eds.,). Reading the Country: 30 Years On. University of Technology Sydney EPress, 2019
Ford, Thomas H. “Orlando’s Romantic Climate Change,” in Collett, Anne and Murphy, Olivia (eds.,). Romantic Climates: Literature and Science in an Age of Catastrophe. Palgrave Macmillan, 2019
Ford, Thomas H. “Natural Philosophy,” in Tuite, Clara (ed.,). Byron in Context. Cambridge University Press, 2019
Ford, Thomas H. “Max Frisch’s Man in the Holocene: Geological Cli-Fi,” in Goodbody, Axel and Johns-Putra, Adeline (eds.,). Cli-Fi: A Companion. Peter Lang, 2019
Ford, Thomas H. “George Turner’s Sea and Summer (1987): Urban Dystopian Cli-Fi,” in Goodbody, Axel and Johns-Putra, Adeline (eds.,). Cli-Fi: A Companion. Peter Lang, 2019
Ford, Thomas H. “Adorno: Poetry After Poetry,” in Ghosh, Rangan (ed.,). Philosophy and Poetry: Continental Perspectives. Columbia University Press, 2019
Greig, Elias. “Wordsworth in the Tropics of Cumbria,” in Collett, Anne and Murphy, Olivia (eds.,). Romantic Climates: Literature and Science in an Age of Catastrophe. Palgrave Macmillan, 2019
Hampton, Steven. “Utopia or Dystopia? The Romantics in Switzerland, 1816,” in Collett, Anne and Murphy, Olivia (eds.,). Romantic Climates: Literature and Science in an Age of Catastrophe. Palgrave Macmillan, 2019
Mierowsky, Marc and Aarons, Debra. “Obscenity, Dirtiness and Licence in Jewish Comedy,” in Wilkie, Ian (ed.,). The Routledge Comedy Studies Reader. Routledge, 2019
Milam, Jennifer. “Greuze Girls and the Painterly Embodiment of Sexual Pleasure,” in Dixon, L. and Weisberg, G.P. (eds.,). Making Waves: Crosscurrents in the Study of 19th-Century Art. Brepols Publishers, 2019
Milam, Jennifer. “Representations of Peace,” in Armitage, D. and Ghervaism, S. (eds.,). A Cultural History of Peace in the Age of Enlightenment (1648-1815). London: Bloomsbury Academic, 2019
Otto, Peter. “‘Rouse Up O Young Men of the New Age!’: Ōe Kenzaburō and William Blake on Bodies, Biopolitics, and the Imagination,” in Watson, Alex and Williams, Laurence (eds.,). British Romanticism in Asia: The Reception, Translation, and Transformation of Romantic Literature in India and East Asia. Palgrave Macmillan, 2019
Otto, Peter. “The Ends of Illustration: Explanation, Critique, and the Political Imagination in Blake’s Title-pages for Genesis,” in Haywood, Ian; Matthews, Susan and Shannon, Mary (eds.,). Romanticism and Illustration. Cambridge University Press, 2019
Otto, Peter. “William Blake, the Secularization of Religious Categories, and the History of Imagination,” in King, Joshua and Werner, Winter (eds.,). Constructing Nineteenth-Century Religion: Literary, Historical, and Religious Studies in Dialogue. Ohio State University Press, 2019
Otto, Peter. “William Blake, the Ancient Gnostics, and the Birth of Modern Gnosticism,” in Trompf, Garry; Mikkelsen, Gunner and Johnston, Jay (eds.,). The Gnostic World. Routledge, 2019
Tuite, Clara. “‘Literatoor’ and Literary Theory”, in Tuite, Clara (ed.,). Byron in Context. Cambridge University Press, 2019
Tuite, Clara. “When the Earth Moves,” in Collett, Anne and Murphy, Olivia (eds.,). Romantic Climates: Literature and Science in an Age of Catastrophe. Palgrave Macmillan, 2019

2018

Clemens, Justin. “Drug is the Love: Literature, Psychopharmacology, Psychoanalysis,” in Goldbach, J. and Godley, J.A. (eds.,). Inheritance in Psychoanalysis. State University of New York Press, 2018
Clemens, Justin. “If Law Speaks, It Speaks of Enjoyment: Psychoanalysis and Desire,” in Zartaloudis, Thomas (ed.,). Law and Philosophical Theory: Critical Intersections. Rowman & Littlefield International, 2018
Clemens, Justin and Bartlett, A. “Introduction: The World Turned Upside Down,” in Clemens, J. and Bartlett, A. (eds.,). Badiou and His Interlocutors. Bloomsbury Academic, 2018
Clemens, Justin. “The Last Horizon the Gaze Obscures,” in Haylock, B. (ed.,). Continuous Moment: Damiano Bertoli. Surpllus, 2018
Clemens, Justin. “The Paradox of Dissemination,” in Blamey, D. and Haylock, B. (eds.,). Distributed. Open Editions, 2018
Clemens, Justin. “‘Their Jarring Spheres Confound’: John Milton’s Paradise Lost as a Counter-Baroque War Machine,” in Ndalianis, Angela and Beaven, Lisa (eds.,). Emotion and the Seduction of the Senses, Baroque to Neo-Baroque. Medieval Institute Publications, 2018
Hadiz, Vedi R. “Islamic Populism and the Politics of Neoliberal Inequalities,” in Routledge Handbook of Global Populism. Routledge, 2018
Hadiz, Vedi R. “Islamic Populism in Indonesia: Emergence and Limitations,” in Hefner, Robert W. (ed.,). Routledge Handbook of Contemporary Indonesia. Routledge, 2018
Otto, Peter. “The Horrors of Creation: Globes, Englobing Powers, and Blake’s Archaeologies of the Present,” in Bundock, Chris and Effinger, Elizabeth (eds.,). William Blake’s Gothic Imagination: Bodies of Horror. Manchester University Press, 2018
Stanyon, Miranda. “‘A Possession for Eternity’: Thomas De Quincey’s Feeling for War,” in Downes, Stephanie; Lynch, Andrew and O’Loughlin, Katrina (eds.,). Writing War in Britain and France, 1370-1854: A History of Emotions. Routledge, 2018
Wawrzinek, Jennifer, “Postcolonial Dandies and the Death of the Flâneur,” in Bystrom, Kerry; Harris, Ashleigh and Webber, Andrew J. (eds.,). South and North: Contemporary Urban Orientations. Routledge India, 2018