Publications

Recent Member Publications

• Justin Clemens, "The Age Demanded My Fellow Critics" Sydney Review of Books, 28 Feburary (2025).
• Ben Gook, (ed.), Libidinal Economies of Crisis Times: The Psychic Life of Contemporary Capitalism. Bielefeld: Transcript, 2024.
• Justin Clemens,  "Badiou: Politics, Beings and Events" Arena, 18:1 (2024).
• Lucy Benjamin,  "The Sounds of the Slave: Hannah Arendt and the Silent Revolt of Refugees" Philosophy, Politics and Critique,  1:2 (2024): 237-255.
• Jessica Marian, Elliot Patsoura, and Joseph Hughes, “The Work of Interpretation: Critique and the Review Form, 1947-1967" New Literary History, 55:1 (2024): 99-123.
• Jessica Marian and Nick Robinson, "Professorial Autonomy, Casualisation, and Wage Theft in Australian Universities" Australian Humanities Review, 72:1 (2024): 78-88.
• Joseph Hughes and Jessica Marian, "The Values of Critique" Australian Literary Studies, 38:2 (2023).
• Lucy Benjamin, "Amor Terra: Rereading Arendt's Amor Mundi for a Planet in Crisis" Arendt Studies, 7:1 (2023): 59-78.
• Kostas Axelos, The Game of the World. Trans. Justin Clemens and Hellmut Monz. Edinburgh: Edinburgh University Press, 2023.
• Lynda Ng, "Civilisation Perilous: Resituating Coetzee's Barbarians and the West" Journal of Modern Literature 46:2 (2023): 97-113.
• Tom Ford and Justin Clemens, Barron Field in New South Wales: The Poetics of Terra Nullius, Melbourne: Melbourne University Press, 2023.
• Elliot Patsoura, “Toward a Genealogy of Geoengineering: Erasmus Darwin and the Little Ice Age” in Eighteenth-Century Environmental Humanities, Jeremy Chow (Ed.), Lewisberg: Bucknell University Press, 2023, 23-37.
• Lynda Ng, "Alexis Wright's Novel Activism" The Cambridge Companion to the Australian Novel, Cambridge University Press, 2023, 178-193.
• Andre Dao,  "Resisting the inevitable: human rights and the data society" London Review of International Law, 11:2 (2023): 315–348.
• Lynda Ng, "Migrant Writing and the Invention of Australia" The Cambridge History of the Australian Novel, 2023, 662-678.
• Ben Gook and Dominiek Hoens. “Alienation.” In The Marx through Lacan Vocabulary: A Compass for Libidinal and Political Economies, Christina Sotot van der Plas, Edgar Miguel Juárez-Salazar, Carlos Gómez Camarena, and David Pávon-Cuéllar (eds.), 1–15. London: Routledge, 2022.
• Elizabeth Presa, ‘Theorem’, Mejia Gallery, Melbourne (October 2022).
• Lynda Ng, "Alexis Wright's 'Vision Splendid': Aboriginal Economics, Climate Justice, and a Gaian World Literature" Commonwealth Essays and Studies 44:2 (2022).
• Gilbert Simondon, Imagination and Invention. Trans. Joe Hughes and Christophe Wall-Romana. Minneapolis: University of Minnesota Press, 2022.
• Justin Clemens and Joseph Hughes, “Not Nearly Wrong Enough: Epistemontology as an Analogical Re-fusion of Real Abstraction” Cultural Critique 112 (2021): 142-155.
• Lisa Radford and Yhonnie Scarce, 'The Image is not Nothing (Concrete Archives)',  ACE Gallery, Adelaide (February-April 2021).
• Joseph Hughes, “Between Heidegger and Blanchot: Death, Transcendence and the Origin of Ideas in Deleuze’s ‘Difference and Repetition’” Journal of the British Society for Phenomenology 52:3 (2021): 183-202.
• Justin Clemens, “Space, Place, Materiality in Contemporary Australian Poetry” in New Directions in Contemporary Australian Poetry, Dan Disney and Matthew Hall (eds.). Cham: Palgrave Macmillan, 2021, pp. 145-157.
• Lucy Benjamin, “Earthly Births: The Messianism of Natality in the Climate Crisis” Approaching Religion. 10.2 (2020): 73-91.
• Lucy Benjamin, “Relational Ontologies in Cavarero, Butler and Arendt” Philosophy Today. 64.3 (2020): 671-689.
• Justin Clemens, “Morbus Anglicus; or, Pandemic, Panic, Pandaemonium” Crisis & Critique 7.3 (2020): 40-60.
• Danny Butt, How Artistic Research Ends. Melbourne: Surpllus. RUPC #7, 2020
• Yhonnie Scarce and Lisa Radford, The Image is not nothing (Concrete Archives), A+A Online (2020).
• Joseph Hughes, “Between Heidegger and Blanchot: Death, Transcendence and the Origin of Ideas in Deleuze’s Difference and Repetition” Journal of the British Society for Phenomenology (2020): 1-19.
• Justin Clemens, “Contraversy in the Nursery; or, A Brace of Basterds” Journal of Continental Philosophy 1.2 (2020): 232-243.
• Joseph Hughes, “The greatest deception: fiction, falsity and manifestation in Spinoza’s Metaphysical Thoughts” Intellectual History Review 30:3 (2020): 363-385.
• Danny Butt, “Ethics and the Infrastructure of Artistic Research: Thomas Hirschhorn’s Gramsci Monument” in The Meeting of Aesthetics and Ethics in the Academy: Challenges for Creative Practice Researchers in Higher Education, Kate MacNeill and Barbara Bolt (eds.), London: Routledge, 2019, 25–37.
• Joseph Hughes, “Scenes of Post-War French Thought” Angelaki 24:6 (2019): 22-40.
• Joseph Hughes, “Formal Destruction: The Art of the Fugue in Destroy, She Said” Journal of the Circle for Lacanian Ideology Critique 12 (2019): 42-66.
• Lucy Benjamin, “Reorienting the Gaze: Hearing Sex in Cinema” Mai: Journal of Feminism and Visual Culture 2 (2018).
• Joseph Hughes, “The Cold Quietness of the Stars: Proof, Rhetoric and the Authority of Reason in the Ethics” in Spinoza’s Authority Volume I: Resistance and Power in Ethics, A Kiarina Kordela and Dimitris Vardoulakis (eds.), London/New York: Bloomsbury, 2018, 113-134.
• Danny Butt, Artistic Research in the Future Academy. Bristol/Chicago, Intellect Books/University of Chicago Press, 2017.
• A. J. Bartlett and Justin Clemens (eds.), What is Education? Edinburgh University Press, 2017.
• Elliot Patsoura and Thomas Sutherland, “Michel Foucault, Friedrich Kittler, and the interminable half-life of ‘so-called man’” Angelaki 22:4 (2017): 49-68.
• Danny Butt, and Rachel O’Reilly, “Infrastructures of Autonomy on the Professional Frontier: ‘Art and the Boycott of/as Art’.” Journal of Aesthetics and Protest 10 (2017): Online.
• Ben Gook, “Australian Postcolonial Trauma and Silences in Samson and Delilah.” In Scars and Wounds: Film and Legacies of Trauma, Nick Hodgin and Amit Thakkar (eds.), Cham: Palgrave Macmillan, 2017, 169–94.
• Ben Gook, “Ecstatic Melancholic: Ambivalence, Electronic Music and Social Change around the Fall of the Berlin Wall.” Emotions: History, Culture, Society 1:2 (2017): 11–37.
• Danny Butt, and Local Time, “Colonial Hospitality: Rethinking Curatorial and Artistic Responsibility.” Journal for Artistic Research 10 (May 2016): Online.
• Danny Butt, Scott McQuire, and Nikos Papastergiadis, “Platforms and Public Participation.” Continuum Journal Of Media & Cultural Studies 30:6 (2016): 734–43.
• Danny Butt, “Double-Bound: Gayatri Chakravorty Spivak’s An Aesthetic Education in the Era of Globalization.” RUPC Working Papers Series, no. 1 (2015): 1–14.
• Joseph Hughes, “Ground, Transcendence and Method in Deleuze’s Fichte” in At the Edges of Thought: Deleuze and Post-Kantian Philosophy, C. Lundy and D. Voss (eds.), Edinburgh: Edinburgh University Press, 2015, 146-167.
• Joseph Hughes, “The Schizoanalysis of Literature: Austen, Behn and the Scene of Desire” in The Schizoanalysis of Literature, Tim Matts and Aidan Tynan (eds.). Edinburgh University Press, 2015, 63-81.
• Jessica Marian, “Styling against Absolute Knowledge in Derrida’s Glas” Parrhesia 24 (2015): 217-238.
• Elliot Patsoura and Thomas Sutherland, “Human-in-the-last-instance? The Concept of ‘Man’ between Foucault and Laruelle” Parrhesia 24 (2015): 285-311.
• Ben Gook, Divided Subjects, Invisible Borders: Re-Unified Germany after 1989. London: Rowman & Littlefield International, 2015.